On Ninja Tune
Jaga Jazzist have become something of a musical phenomenon in Norway since they started 15 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects and musical styles which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxes, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music; melodic, hypnotizing, delicate and subtle.
Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album 'A Livingroom Hush' on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone...) Throughout 2002 the band shocked fans and critics alike with their blistering live shows, the buzz resulting in sold out dates all over Europe and bringing the band to the attention of Ninja Tune.
At the same time that their debut album was gaining more and more international success, Jaga recorded the follow up titled 'The Stix', their first release for Ninja. As with their first album it was produced by Norwegian superproducer Jørgen Træen, the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et al), but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call 'Jaga Jazzist'. It was the perfect balance between (hu)man and machine, and it never lost the organic nature of a live 10 piece band.
After heavy touring next came their most radical album, 'What We Must', the result of the band going into an isolated studio out in the Norwegian woods and recording the demo now known as the 'Spydeberg Session'. Put down in one take in one day, it was a breakthrough moment for the group, a sound that was closer to their live sound than ever before. It was their rock album, but Jaga's own kaleidoscopic take on a rock album; rolling from early 90s British shoegazer guitar pop to 70s prog rock, all shot through with Jaga's own unique logic.
And now this takes us to their 6th album, "One Armed Bandit", released in January 2010. Lars Horntveth began writing the music in early 2008; alongside two new band members, Øystein Moen-keys and Stian Westerhus-Guitar, Jaga rented a house in the Swedish forest to rehearse new material. It could be said that this material was a reaction to their previous release, as whilst it does include the rock stylings of 'What We Must' and the electronics of 'The Stix', it is still very much looking forward with a new sound. The breakthrough moment was the track "One Armed Bandit", the first single title track from the album. Taking influence from the afro-beat stylings of Fela Kuti but funneled through Wagner-esque fanfares and arpeggios, this sound became a theme of the album.
In December 2008 the band went to Cabin Recorders to record the album with Jørgen Træen, a man who had been a big factor in forming Jaga´s music since 'A Livingroom Hush' and 'The Stix'. Unfortunately, after 3 weeks Træen got tinnitus, leading Jaga to quickly think about John McEntire, of Tortoise fame. He was enthusiastic about working with the band and in April 2009, 3 members of the band went to Soma Studio in Chicago to mix the album.
At heart of this collective is a restless soul, going in many directions at the same time, but always going forward - fast. The band are always pushing their boundaries, both personal and musical, and this is why they are impossible to categorize. And why they're special. Jaga is something natural and beautiful; a necessity. For both them and us.