Array ( [Event] => Array ( [id] => 11074 [date] => 2013-05-20 [artist] => Bonobo [city] => Nottingham [state] => [country] => GB [venue] => Rock City [promoter] => [description] =>

http://www.bonobomusic.com/

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http://www.bonobomusic.com/

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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

) ) ) [1] => Array ( [Event] => Array ( [id] => 11564 [date] => 2013-05-20 [artist] => Funki Porcini [city] => Norwich [state] => [country] => GB [venue] => Epic Studios [promoter] => [description] =>

Funki Porcini Presents City

As part of the Norfolk & Norwich Festival 2013

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Funki Porcini Presents City

As part of the Norfolk & Norwich Festival 2013

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Funki Porcini's music is the fruit of a well-traveled life.

Porcini left England at 19 to escape from a squat in Kings Cross being savaged by violent Scots, stranded in London after a football game. Arriving in Los Angeles with three hundred dollars that disappeared in a week on cocktails and hamburgers he was forced into menial labour, stacking shelves in a Westwood department store before earning enough money to hitch-hike to San Francisco. Here he bought a saxophone and moved into the Residents' old warehouse, where Snakefinger was still living. San Fran was alive with a post punk scene of radical experimentation and it was here Porcini started his forays into recorded sound. Although there were some true luminaries on the scene, such as Mark Pauline and his Survival Research Laboratories, Monte Cazzaza, Factrix and a host of underground bands, Porcini grew restless and decided to drive to New York with two friends.

Moving in to the East Village with new found Australian friends SPK he enjoyed NYC but eventually came back to England - and hated it. After a brief trial of Berlin he settled in Italy and remained there for 10 years making music for film and television before setting up 9Lazy9 with Keir Fraser.

After establishing connections with Ninja Tune from Italy, Porcini eventually came back to the mother ship and immersed himself in his studio 'The Uterus Goldmine', to produce first album 'Hed Phone Sex', a heady record openly made more for the pillows than for the dance floor. This was followed by 'Love Pussycats and Carwrecks', 'Let's See What Carmen Can Do', 'The Ultimately Empty Million Pounds' and 'Fast Asleep', where Porcini, together with Team Alcohol aka Rupert Small, produced stunning visual interpretations of the music, released on a DVD sold with the CD and premiered at The National Film Theatre in London.

Since the release of Fast Asleep, Porcini has been working on diverse projects involving animation and film; still in the Uterus Goldmine in deepest Warwickshire, he is currently working with writer/director Tony Grisoni on film scores.

Eight years on from his last full-length album, Funki returned with not one album but two! In December of 2009 he released PLOD independently on funkiporcini.bandcamp.com and in May, Ninja Tune released 'On'.

The greatest provocateur and humorist of the early Ninja period, Funki re-animated with his sound intact yet sounding utterly contemporary. Mixing together surreal jazz, found noise, synthetic strangeness and dream logic, "On" is as beautiful and odd as anything he made previously. Porcini has promised to not let it go so long before his next release.

[links] =>

Twitter

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Funki Porcini's music is the fruit of a well-traveled life.

Porcini left England at 19 to escape from a squat in Kings Cross being savaged by violent Scots, stranded in London after a football game. Arriving in Los Angeles with three hundred dollars that disappeared in a week on cocktails and hamburgers he was forced into menial labour, stacking shelves in a Westwood department store before earning enough money to hitch-hike to San Francisco. Here he bought a saxophone and moved into the Residents' old warehouse, where Snakefinger was still living. San Fran was alive with a post punk scene of radical experimentation and it was here Porcini started his forays into recorded sound. Although there were some true luminaries on the scene, such as Mark Pauline and his Survival Research Laboratories, Monte Cazzaza, Factrix and a host of underground bands, Porcini grew restless and decided to drive to New York with two friends.

Moving in to the East Village with new found Australian friends SPK he enjoyed NYC but eventually came back to England - and hated it. After a brief trial of Berlin he settled in Italy and remained there for 10 years making music for film and television before setting up 9Lazy9 with Keir Fraser.

After establishing connections with Ninja Tune from Italy, Porcini eventually came back to the mother ship and immersed himself in his studio 'The Uterus Goldmine', to produce first album 'Hed Phone Sex', a heady record openly made more for the pillows than for the dance floor. This was followed by 'Love Pussycats and Carwrecks', 'Let's See What Carmen Can Do', 'The Ultimately Empty Million Pounds' and 'Fast Asleep', where Porcini, together with Team Alcohol aka Rupert Small, produced stunning visual interpretations of the music, released on a DVD sold with the CD and premiered at The National Film Theatre in London.

Since the release of Fast Asleep, Porcini has been working on diverse projects involving animation and film; still in the Uterus Goldmine in deepest Warwickshire, he is currently working with writer/director Tony Grisoni on film scores.

Eight years on from his last full-length album, Funki returned with not one album but two! In December of 2009 he released PLOD independently on funkiporcini.bandcamp.com and in May, Ninja Tune released 'On'.

The greatest provocateur and humorist of the early Ninja period, Funki re-animated with his sound intact yet sounding utterly contemporary. Mixing together surreal jazz, found noise, synthetic strangeness and dream logic, "On" is as beautiful and odd as anything he made previously. Porcini has promised to not let it go so long before his next release.

[links_clean] =>

Twitter

) ) ) )
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Bonobo Monday, May 20th Nottingham, GB Rock City Buy
Funki Porcini Monday, May 20th Norwich, GB Epic Studios
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