Array ( [Event] => Array ( [id] => 11082 [date] => 2013-05-31 [artist] => Bonobo [city] => Lille [state] => [country] => FR [venue] => Aeronef Club [promoter] => [description] =>

http://www.bonobomusic.com/

[ticket_url] => http://www.bonobomusic.com/ [image_upload_id] => 4236 [created] => 2013-01-24 16:15:56 [modified] => 2013-01-24 16:15:56 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => bonobo-lille-aeronef-club [description_clean] =>

http://www.bonobomusic.com/

[products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 4236 [media_type] => image [artist] => Bonobo [title] => Bonobo - Promo Shot - Jul 2010 [credits] => [buy_link] => [filename] => images/bonobo/bonobo-34_2.jpg [checksum] => 3e6349fd9afbdd64023744448c4c831a [mime_type] => image/jpeg [size] => 3899509 [external_url] => http://media.ninjatune.net/images/bonobo/bonobo-34_2.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => bonobo [slug] => bonobo-promo-shot-jul-2010 [created] => 2010-11-24 04:22:15 [modified] => 2010-11-24 04:22:15 [embed] => ) [Country] => Array ( [id] => 229 [name] => France [longname] => France [numcode] => 250 [iso] => FR [iso3] => FRA [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 455 [rght] => 456 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 55 [name] => Bonobo [description] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

) ) ) [1] => Array ( [Event] => Array ( [id] => 11248 [date] => 2013-05-31 [artist] => Andreya Triana [city] => London [state] => [country] => GB [venue] => Union Chapel [promoter] => [description] => [ticket_url] => http://www.soundcrashmusic.com/andreya-triana-union-chapel/ [image_upload_id] => 18076 [created] => 2013-02-25 15:28:35 [modified] => 2013-05-14 12:19:49 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => andreya-triana-london-union-chapel [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18076 [media_type] => image [artist] => Andreya Triana [title] => Union Chapel 2013 [credits] => [buy_link] => http://www.soundcrashmusic.com/andreya-triana-union-chapel/ [filename] => images/andreya-triana/Soundcrash-Andreya-Triana-e-Flyer-02.jpg [checksum] => 9868913f7abf104eb59720b29c8eee8a [mime_type] => image/jpeg [size] => 376564 [external_url] => http://media.ninjatune.net/images/andreya-triana/Soundcrash-Andreya-Triana-e-Flyer-02.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => andreya-triana [slug] => union-chapel-2013 [created] => 2013-05-14 12:17:34 [modified] => 2013-05-14 12:18:06 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 89 [name] => Andreya Triana [description] =>

An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 

 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene. Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 

2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records. 2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana!

[links] => Facebook
Twitter
Soundcloud [image_upload_id] => 4234 [label_id] => 1 [twitter_username] => andreyatriana [instagram_id] => 5689105 [instagram_username] => andreyatriana [link] => [listed] => 1 [sortname] => Andreya Triana [created] => 2010-07-17 22:15:59 [modified] => 2013-05-03 14:47:49 [slug] => andreya-triana [fuga_id] => [description_clean] =>

An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 

 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene.

Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 

2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records.

2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana!

[links_clean] =>

Facebook
Twitter
Soundcloud

) ) ) [2] => Array ( [Event] => Array ( [id] => 11443 [date] => 2013-05-31 [artist] => Lukid [city] => Montreal [state] => QC [country] => CA [venue] => MUTEK [promoter] => [description] =>

RBMA Stage

[ticket_url] => https://mutek.ticketpro.ca/achat_MTK31EN13.html?aff=mutek [image_upload_id] => 18009 [created] => 2013-04-23 14:31:25 [modified] => 2013-04-23 14:31:25 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => lukid-montreal-mutek [description_clean] =>

RBMA Stage

[products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18009 [media_type] => image [artist] => TOKiMONSTA, Lukid, Letherette and Emika [title] => Mutek festival logo [credits] => [buy_link] => [filename] => images/tokimonsta-lukid-letherette-and-emika/mutek-980.jpg [checksum] => cc4e271ac9c4b16ad4ee3981609ef81b [mime_type] => image/jpeg [size] => 16465 [external_url] => http://media.ninjatune.net/images/tokimonsta-lukid-letherette-and-emika/mutek-980.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => tokimonsta-lukid-letherette-and-emika [slug] => mutek-festival-logo [created] => 2013-04-23 14:29:14 [modified] => 2013-04-23 14:29:40 [embed] => ) [Country] => Array ( [id] => 119 [name] => Canada [longname] => Canada [numcode] => 124 [iso] => CA [iso3] => CAN [currency] => CAD [active] => 1 [parent_id] => 117 [lft] => 235 [rght] => 236 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 169 [name] => Lukid [description] =>

Lukid is a producer from London who makes all manner of electronic music depending on what kind of mood he’s in. Sometimes it’s quite fast and angular, other times it’s warm and blurry like summer rain. He has previously released two albums on Actress’ Werkdiscs label - Onandon (2007) and Foma (2009) - and with new album Lonely At The Top, he’ll make that three on 22 October 2012.

The lighting bolt for Lonely At The Top came in the form of a bag of home-taped cassettes he found on his street a year and a half ago. Among the haul were classical recordings, a few language tapes and one marked DISCO. Having just started playing around with recording stuff to tape with an old hi-fi, this was one of those funny little coincidences that some would call fate. “Tape has a way of making things sound sad,” he recalls. Listening to those tapes set the wheels in motion for "Bless My Heart". A low, slow funk track, it set the tone for the album: a little spooked but shot through with hope.

It was made using an old Dell laptop, a Macbook, a couple of synths and a tape machine. Claiming to know “nothing about the technical side” of things, Lonely At The Top is the first record Lukid has made without any creeping worries about professionalism. “I just thought, if it sounds good then that’s all that matters,” he continues. “I would record things back and forth and mess with the same sound so many times that by the end it was a complete mess and totally distorted.”

That sense of freedom runs through the album. Its arc is geographical, tracing landscapes, stirring up buried memories and giving shape to ideas of places. “I like albums that are put together like a film,” he says. “So it has ups and downs and keeps you guessing.” The foggy, faintly industrial plains of "Manchester" provide the backdrop to the titular sample which was picked out from a Japanese language tape. "Snow Theme" paints a soft white-out scene, with the rush of calm that chases it. Like a gentle call to stir slumbering workers to their posts, "USSR" has both a familiarity and warm regretfulness to it that stings and yet was named after a level in Street Fighter II.

Perhaps that’s the most moving thing about Lonely At The Top: the tension between the playful titling and its teasing presentation of this mournful music. In listening, there is an intimate sense of closeness, a feeling that situates the heart in the throat. And yet there is that tongue-in-cheek title, chosen because it made Lukid laugh: “It clearly doesn’t apply to me.” But then sometimes funny is the saddest thing of all.

Lonely At The Top is a deeply moving, absorbing album, and without a doubt Lukid’s finest work to date.

[links] =>

www.werkdiscs.com

Tumblr
Facebook
Twitter
Soundcloud

[image_upload_id] => 17099 [label_id] => 10 [twitter_username] => Lukid [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Lukid [created] => 2012-07-25 14:52:28 [modified] => 2014-05-15 15:13:05 [slug] => lukid [fuga_id] => [description_clean] =>

Lukid is a producer from London who makes all manner of electronic music depending on what kind of mood he’s in. Sometimes it’s quite fast and angular, other times it’s warm and blurry like summer rain. He has previously released two albums on Actress’ Werkdiscs label - Onandon (2007) and Foma (2009) - and with new album Lonely At The Top, he’ll make that three on 22 October 2012.

The lighting bolt for Lonely At The Top came in the form of a bag of home-taped cassettes he found on his street a year and a half ago. Among the haul were classical recordings, a few language tapes and one marked DISCO. Having just started playing around with recording stuff to tape with an old hi-fi, this was one of those funny little coincidences that some would call fate. “Tape has a way of making things sound sad,” he recalls. Listening to those tapes set the wheels in motion for "Bless My Heart". A low, slow funk track, it set the tone for the album: a little spooked but shot through with hope.

It was made using an old Dell laptop, a Macbook, a couple of synths and a tape machine. Claiming to know “nothing about the technical side” of things, Lonely At The Top is the first record Lukid has made without any creeping worries about professionalism. “I just thought, if it sounds good then that’s all that matters,” he continues. “I would record things back and forth and mess with the same sound so many times that by the end it was a complete mess and totally distorted.”

That sense of freedom runs through the album. Its arc is geographical, tracing landscapes, stirring up buried memories and giving shape to ideas of places. “I like albums that are put together like a film,” he says. “So it has ups and downs and keeps you guessing.” The foggy, faintly industrial plains of "Manchester" provide the backdrop to the titular sample which was picked out from a Japanese language tape. "Snow Theme" paints a soft white-out scene, with the rush of calm that chases it. Like a gentle call to stir slumbering workers to their posts, "USSR" has both a familiarity and warm regretfulness to it that stings and yet was named after a level in Street Fighter II.

Perhaps that’s the most moving thing about Lonely At The Top: the tension between the playful titling and its teasing presentation of this mournful music. In listening, there is an intimate sense of closeness, a feeling that situates the heart in the throat. And yet there is that tongue-in-cheek title, chosen because it made Lukid laugh: “It clearly doesn’t apply to me.” But then sometimes funny is the saddest thing of all.

Lonely At The Top is a deeply moving, absorbing album, and without a doubt Lukid’s finest work to date.

[links_clean] =>

www.werkdiscs.com

Tumblr
Facebook
Twitter
Soundcloud

) ) ) [3] => Array ( [Event] => Array ( [id] => 11485 [date] => 2013-05-31 [artist] => Amon Tobin [city] => Boston [state] => MA [country] => US [venue] => Paradise Rock Club [promoter] => [description] =>

Amon Tobin in Association and Brain Trust

[ticket_url] => http://www.ticketmaster.com/event/0100498DEB93C696 [image_upload_id] => 15327 [created] => 2013-05-07 14:24:28 [modified] => 2013-05-07 15:13:42 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => amon-tobin-boston-paradise-rock-club [description_clean] =>

Amon Tobin in Association and Brain Trust

[products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 15327 [media_type] => image [artist] => Amon Tobin [title] => Amon Tobin 'ISAM' Artwork [credits] => [buy_link] => [filename] => images/amon-tobin/amontobin-IASM-cover.jpg [checksum] => 9cc286f1a860560f4db814134fbea1d4 [mime_type] => image/jpeg [size] => 537635 [external_url] => http://media.ninjatune.net/images/amon-tobin/amontobin-IASM-cover.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => amon-tobin [slug] => amon-tobin-isam-artwork [created] => 2011-02-17 12:09:55 [modified] => 2011-02-17 12:10:02 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 31 [name] => Amon Tobin [description] => Brazilian-born Amon Tobin first emerged between 1994-1995 with a string of 12" singles on a small London-based record label called 9Bar Records. The album that followed, 'Adventures In Foam', paved the way for a whole generation of electronic productions and prompted his signing to the prodigious Ninja Tune in 1996. He has since gone on to record seven critically- acclaimed albums under his own name on Ninja that have since helped define the label as a force in musical innovation and diversity. In addition, Amon has produced a small number of radically diverse original scores ranging from George Palfi's cult cinema oddity 'Taxidermia' to Tom Clancy's video game blockbuster 'Splinter Cell: Chaos Theory'.

The depth and scope of Amon Tobin's work have had a far-reaching influence, garnering respect amongst producers and artists both within and outside electronic music. Whether with the classical avant garde Kronos Quartet or D'n'B legends Noisia, or on his own in some invented form, Amon has established a reputation for musical ingenuity that is unconfined by genre. Over a fifteen-year-long career Amon Tobin remains among one of the most visionary electronic artists of a generation.

The 2007 album 'Foley Room' explored the role of found sound in modern day music. Documented on film, the process of recording minute insects to lions, wolves, engines and foley performances culminated in a much- lauded performance at the birthplace of musique concrete, the GRM Theatre in Paris. More recently, the famed London Metropolitan Orchestra performed selected works from a cross-section of his musical repertoire at the Royal Albert Hall. The performance included a piece from his forthcoming studio album due for release in early 2011.

Amon Tobin will release 3 albums in 2011: a radical new studio album entitled 'ISAM', a new Two Fingers album, and an album of remixes of his 'Chaos Theory' soundtrack work.

[links] =>

www.amontobin.com

Tumblr
Facebook
Twitter
Soundcloud
YouTube

[image_upload_id] => 15363 [label_id] => 1 [twitter_username] => AmonTobinHQ [instagram_id] => 10218717 [instagram_username] => amontobin [link] => [listed] => 1 [sortname] => Amon Tobin [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:45:41 [slug] => amon-tobin [fuga_id] => [description_clean] =>

Brazilian-born Amon Tobin first emerged between 1994-1995 with a string of 12" singles on a small London-based record label called 9Bar Records. The album that followed, 'Adventures In Foam', paved the way for a whole generation of electronic productions and prompted his signing to the prodigious Ninja Tune in 1996. He has since gone on to record seven critically- acclaimed albums under his own name on Ninja that have since helped define the label as a force in musical innovation and diversity. In addition, Amon has produced a small number of radically diverse original scores ranging from George Palfi's cult cinema oddity 'Taxidermia' to Tom Clancy's video game blockbuster 'Splinter Cell: Chaos Theory'.

The depth and scope of Amon Tobin's work have had a far-reaching influence, garnering respect amongst producers and artists both within and outside electronic music. Whether with the classical avant garde Kronos Quartet or D'n'B legends Noisia, or on his own in some invented form, Amon has established a reputation for musical ingenuity that is unconfined by genre. Over a fifteen-year-long career Amon Tobin remains among one of the most visionary electronic artists of a generation.

The 2007 album 'Foley Room' explored the role of found sound in modern day music. Documented on film, the process of recording minute insects to lions, wolves, engines and foley performances culminated in a much- lauded performance at the birthplace of musique concrete, the GRM Theatre in Paris. More recently, the famed London Metropolitan Orchestra performed selected works from a cross-section of his musical repertoire at the Royal Albert Hall. The performance included a piece from his forthcoming studio album due for release in early 2011.

Amon Tobin will release 3 albums in 2011: a radical new studio album entitled 'ISAM', a new Two Fingers album, and an album of remixes of his 'Chaos Theory' soundtrack work.

[links_clean] =>

www.amontobin.com

Tumblr
Facebook
Twitter
Soundcloud
YouTube

) ) ) [4] => Array ( [Event] => Array ( [id] => 11528 [date] => 2013-05-31 [artist] => The Gaslamp Killer [city] => Brooklyn [state] => [country] => US [venue] => Music Hall of Williamsburg [promoter] => [description] => [ticket_url] => [image_upload_id] => 15025 [created] => 2013-05-07 16:36:49 [modified] => 2013-05-07 16:36:49 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => the-gaslamp-killer-brooklyn-music-hall-of-williamsburg [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 15025 [media_type] => image [artist] => The Gaslamp Killer [title] => Artist Press shot [credits] => [buy_link] => [filename] => images/the-gaslamp-killer/gaslampkiller-artistpress-72dpi.jpg [checksum] => e8c3debdf7a75885f901d225a975850a [mime_type] => image/jpeg [size] => 152957 [external_url] => http://media.ninjatune.net/images/the-gaslamp-killer/gaslampkiller-artistpress-72dpi.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => the-gaslamp-killer [slug] => artist-press-shot [created] => 2011-01-04 10:18:09 [modified] => 2011-01-04 10:18:09 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 131 [name] => The Gaslamp Killer [description] =>

LA’s William Bensussen, aka The Gaslamp Killer, is many things at once. The San Diego native is a bonafide one-off; an artist and human being that can never be repeated. With an unparalleled energy, the DJ, producer, promoter and curator brings a different level of performance and showmanship to electronic music. 

"I always felt drawn to party time ever since I was little. Any kind of opportunity; a wedding, bar mitzvah, holiday. Whatever kind of event that was going on in my little community in San Diego, if there was music, I was dancing. It's just the way it was. I've always been into the energy and the happiness that it brings.”

Being a true music lover, and a complete obsessive, as a DJ/selector Bensussen has opened minds around the world to music that wouldn’t otherwise get heard. In his own words: “As artists, it's our job to entertain as well as educate.” Alongside co-founder Daddy Kev, GLK has put Southern California on the music map for years to come, with their beat mecca Low End Theory and the vibrant creative community they’ve built around it. The weekly Wednesday club night has brought together different scenes and generations, breaking new artists while also getting the likes of Thom Yorke and Erykah Badu to play DJ sets to the fevered Low End crowd, who often wait hours to get in. 

Over the last ten years, Gaslamp Killer’s iconoclastic attitude has led him beyond LA to far-reaching corners of the globe, one stage at a time: from Pitch in Amsterdam, to Sonar in Barcelona, to Austin Psych Fest, to Roskilde in Denmark, to Coachella. Holding a collection of well over 13,000 vinyl records, GLK’s untamed, unpredictable sets take traditional genres of rock into the outer reaches of hip-hop and the deep into the cosmic pressure of the heaviest electronic beats, with plenty of obscurity and bizarreness in-between. 

The now rare, GLK collectables I Spit On Your Grave and All Killer inspired a new generation of DJs to appreciate the art of a mixtape. Dusted Magazine described his follow-up mix, Hell And The Lake Of Fire Are Waiting For You, with words that describe GLK as a DJ in general: “Trying to figure out what’s going on is half the draw.” 

"The music that I grew up with influences me today enormously still. I love classic rock, I still love Dub and I still love Rap. Real rap. Gansta rap. I love bands, live bands, it's the music I grew up with. I don't think there are that many bands that can compare to Jimi Hendrix, Led Zeppelin, Pink Floyd, The Doors. They're not popular for no reason. I play The Beatles in my sets all the time still. Their music is a huge influence on me. I still play Dr Dre in my set all the time. His beats and the rhymes, the energy, they just affect me so much. They are a part of me. As well as Hip Hop, as well as Rock, and Blues, and Soul, and Jazz, and Reggae, and Dub. That kind of music I think lends to everything that we are all into today. All of us are fueled by that. The formulas that they laid and the foundations that they laid are used by musicians forever and will continue to be used forever.”

As a producer, The Gaslamp Killer has worked with artists such as Gonjasufi, Prefuse 73 and Flying Lotus. His own experimental solo material pushes the borders of genre as much as his performances, particularly with his heavy-weighted EP My Troubled Mind (Brainfeeder) and the monster Death Gate EP (Brainfeeder), which featured Gonjasufi, Computer Jay and Mophono

Breakthrough will mark the debut full-length album from the Gaslamp Killer. Blending California-inspired psych with widespread global influences, on Breakthrough GLK brings together a potent cast of friends to contribute to the album, with guest appearances from Gonjasufi, Adrian Younge, Dimlite, Daedelus, SAMIYAM and more. A musical anachronism and unconstrained compilation from a wandering spirit.

[links] =>

Website

Facebook
Twitter
Soundcloud

[image_upload_id] => 15025 [label_id] => 7 [twitter_username] => GASLAMPKILLER [instagram_id] => 8233383 [instagram_username] => gaslampkiller [link] => [listed] => 0 [sortname] => Gaslamp Killer [created] => 2010-11-05 15:56:36 [modified] => 2013-05-03 14:57:46 [slug] => the-gaslamp-killer [fuga_id] => [description_clean] =>

LA’s William Bensussen, aka The Gaslamp Killer, is many things at once. The San Diego native is a bonafide one-off; an artist and human being that can never be repeated. With an unparalleled energy, the DJ, producer, promoter and curator brings a different level of performance and showmanship to electronic music. 

"I always felt drawn to party time ever since I was little. Any kind of opportunity; a wedding, bar mitzvah, holiday. Whatever kind of event that was going on in my little community in San Diego, if there was music, I was dancing. It's just the way it was. I've always been into the energy and the happiness that it brings.”

Being a true music lover, and a complete obsessive, as a DJ/selector Bensussen has opened minds around the world to music that wouldn’t otherwise get heard. In his own words: “As artists, it's our job to entertain as well as educate.” Alongside co-founder Daddy Kev, GLK has put Southern California on the music map for years to come, with their beat mecca Low End Theory and the vibrant creative community they’ve built around it. The weekly Wednesday club night has brought together different scenes and generations, breaking new artists while also getting the likes of Thom Yorke and Erykah Badu to play DJ sets to the fevered Low End crowd, who often wait hours to get in. 

Over the last ten years, Gaslamp Killer’s iconoclastic attitude has led him beyond LA to far-reaching corners of the globe, one stage at a time: from Pitch in Amsterdam, to Sonar in Barcelona, to Austin Psych Fest, to Roskilde in Denmark, to Coachella. Holding a collection of well over 13,000 vinyl records, GLK’s untamed, unpredictable sets take traditional genres of rock into the outer reaches of hip-hop and the deep into the cosmic pressure of the heaviest electronic beats, with plenty of obscurity and bizarreness in-between. 

The now rare, GLK collectables I Spit On Your Grave and All Killer inspired a new generation of DJs to appreciate the art of a mixtape. Dusted Magazine described his follow-up mix, Hell And The Lake Of Fire Are Waiting For You, with words that describe GLK as a DJ in general: “Trying to figure out what’s going on is half the draw.” 

"The music that I grew up with influences me today enormously still. I love classic rock, I still love Dub and I still love Rap. Real rap. Gansta rap. I love bands, live bands, it's the music I grew up with. I don't think there are that many bands that can compare to Jimi Hendrix, Led Zeppelin, Pink Floyd, The Doors. They're not popular for no reason. I play The Beatles in my sets all the time still. Their music is a huge influence on me. I still play Dr Dre in my set all the time. His beats and the rhymes, the energy, they just affect me so much. They are a part of me. As well as Hip Hop, as well as Rock, and Blues, and Soul, and Jazz, and Reggae, and Dub. That kind of music I think lends to everything that we are all into today. All of us are fueled by that. The formulas that they laid and the foundations that they laid are used by musicians forever and will continue to be used forever.”

As a producer, The Gaslamp Killer has worked with artists such as Gonjasufi, Prefuse 73 and Flying Lotus. His own experimental solo material pushes the borders of genre as much as his performances, particularly with his heavy-weighted EP My Troubled Mind (Brainfeeder) and the monster Death Gate EP (Brainfeeder), which featured Gonjasufi, Computer Jay and Mophono

Breakthrough will mark the debut full-length album from the Gaslamp Killer. Blending California-inspired psych with widespread global influences, on Breakthrough GLK brings together a potent cast of friends to contribute to the album, with guest appearances from Gonjasufi, Adrian Younge, Dimlite, Daedelus, SAMIYAM and more. A musical anachronism and unconstrained compilation from a wandering spirit.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

) ) ) [5] => Array ( [Event] => Array ( [id] => 11536 [date] => 2013-05-31 [artist] => Ape School [city] => Philadelphia [state] => [country] => US [venue] => Johnny Brenda's [promoter] => [description] => [ticket_url] => [image_upload_id] => 3874 [created] => 2013-05-07 17:00:44 [modified] => 2013-05-07 17:00:44 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => ape-school-philadelphia-johnny-brendas-6 [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 3874 [media_type] => image [artist] => Ape School [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/ape-school/apeschool3.jpg [checksum] => e36acbc4ad16c0239c7be10a33a5a307 [mime_type] => image/jpeg [size] => 632408 [external_url] => http://media.ninjatune.net/images/ape-school/apeschool3.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => ape-school [slug] => promo-shot-migrated-49 [created] => 2010-11-24 03:37:06 [modified] => 2010-11-24 03:37:06 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 86 [name] => Ape School [description] =>

Born in the late 1970s on an unfathomably snowy night in Miami, Michael Johnson began life somewhat auspiciously. Transplanted to rural panhandle Florida at a young age and later exiled to inland Gainesville as a teen, Michael was lucky to not get sucked into the world of baseball and 4-wheel drive, sinking instead into fascination with Circus Psych, Trumans Water tribute and Alt-something-or-other.

Michael signed to Sub Pop with fellow Floridians Holopaw in 2002, recorded with Brian Deck (Modest Mouse, Caifone), toured with Iron and Wine and Fruit Bats, and developed an entirely unhealthy method of making music, dubbed 'wino-synthesis'.

In 2003, locked safely away in a back room in Pensacola, Florida, Michael completed his first solo release, 'Nonsense Goes Mudslide', for Must!Delicious Recordings. Nobody noticed its primitively ambitious, sprawling but touching collision of acoustics, electronics, vocals, layers, space, and frenetics.

Transplanted to Philadelphia, Michael squandered time and money on his mid-twenties until eventually lucking into a job at a music university replete with arcane wall-tall analog synthesizers and hirsute student body. Michael persuaded Holopaw to record their second full, 'Length Quit +/or Fight', in a modular box in Brooklyn, NY, aided by the mastery of Michael Pecchio. Electing at first to fight, Holopaw embarked on a tour for which Michael insisted Daedelus support as opening dandy.

Leaving Holopaw shortly thereafter, Michael began simultaneously smashing toms for Philly funnyman Kurt Vile, playing with Floridian chums Human Television, and entering into unholy union with Kurt Heasley and his Lilys. Rapidly gaining knowledge of what to do and not do, Michael Johnson joined the Lilys on their album 'Everything Wrong is Imaginary' and tour, shared stages with countless lovely individuals, and returned finally to his lonesome guitar and delay.

Providing refuge for a wayfaring Daedelus in 2007, ideas were exchanged. Michael supplied guitars, synths and disembodied vocals for Daedelus' 'Love To Make Music To' album, released to acclaim in 2008; Daedelus provided a viable outlet for Michael's then yet-to-be recorded opus, which would soon share his collaborator's home of Ninja Tune, on its Counter Records imprint.

Alone in a university studio in the summer of 2007, as professor and head technology monkey, Michael conjured his second solo release, his first recording as Ape School, a more cohesive, dramatic and accidentally lyrical love affair between machines and, less so, American whitey. Again with the help of Michael Pecchio as head research mixologist, Ape School has become reality. With a live band now featuring members of the aforementioned Lilys, Holopaw and Human Television, Ape School is purging alumni and accepting new enrollment.

[links] =>

Facebook
Twitter

[image_upload_id] => 3874 [label_id] => 5 [twitter_username] => apeschool [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Ape School [created] => 2010-07-17 22:15:59 [modified] => 2013-08-22 10:16:35 [slug] => ape-school [fuga_id] => [description_clean] =>

Born in the late 1970s on an unfathomably snowy night in Miami, Michael Johnson began life somewhat auspiciously. Transplanted to rural panhandle Florida at a young age and later exiled to inland Gainesville as a teen, Michael was lucky to not get sucked into the world of baseball and 4-wheel drive, sinking instead into fascination with Circus Psych, Trumans Water tribute and Alt-something-or-other.

Michael signed to Sub Pop with fellow Floridians Holopaw in 2002, recorded with Brian Deck (Modest Mouse, Caifone), toured with Iron and Wine and Fruit Bats, and developed an entirely unhealthy method of making music, dubbed 'wino-synthesis'.

In 2003, locked safely away in a back room in Pensacola, Florida, Michael completed his first solo release, 'Nonsense Goes Mudslide', for Must!Delicious Recordings. Nobody noticed its primitively ambitious, sprawling but touching collision of acoustics, electronics, vocals, layers, space, and frenetics.

Transplanted to Philadelphia, Michael squandered time and money on his mid-twenties until eventually lucking into a job at a music university replete with arcane wall-tall analog synthesizers and hirsute student body. Michael persuaded Holopaw to record their second full, 'Length Quit +/or Fight', in a modular box in Brooklyn, NY, aided by the mastery of Michael Pecchio. Electing at first to fight, Holopaw embarked on a tour for which Michael insisted Daedelus support as opening dandy.

Leaving Holopaw shortly thereafter, Michael began simultaneously smashing toms for Philly funnyman Kurt Vile, playing with Floridian chums Human Television, and entering into unholy union with Kurt Heasley and his Lilys. Rapidly gaining knowledge of what to do and not do, Michael Johnson joined the Lilys on their album 'Everything Wrong is Imaginary' and tour, shared stages with countless lovely individuals, and returned finally to his lonesome guitar and delay.

Providing refuge for a wayfaring Daedelus in 2007, ideas were exchanged. Michael supplied guitars, synths and disembodied vocals for Daedelus' 'Love To Make Music To' album, released to acclaim in 2008; Daedelus provided a viable outlet for Michael's then yet-to-be recorded opus, which would soon share his collaborator's home of Ninja Tune, on its Counter Records imprint.

Alone in a university studio in the summer of 2007, as professor and head technology monkey, Michael conjured his second solo release, his first recording as Ape School, a more cohesive, dramatic and accidentally lyrical love affair between machines and, less so, American whitey. Again with the help of Michael Pecchio as head research mixologist, Ape School has become reality. With a live band now featuring members of the aforementioned Lilys, Holopaw and Human Television, Ape School is purging alumni and accepting new enrollment.

[links_clean] =>

Facebook
Twitter

) ) ) [6] => Array ( [Event] => Array ( [id] => 11602 [date] => 2013-05-31 [artist] => Amon Tobin (DJ Set) [city] => Boston [state] => [country] => US [venue] => Paradise Rock Club [promoter] => [description] => [ticket_url] => [image_upload_id] => 4271 [created] => 2013-05-28 17:10:07 [modified] => 2013-05-28 17:10:07 [year_slug] => 2013 [month_slug] => may [day_slug] => 31 [slug] => amon-tobin-dj-set-boston-paradise-rock-club-2 [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 4271 [media_type] => image [artist] => Amon Tobin [title] => Amon Tobin - 4 Ton Mantis - Screenshot [credits] => [buy_link] => [filename] => images/amon-tobin/vlcsnap-00001.jpg [checksum] => d485fcde01b85a39ea191c670927de74 [mime_type] => image/jpeg [size] => 81932 [external_url] => http://media.ninjatune.net/images/amon-tobin/vlcsnap-00001.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => amon-tobin [slug] => amon-tobin-4-ton-mantis-screenshot [created] => 2010-11-24 04:23:00 [modified] => 2010-11-24 04:23:00 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 31 [name] => Amon Tobin [description] => Brazilian-born Amon Tobin first emerged between 1994-1995 with a string of 12" singles on a small London-based record label called 9Bar Records. The album that followed, 'Adventures In Foam', paved the way for a whole generation of electronic productions and prompted his signing to the prodigious Ninja Tune in 1996. He has since gone on to record seven critically- acclaimed albums under his own name on Ninja that have since helped define the label as a force in musical innovation and diversity. In addition, Amon has produced a small number of radically diverse original scores ranging from George Palfi's cult cinema oddity 'Taxidermia' to Tom Clancy's video game blockbuster 'Splinter Cell: Chaos Theory'.

The depth and scope of Amon Tobin's work have had a far-reaching influence, garnering respect amongst producers and artists both within and outside electronic music. Whether with the classical avant garde Kronos Quartet or D'n'B legends Noisia, or on his own in some invented form, Amon has established a reputation for musical ingenuity that is unconfined by genre. Over a fifteen-year-long career Amon Tobin remains among one of the most visionary electronic artists of a generation.

The 2007 album 'Foley Room' explored the role of found sound in modern day music. Documented on film, the process of recording minute insects to lions, wolves, engines and foley performances culminated in a much- lauded performance at the birthplace of musique concrete, the GRM Theatre in Paris. More recently, the famed London Metropolitan Orchestra performed selected works from a cross-section of his musical repertoire at the Royal Albert Hall. The performance included a piece from his forthcoming studio album due for release in early 2011.

Amon Tobin will release 3 albums in 2011: a radical new studio album entitled 'ISAM', a new Two Fingers album, and an album of remixes of his 'Chaos Theory' soundtrack work.

[links] =>

www.amontobin.com

Tumblr
Facebook
Twitter
Soundcloud
YouTube

[image_upload_id] => 15363 [label_id] => 1 [twitter_username] => AmonTobinHQ [instagram_id] => 10218717 [instagram_username] => amontobin [link] => [listed] => 1 [sortname] => Amon Tobin [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:45:41 [slug] => amon-tobin [fuga_id] => [description_clean] =>

Brazilian-born Amon Tobin first emerged between 1994-1995 with a string of 12" singles on a small London-based record label called 9Bar Records. The album that followed, 'Adventures In Foam', paved the way for a whole generation of electronic productions and prompted his signing to the prodigious Ninja Tune in 1996. He has since gone on to record seven critically- acclaimed albums under his own name on Ninja that have since helped define the label as a force in musical innovation and diversity. In addition, Amon has produced a small number of radically diverse original scores ranging from George Palfi's cult cinema oddity 'Taxidermia' to Tom Clancy's video game blockbuster 'Splinter Cell: Chaos Theory'.

The depth and scope of Amon Tobin's work have had a far-reaching influence, garnering respect amongst producers and artists both within and outside electronic music. Whether with the classical avant garde Kronos Quartet or D'n'B legends Noisia, or on his own in some invented form, Amon has established a reputation for musical ingenuity that is unconfined by genre. Over a fifteen-year-long career Amon Tobin remains among one of the most visionary electronic artists of a generation.

The 2007 album 'Foley Room' explored the role of found sound in modern day music. Documented on film, the process of recording minute insects to lions, wolves, engines and foley performances culminated in a much- lauded performance at the birthplace of musique concrete, the GRM Theatre in Paris. More recently, the famed London Metropolitan Orchestra performed selected works from a cross-section of his musical repertoire at the Royal Albert Hall. The performance included a piece from his forthcoming studio album due for release in early 2011.

Amon Tobin will release 3 albums in 2011: a radical new studio album entitled 'ISAM', a new Two Fingers album, and an album of remixes of his 'Chaos Theory' soundtrack work.

[links_clean] =>

www.amontobin.com

Tumblr
Facebook
Twitter
Soundcloud
YouTube

) ) ) )
<< Previous
Artist Date City Venue Buy
Bonobo Friday, May 31st Lille, FR Aeronef Club Buy
Andreya Triana Friday, May 31st London, GB Union Chapel Buy
Lukid Friday, May 31st Montreal, QC, CA MUTEK Buy
Amon Tobin Friday, May 31st Boston, MA, US Paradise Rock Club Buy
The Gaslamp Killer Friday, May 31st Brooklyn, US Music Hall of Williamsburg
Ape School Friday, May 31st Philadelphia, US Johnny Brenda's
Amon Tobin (DJ Set) Friday, May 31st Boston, US Paradise Rock Club
Next >>