Array ( [Event] => Array ( [id] => 11570 [date] => 2013-08-03 [artist] => Andreya Triana [city] => Harborough [state] => Northamptonshire [country] => GB [venue] => Shambala [promoter] => [description] => [ticket_url] => https://www.theticketsellers.co.uk/tickets/shambala-festival-2013/10023083?wlid=279;3 [image_upload_id] => 4234 [created] => 2013-05-17 12:42:52 [modified] => 2013-05-17 12:42:52 [year_slug] => 2013 [month_slug] => aug [day_slug] => 3 [slug] => andreya-triana-harborough-shambala [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 4234 [media_type] => image [artist] => Andreya Triana [title] => Andreya - Promo shot (Cropped) - Jul 2010 [credits] => [buy_link] => [filename] => images/andreya-triana/andreyabyEllisScott-2.jpg [checksum] => fa6caec0d661d88d6f492b8687dc4140 [mime_type] => image/jpeg [size] => 1231072 [external_url] => http://media.ninjatune.net/images/andreya-triana/andreyabyEllisScott-2.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => andreya-triana [slug] => andreya-promo-shot-cropped-jul-2010 [created] => 2010-11-24 04:22:08 [modified] => 2010-11-24 04:22:08 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 89 [name] => Andreya Triana [description] =>

An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 

 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene. Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 

2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records. 2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana!

[links] => Facebook
Twitter
Soundcloud [image_upload_id] => 4234 [label_id] => 1 [twitter_username] => andreyatriana [instagram_id] => 5689105 [instagram_username] => andreyatriana [link] => [listed] => 1 [sortname] => Andreya Triana [created] => 2010-07-17 22:15:59 [modified] => 2013-05-03 14:47:49 [slug] => andreya-triana [fuga_id] => [description_clean] =>

An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 

 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene.

Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 

2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records.

2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana!

[links_clean] =>

Facebook
Twitter
Soundcloud

) ) ) [1] => Array ( [Event] => Array ( [id] => 11489 [date] => 2013-08-03 [artist] => Bonobo (DJ Set) [city] => Montreal [state] => QC [country] => CA [venue] => Osheaga Festival [promoter] => [description] => [ticket_url] => http://www.osheaga.com/ [image_upload_id] => 4236 [created] => 2013-05-07 14:47:02 [modified] => 2013-07-19 12:14:30 [year_slug] => 2013 [month_slug] => aug [day_slug] => 3 [slug] => bonobo-dj-set-montreal-osheaga-festival [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 4236 [media_type] => image [artist] => Bonobo [title] => Bonobo - Promo Shot - Jul 2010 [credits] => [buy_link] => [filename] => images/bonobo/bonobo-34_2.jpg [checksum] => 3e6349fd9afbdd64023744448c4c831a [mime_type] => image/jpeg [size] => 3899509 [external_url] => http://media.ninjatune.net/images/bonobo/bonobo-34_2.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => bonobo [slug] => bonobo-promo-shot-jul-2010 [created] => 2010-11-24 04:22:15 [modified] => 2010-11-24 04:22:15 [embed] => ) [Country] => Array ( [id] => 119 [name] => Canada [longname] => Canada [numcode] => 124 [iso] => CA [iso3] => CAN [currency] => CAD [active] => 1 [parent_id] => 117 [lft] => 235 [rght] => 236 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 55 [name] => Bonobo [description] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

) ) ) [2] => Array ( [Event] => Array ( [id] => 11892 [date] => 2013-08-03 [artist] => Ras G [city] => Los Angeles [state] => [country] => GB [venue] => Boiler Room [promoter] => [description] => [ticket_url] => [image_upload_id] => 18322 [created] => 2013-08-01 12:07:45 [modified] => 2013-08-01 12:07:45 [year_slug] => 2013 [month_slug] => aug [day_slug] => 3 [slug] => ras-g-los-angeles-boiler-room [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18322 [media_type] => image [artist] => Ras G [title] => Boiler Room [credits] => [buy_link] => http://boilerroom.tv/boiler-room-la-ras-g-dibiase-dj-harrison-cakedog-ashtrejinkins/ [filename] => images/ras-g/rasg-br.jpg [checksum] => c7188f3afc5ddf7ff941f45c18f0f314 [mime_type] => image/jpeg [size] => 85329 [external_url] => http://media.ninjatune.net/images/ras-g/rasg-br.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => ras-g [slug] => boiler-room-2 [created] => 2013-08-01 11:41:43 [modified] => 2013-08-01 11:42:29 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 190 [name] => Ras G [description] =>

Sun Ra once spoke a future where the mere thought of a place would take somebody there. In the past future of today, Ras G explores space and time through his ancient/futuristic music. Dusty, ethereal and bugged out, the Crate Creator's beats bring the past to the future. Back On The Planet, _G's first Brainfeeder release in years, finds the blunted master of the beat guiding his Afrikan Space Program further out than ever. 

Since his arrival on the planet, Ras G has called Los Angeles his base. Growing in South Central, _G was tapping into his innate knowledge while having the earthly experience of living in the "ghetto." Gravitating towards the turntables early, _G spent formative years DJing spots like Project Blowed and Five On The Black Hand Side in Leimert Park until his cousin Wolverine introduced him to the SP-1200 and thoughts of production became realities. Equally informed by the looped-up dust of classic boom-bap and the avant-garde esotericism of free jazz, _G began paving his own path in the beats. He cut his teeth in the early days of Low End Theory and in precursor nights like JuJu and Sketchbook. Day long hangouts at record spots like Aaron's (RIP) and Poo Bah's laid the foundation for projects, live experimentations and new experiences. A key pillar in the Los Angeles community, _G is the power-forward of the Brainfeeder crew, down since day one. 

After amassing a sizable discography of 7"s, EPs and digital releases on a host of platforms, Ras G & The Alkebulan Space Program are Back On The Planet for their most complete demonstration to date. The countless nights at SpaceBase behind the MPC and SP-303 have seen _G come fully into his own. On this project past experiments in chest-rattling bass, terse loops and bugged-out field noise come full circle. Ancient Afrikan poly-drum rhythms meet outer-synth splashes of white noise and intuitive experimentation meld with deep sub-harmonics for an otherworldly experience. "Asteroid Storm" captures the pulsating energy of The ASP's live demonstrations while "Natural Melanin Being..." finds _G's Uncle Ra sharing a few words of wisdom that go very well with the therapeutic tones of the meditative "All Is Well...". Back On The Planet is The ASP at it's most confident, shedding all barriers for an open and honest manifestation. Drawing from a source beyond the ego and dealing with the eternal, Ras G & The Ancient Space Program are a cosmic outfit, eternally elsewhere but always in tune. 

[links] =>

Tumblr
Facebook
Twitter

[image_upload_id] => 18254 [label_id] => 7 [twitter_username] => ras_g [instagram_id] => 375161019 [instagram_username] => afrikanspaceprogram [link] => [listed] => 0 [sortname] => Ras G [created] => 2013-07-04 10:30:11 [modified] => 2013-07-04 10:45:25 [slug] => ras-g [fuga_id] => [description_clean] =>

Sun Ra once spoke a future where the mere thought of a place would take somebody there. In the past future of today, Ras G explores space and time through his ancient/futuristic music. Dusty, ethereal and bugged out, the Crate Creator's beats bring the past to the future. Back On The Planet, _G's first Brainfeeder release in years, finds the blunted master of the beat guiding his Afrikan Space Program further out than ever. 

Since his arrival on the planet, Ras G has called Los Angeles his base. Growing in South Central, _G was tapping into his innate knowledge while having the earthly experience of living in the "ghetto." Gravitating towards the turntables early, _G spent formative years DJing spots like Project Blowed and Five On The Black Hand Side in Leimert Park until his cousin Wolverine introduced him to the SP-1200 and thoughts of production became realities. Equally informed by the looped-up dust of classic boom-bap and the avant-garde esotericism of free jazz, _G began paving his own path in the beats. He cut his teeth in the early days of Low End Theory and in precursor nights like JuJu and Sketchbook. Day long hangouts at record spots like Aaron's (RIP) and Poo Bah's laid the foundation for projects, live experimentations and new experiences. A key pillar in the Los Angeles community, _G is the power-forward of the Brainfeeder crew, down since day one. 

After amassing a sizable discography of 7"s, EPs and digital releases on a host of platforms, Ras G & The Alkebulan Space Program are Back On The Planet for their most complete demonstration to date. The countless nights at SpaceBase behind the MPC and SP-303 have seen _G come fully into his own. On this project past experiments in chest-rattling bass, terse loops and bugged-out field noise come full circle. Ancient Afrikan poly-drum rhythms meet outer-synth splashes of white noise and intuitive experimentation meld with deep sub-harmonics for an otherworldly experience. "Asteroid Storm" captures the pulsating energy of The ASP's live demonstrations while "Natural Melanin Being..." finds _G's Uncle Ra sharing a few words of wisdom that go very well with the therapeutic tones of the meditative "All Is Well...". Back On The Planet is The ASP at it's most confident, shedding all barriers for an open and honest manifestation. Drawing from a source beyond the ego and dealing with the eternal, Ras G & The Ancient Space Program are a cosmic outfit, eternally elsewhere but always in tune. 

[links_clean] =>

Tumblr
Facebook
Twitter

) ) ) [3] => Array ( [Event] => Array ( [id] => 11640 [date] => 2013-08-03 [artist] => The Heavy [city] => Montreal [state] => QC [country] => CA [venue] => Osheaga Festival [promoter] => [description] => [ticket_url] => http://www.osheaga.com/tickets/ [image_upload_id] => 18148 [created] => 2013-06-06 16:06:01 [modified] => 2013-07-15 11:26:12 [year_slug] => 2013 [month_slug] => aug [day_slug] => 3 [slug] => the-heavy-montreal-osheaga-festival [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18148 [media_type] => image [artist] => The Heavy [title] => The Heavy US Tour 2013 summer [credits] => [buy_link] => [filename] => images/the-heavy/The-Heavy-Draft-America3.jpg [checksum] => 0689e98c9509b9d0639685a5a0a5eb08 [mime_type] => image/jpeg [size] => 410022 [external_url] => http://media.ninjatune.net/images/the-heavy/The-Heavy-Draft-America3.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => the-heavy [slug] => the-heavy-us-tour-2013-summer [created] => 2013-06-06 15:26:30 [modified] => 2013-06-06 15:27:07 [embed] => ) [Country] => Array ( [id] => 119 [name] => Canada [longname] => Canada [numcode] => 124 [iso] => CA [iso3] => CAN [currency] => CAD [active] => 1 [parent_id] => 117 [lft] => 235 [rght] => 236 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 71 [name] => The Heavy [description] =>

“What the hell were we thinking?,” exclaims Dan Taylor, guitarist for U.K. indie soul-rock titans The Heavy, of the band’s audacious album, The Glorious Dead. “We wanted to make a bold statement – it’s not shy, but a beast unto itself.” “It’s over the top, but in a good way,” adds charismatic Heavy frontman Kelvin Swaby. “With this record, we went pretty cinematic: we basically set out to score a film that hasn’t been written.” 

Indeed, The Glorious Dead proves singular: Frankensteining everything from swampy voodoo and b-movie zombies with garage-rock guitars and Gospel-soaked soul, it becomes a whole other creature feature unlike anything else you’ll hear this year. The Glorious Dead isn’t just The Heavy’s third full-length: it’s also the group’s most ambitious effort, traveling sonically from the group’s South England home to America’s deep South, and beyond. It’s also building off momentum from The Heavy’s greatest success, the international smash single “How You Like Me Now?,” off the band’s acclaimed previous album, 2009’s The House That Dirt Built

An infectious anthem of hard-rocking maximum R&B, “How You Like Me Now?” exploded upon release: it became the first song David Letterman’s ever requested an encore for when The Heavy played it on his “Late Show,” and has appeared everywhere from “Entourage” episodes, Academy Award-nominated film The Fighter, and the trailer for the new Mark Wahlberg comedy Ted. “How You Like Me Now?” continues to enthrall: on the recent climax of the 2012 season of NBC’s hit show “The Voice,” Adam Levine’s team contestant Tony Lucca performed the song to massive acclaim. “That was surreal,” says Taylor. “It’s taken on legs of its own. I can’t complain, but I wouldn’t want to be known for one song – it’s not our peak.” 

“It’s such a big tune, people ask, ‘How are you going to top that?’,” Swaby adds. “But we’re not going to lie down and play dead.” 

As such, The Glorious Dead rockets out of the grave with supernatural force. Alternately haunting and relentless, album opener “Can’t Play Dead” thunders as if Jack White remixed “Ghost Town” by The Specials. It’s followed by “Curse Me Good,” which provides a jarring contrast with its sweet whistled hook, George Harrison-meets-T.Rex acoustic strum, and a heartbreaking soul vocal from Swaby. “It’s good to have a bit of light and shade amid the onslaught of heavy guitars,” Taylor explains. “I find we’re always trying to recreate the diversity of, say, The White Album, but with beats.” 

Likewise, “Big Bad Wolf” combines primal howling à la Screamin’ Jay Hawkins, funkdafied breakbeats, and eerie electronics that recall Luniz’ stoned rap classic “I Got 5 On It.” “Think vintage, but keep it contemporary – that’s our approach,” Swaby explains. “It’s integral to make everything sound like samples from our record collection, but with a modern edge. We’re not afraid to use technology, and everything needs to have that tight, heavyweight bottom end.” 

Epitomizing this all-inclusive strategy is The Glorious Dead’s centerpiece breakthrough track, “What Makes A Good Man?” Defiant yet uplifting, “What Makes A Good Man?” contrasts Swaby’s gritty soul searching with girl-group call-and-response vocals and soaring, epic strings. Its creation provided the spark that would prove crucial to the album’s inception. Looking to soak up some Southern Gothic inspiration, The Heavy traveled far from their hometown near Bath, England all the way to Columbus, Georgia on the advice of their U.S. tour-bus driver, Sam Phillips. There, Phillips hooked the group up with a number of church-trained singers and players: they would take Swaby and Taylor’s song ideas to another realm, like singer/keyboardist Lloyd Buchanan’s intense contribution to “…Good Man?” “We had the beat and the chorus for ‘Good Man,’ and when Lloyd started jamming on the B-3 and singing on it, I was like, ‘This is going to be insane,’” Swaby says. “The Gospel singers started doing the chorus they already knew they song – they made it sound like the Supremes or Ronettes. It was an incredible feeling: after that, we were on our merry way.”

Taking the material to yet another level was the contribution of Gabriel “Bosco Mann” Roth, Daptone Records co-founder and bandleader of Sharon Jones & the Dap-Kings, with whom The Heavy had toured extensively. Roth ended up scoring innovative string and horn parts to four of The Glorious Dead’s ten songs. “It doesn’t sound like what Gabriel does with the Dap-Kings,” Taylor says. “He got into the mindset to do something different.” “He’s such a talented entity,” Swaby continues. “I couldn’t believe what was coming out of the speakers. It was so fitting, with this vintage sound, and amazing beauty. It reminded me of these black-and-white films I used to watch as a kid.” 

Film loomed as large an influence on The Glorious Dead as music. As key inspirations, Taylor cites the tweaked Americana of Jim Jarmusch’s Down By Law and the voodoo vibes of the James Bond classic Live and Let Die alongside ‘60s Mod rave-ups and the atmospheric Brit multiculturalism of Fun Boy Three and The Specials; Swaby, meanwhile, explored low-budget horror flicks alongside the controlled screaming of garage-rockers The Sonics, Tom Waits’ elastic growl, and soul giants Al Green and Otis Redding. 

Starting in January 2011, Taylor, Swaby, and bandmates Spencer Page (bass) and Chris Ellul (drums) began combining these ingredients into their own idiosyncratic blend – a process launched by The Heavy building their own studio and choosing to produce The Glorious Dead themselves. To mix the results, the band first worked with longtime associate Jim Abbiss (Adele, Arctic Monkeys) at Peter Gabriel’s famed Real World complex, then finished up with Paul Corkett (The Cure, Nick Cave, Björk). “Self-producing was all about being self-sufficient in realizing the vision we had,” Taylor says. “Your third record is judged as to whether you’re there to stay, or slide off the face of the earth. We want to stick around, so we took our balls out and went for it.” “I love what we’ve done,” adds Swaby. “We got our deadpan heartbreak down. This record suggests how we continue to walk among the dead – now just in a few more places, and with more of a swagger.”

The Glorious Dead spawned the mighty lead single 'What Makes a Good Man?' a funk-ridden, soul-wrenching study of a deep spiritual question. What Makes A Good Man? has been featured in trailers for HBO, Lawless, Borderlands 2 and Elementary, and the band gave TV performances on The Late Show with David Letterman, Last Call With Carson Daly and The Late Late Show With Craig Ferguson. 

Since the dawn of The Glorious Dead, The Heavy have done anything other than rest on their laurels. 2013 has seen them reprise their smash hit 'How You Like Me Now?' for ESPN's Draft Week. The song was reworked to feature a guest verse from none other than 50 Cent, who happily enveloped himself in The Heavy's swamp-funk, and even performed in a brand new video. Since then, the song has gone on to reach Gold status in the USA, a stunning success from a British band on a label as independent as they are. 

The Heavy came back to the US to perform at Spike TV's Guys Choice Awards as the house band in June 2013. Touring in 2013 has so far been a SOLD OUT UK Tour, an EU Tour in May, plus USA and Canadian dates in June and August, with another EU/UK Tour booked for the end of the year. Festival highlights this summer include Ottawa Jazz Festival, Rock-A-Field in Luxembourg, Hove in Norway, T In The Park in Scotland, Glastonbury and WOMAD in England, Osheaga in Montreal, Outside Lands in San Francisco and Afropunk in New York. 

To date, this true original of a band have sold 750,000 singles and over 150,000 albums. Long live The Heavy

[links] =>

www.theheavy.co.uk

Facebook
Twitter
Soundcloud

[image_upload_id] => 16903 [label_id] => 5 [twitter_username] => theheavy [instagram_id] => 217232350 [instagram_username] => theheavy [link] => [listed] => 1 [sortname] => Heavy [created] => 2010-07-17 22:15:59 [modified] => 2014-06-30 16:51:09 [slug] => the-heavy [fuga_id] => [description_clean] =>

“What the hell were we thinking?,” exclaims Dan Taylor, guitarist for U.K. indie soul-rock titans The Heavy, of the band’s audacious album, The Glorious Dead. “We wanted to make a bold statement – it’s not shy, but a beast unto itself.” “It’s over the top, but in a good way,” adds charismatic Heavy frontman Kelvin Swaby. “With this record, we went pretty cinematic: we basically set out to score a film that hasn’t been written.” 

Indeed, The Glorious Dead proves singular: Frankensteining everything from swampy voodoo and b-movie zombies with garage-rock guitars and Gospel-soaked soul, it becomes a whole other creature feature unlike anything else you’ll hear this year. The Glorious Dead isn’t just The Heavy’s third full-length: it’s also the group’s most ambitious effort, traveling sonically from the group’s South England home to America’s deep South, and beyond. It’s also building off momentum from The Heavy’s greatest success, the international smash single “How You Like Me Now?,” off the band’s acclaimed previous album, 2009’s The House That Dirt Built

An infectious anthem of hard-rocking maximum R&B, “How You Like Me Now?” exploded upon release: it became the first song David Letterman’s ever requested an encore for when The Heavy played it on his “Late Show,” and has appeared everywhere from “Entourage” episodes, Academy Award-nominated film The Fighter, and the trailer for the new Mark Wahlberg comedy Ted. “How You Like Me Now?” continues to enthrall: on the recent climax of the 2012 season of NBC’s hit show “The Voice,” Adam Levine’s team contestant Tony Lucca performed the song to massive acclaim. “That was surreal,” says Taylor. “It’s taken on legs of its own. I can’t complain, but I wouldn’t want to be known for one song – it’s not our peak.” 

“It’s such a big tune, people ask, ‘How are you going to top that?’,” Swaby adds. “But we’re not going to lie down and play dead.” 

As such, The Glorious Dead rockets out of the grave with supernatural force. Alternately haunting and relentless, album opener “Can’t Play Dead” thunders as if Jack White remixed “Ghost Town” by The Specials. It’s followed by “Curse Me Good,” which provides a jarring contrast with its sweet whistled hook, George Harrison-meets-T.Rex acoustic strum, and a heartbreaking soul vocal from Swaby. “It’s good to have a bit of light and shade amid the onslaught of heavy guitars,” Taylor explains. “I find we’re always trying to recreate the diversity of, say, The White Album, but with beats.” 

Likewise, “Big Bad Wolf” combines primal howling à la Screamin’ Jay Hawkins, funkdafied breakbeats, and eerie electronics that recall Luniz’ stoned rap classic “I Got 5 On It.” “Think vintage, but keep it contemporary – that’s our approach,” Swaby explains. “It’s integral to make everything sound like samples from our record collection, but with a modern edge. We’re not afraid to use technology, and everything needs to have that tight, heavyweight bottom end.” 

Epitomizing this all-inclusive strategy is The Glorious Dead’s centerpiece breakthrough track, “What Makes A Good Man?” Defiant yet uplifting, “What Makes A Good Man?” contrasts Swaby’s gritty soul searching with girl-group call-and-response vocals and soaring, epic strings. Its creation provided the spark that would prove crucial to the album’s inception. Looking to soak up some Southern Gothic inspiration, The Heavy traveled far from their hometown near Bath, England all the way to Columbus, Georgia on the advice of their U.S. tour-bus driver, Sam Phillips. There, Phillips hooked the group up with a number of church-trained singers and players: they would take Swaby and Taylor’s song ideas to another realm, like singer/keyboardist Lloyd Buchanan’s intense contribution to “…Good Man?” “We had the beat and the chorus for ‘Good Man,’ and when Lloyd started jamming on the B-3 and singing on it, I was like, ‘This is going to be insane,’” Swaby says. “The Gospel singers started doing the chorus they already knew they song – they made it sound like the Supremes or Ronettes. It was an incredible feeling: after that, we were on our merry way.”

Taking the material to yet another level was the contribution of Gabriel “Bosco Mann” Roth, Daptone Records co-founder and bandleader of Sharon Jones & the Dap-Kings, with whom The Heavy had toured extensively. Roth ended up scoring innovative string and horn parts to four of The Glorious Dead’s ten songs. “It doesn’t sound like what Gabriel does with the Dap-Kings,” Taylor says. “He got into the mindset to do something different.” “He’s such a talented entity,” Swaby continues. “I couldn’t believe what was coming out of the speakers. It was so fitting, with this vintage sound, and amazing beauty. It reminded me of these black-and-white films I used to watch as a kid.” 

Film loomed as large an influence on The Glorious Dead as music. As key inspirations, Taylor cites the tweaked Americana of Jim Jarmusch’s Down By Law and the voodoo vibes of the James Bond classic Live and Let Die alongside ‘60s Mod rave-ups and the atmospheric Brit multiculturalism of Fun Boy Three and The Specials; Swaby, meanwhile, explored low-budget horror flicks alongside the controlled screaming of garage-rockers The Sonics, Tom Waits’ elastic growl, and soul giants Al Green and Otis Redding. 

Starting in January 2011, Taylor, Swaby, and bandmates Spencer Page (bass) and Chris Ellul (drums) began combining these ingredients into their own idiosyncratic blend – a process launched by The Heavy building their own studio and choosing to produce The Glorious Dead themselves. To mix the results, the band first worked with longtime associate Jim Abbiss (Adele, Arctic Monkeys) at Peter Gabriel’s famed Real World complex, then finished up with Paul Corkett (The Cure, Nick Cave, Björk). “Self-producing was all about being self-sufficient in realizing the vision we had,” Taylor says. “Your third record is judged as to whether you’re there to stay, or slide off the face of the earth. We want to stick around, so we took our balls out and went for it.” “I love what we’ve done,” adds Swaby. “We got our deadpan heartbreak down. This record suggests how we continue to walk among the dead – now just in a few more places, and with more of a swagger.”

The Glorious Dead spawned the mighty lead single 'What Makes a Good Man?' a funk-ridden, soul-wrenching study of a deep spiritual question. What Makes A Good Man? has been featured in trailers for HBO, Lawless, Borderlands 2 and Elementary, and the band gave TV performances on The Late Show with David Letterman, Last Call With Carson Daly and The Late Late Show With Craig Ferguson. 

Since the dawn of The Glorious Dead, The Heavy have done anything other than rest on their laurels. 2013 has seen them reprise their smash hit 'How You Like Me Now?' for ESPN's Draft Week. The song was reworked to feature a guest verse from none other than 50 Cent, who happily enveloped himself in The Heavy's swamp-funk, and even performed in a brand new video. Since then, the song has gone on to reach Gold status in the USA, a stunning success from a British band on a label as independent as they are. 

The Heavy came back to the US to perform at Spike TV's Guys Choice Awards as the house band in June 2013. Touring in 2013 has so far been a SOLD OUT UK Tour, an EU Tour in May, plus USA and Canadian dates in June and August, with another EU/UK Tour booked for the end of the year. Festival highlights this summer include Ottawa Jazz Festival, Rock-A-Field in Luxembourg, Hove in Norway, T In The Park in Scotland, Glastonbury and WOMAD in England, Osheaga in Montreal, Outside Lands in San Francisco and Afropunk in New York. 

To date, this true original of a band have sold 750,000 singles and over 150,000 albums. Long live The Heavy

[links_clean] =>

www.theheavy.co.uk

Facebook
Twitter
Soundcloud

) ) ) [4] => Array ( [Event] => Array ( [id] => 11669 [date] => 2013-08-03 [artist] => Skalpel [city] => Katowice [state] => [country] => PL [venue] => OFF Festival [promoter] => [description] => [ticket_url] => http://www.seetickets.com/event/off-festival-katowice-2013/dolina-trzech-stawow/698848 [image_upload_id] => 4065 [created] => 2013-06-26 12:38:28 [modified] => 2013-06-26 12:38:28 [year_slug] => 2013 [month_slug] => aug [day_slug] => 3 [slug] => skalpel-katowice-off-festival [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 4065 [media_type] => image [artist] => Skalpel [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/skalpel/skalpel-1.jpg [checksum] => 6cf51227afba51075b0157da58a9c53c [mime_type] => image/jpeg [size] => 1312543 [external_url] => http://media.ninjatune.net/images/skalpel/skalpel-1.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => skalpel [slug] => promo-shot-migrated-240 [created] => 2010-11-24 04:03:14 [modified] => 2010-11-24 04:03:14 [embed] => ) [Country] => Array ( [id] => 185 [name] => Poland [longname] => Poland [numcode] => 616 [iso] => PL [iso3] => POL [currency] => PLN [active] => 1 [parent_id] => 180 [lft] => 367 [rght] => 368 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 17 [name] => Skalpel [description] => Skalpel are Marcin Cichy and Igor Pudlo DJs/producers from Wroclaw, Poland. Being new recruits of Ninja Foreign Legion, they are rather hesitant to speak about their past. Sufficient to say, they are talented DJs, whose 4 mixes were aired on Solid Steel in the past, two of which were released as "Virtual Cuts" - namely the best mixtape released in the history of electronic music in Poland. The year 2000 was a landmark for them, as they traveled the country with DJ Vadim and his Russian Percussion, presenting an amazing 4-deck show. Later that year they released demo CD-R titled "Polish Jazz", which not only received a lot of critical acclaim, but also led Skalpel to signing a contract with Ninja Tune. For the last two years they've been digging in the crates, trying to build the most exciting collection of samples from Polish Jazz records. Now they are slowly unleashing the music created from these sounds. They ressurected dusty&smokey spirit of polish jazz of 60s and 70s, and reimagined it for 21st century audiophiles. ------------------------------------------------------------------------ [links] =>

skalpel.net
Facebook
Twitter
Soundcloud

[image_upload_id] => 4066 [label_id] => 1 [twitter_username] => Skalpelmusic [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Skalpel [created] => 2010-07-17 22:15:58 [modified] => 2014-03-06 10:21:29 [slug] => skalpel [fuga_id] => [description_clean] => Skalpel are Marcin Cichy and Igor Pudlo DJs/producers from Wroclaw, Poland. Being new recruits of Ninja Foreign Legion, they are rather hesitant to speak about their past. Sufficient to say, they are talented DJs, whose 4 mixes were aired on Solid Steel in the past, two of which were released as "Virtual Cuts" - namely the best mixtape released in the history of electronic music in Poland. The year 2000 was a landmark for them, as they traveled the country with DJ Vadim and his Russian Percussion, presenting an amazing 4-deck show. Later that year they released demo CD-R titled "Polish Jazz", which not only received a lot of critical acclaim, but also led Skalpel to signing a contract with Ninja Tune. For the last two years they've been digging in the crates, trying to build the most exciting collection of samples from Polish Jazz records. Now they are slowly unleashing the music created from these sounds. They ressurected dusty&smokey spirit of polish jazz of 60s and 70s, and reimagined it for 21st century audiophiles. ------------------------------------------------------------------------ [links_clean] =>

skalpel.net
Facebook
Twitter
Soundcloud

) ) ) [5] => Array ( [Event] => Array ( [id] => 11673 [date] => 2013-08-03 [artist] => Dwight Trible [city] => Pasadena [state] => CA [country] => US [venue] => Levitt Pevilion, Memorial Park [promoter] => [description] => [ticket_url] => [image_upload_id] => 3946 [created] => 2013-06-26 14:43:21 [modified] => 2013-06-26 14:43:21 [year_slug] => 2013 [month_slug] => aug [day_slug] => 3 [slug] => dwight-trible-pasadena-levitt-pevilion-memorial-park [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 3946 [media_type] => image [artist] => Dwight Trible [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/dwight-trible/trible-1.jpg [checksum] => 22f1c4d57b3aad12b8dafa75087c13e6 [mime_type] => image/jpeg [size] => 2125604 [external_url] => http://media.ninjatune.net/images/dwight-trible/trible-1.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => dwight-trible [slug] => promo-shot-migrated-121 [created] => 2010-11-24 03:45:46 [modified] => 2010-11-24 03:45:46 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 61 [name] => Dwight Trible [description] => Dwight Trible is a legend on the quiet, a retrospective waiting to happen. Not a newcomer to the music scene, over a remarkable career, this Los Angeles native has worked with everyone from Bobby Hutcherson and Charles Lloyd to Harry Belafonte. He is the vocalist with the Pharaoh Sanders Quartet and is also the vocal director for the Horace Tapscott Pan Afrikan Peoples Arkestra, a Los Angeles institution with a history stretching back forty years and an active engagement in the city's Black community since the Watts Uprising. Like his mentors, Dwight is not content to use his music to just entertain people, although he is a dynamic performer. He uses his music to bring people together, to bridge the gap between the races, and to heal the human heart. He has received numerous awards for humanitarian efforts. A couple of years ago Carlos Niño (best known over here as one half of Ammoncontact) invited Trible onto his radio show and from there a friendship and musical journey began. As Trible puts it, "you have to be careful what you say to Carlos, because he makes it happen!". A chance comment about making some kind if hip hop record set Niño off on the journey which led to "Love Is The Answer". Which will be released on Ninja Tune on July 11th 2005. A record which is unfashionably lacking in cynicism, one which truly believes that "love is the answer" to the world's ills. If the time, effort and beauty which result from these inter-generational collaborations are anything to go by, the great man might even be right... [links] =>

www.dwighttrible.com

[image_upload_id] => 3946 [label_id] => 1 [twitter_username] => [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Dwight Trible [created] => 2010-07-17 22:15:59 [modified] => 2013-01-09 11:11:18 [slug] => dwight-trible [fuga_id] => [description_clean] =>

Dwight Trible is a legend on the quiet, a retrospective waiting to happen. Not a newcomer to the music scene, over a remarkable career, this Los Angeles native has worked with everyone from Bobby Hutcherson and Charles Lloyd to Harry Belafonte. He is the vocalist with the Pharaoh Sanders Quartet and is also the vocal director for the Horace Tapscott Pan Afrikan Peoples Arkestra, a Los Angeles institution with a history stretching back forty years and an active engagement in the city's Black community since the Watts Uprising.

Like his mentors, Dwight is not content to use his music to just entertain people, although he is a dynamic performer. He uses his music to bring people together, to bridge the gap between the races, and to heal the human heart. He has received numerous awards for humanitarian efforts.

A couple of years ago Carlos Niño (best known over here as one half of Ammoncontact) invited Trible onto his radio show and from there a friendship and musical journey began. As Trible puts it, "you have to be careful what you say to Carlos, because he makes it happen!". A chance comment about making some kind if hip hop record set Niño off on the journey which led to "Love Is The Answer". Which will be released on Ninja Tune on July 11th 2005. A record which is unfashionably lacking in cynicism, one which truly believes that "love is the answer" to the world's ills. If the time, effort and beauty which result from these inter-generational collaborations are anything to go by, the great man might even be right...

[links_clean] =>

www.dwighttrible.com

) ) ) )
<< Previous
Artist Date City Venue Buy
Andreya Triana Saturday, Aug 3rd Harborough, Northamptonshire, GB Shambala Buy
Bonobo (DJ Set) Saturday, Aug 3rd Montreal, QC, CA Osheaga Festival Buy
Ras G Saturday, Aug 3rd Los Angeles, GB Boiler Room
The Heavy Saturday, Aug 3rd Montreal, QC, CA Osheaga Festival Buy
Skalpel Saturday, Aug 3rd Katowice, PL OFF Festival Buy
Dwight Trible Saturday, Aug 3rd Pasadena, CA, US Levitt Pevilion, Memorial Park
Next >>