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North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

[links] =>

Website

Facebook
Twitter
Instagram

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North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

[links_clean] =>

Website

Facebook
Twitter
Instagram

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Ninja Tune + Big Dada Present:
Carnival 2013

Congo Natty feat. Congo Dubz
Toddla T (DJ Set)
Semtex
Sticky
Om Unit
Cell Broco

Sunday 25th August

7pm - Late

The Flyover
Portobello
3-5 Thorpe Close
London
W10 5XL

*Goody bag for the first 50 through the door!

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Ninja Tune + Big Dada Present:
Carnival 2013

Congo Natty feat. Congo Dubz
Toddla T (DJ Set)
Semtex
Sticky
Om Unit
Cell Broco

Sunday 25th August

7pm - Late

The Flyover
Portobello
3-5 Thorpe Close
London
W10 5XL

*Goody bag for the first 50 through the door!

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A 22 year old singer and producer from Manchester, Cell Broco makes house music like it should be - sparse, low-slung and full of funk.

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A 22 year old singer and producer from Manchester, Cell Broco makes house music like it should be - sparse, low-slung and full of funk.

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Big Dada are proud and pleased to announce that they will release the album Jungle Revolution by Congo Natty on 1 July 2013. Congo Natty aka Rebel MC has a career dating back to his early hit with Double Trouble, "Street Tuff," but is probably most respected as one of the pioneers of Jungle - perhaps the first uniquely UK-born bass music. Jungle Revolution features the whole of the extended Congo Natty family and was mixed with Adrian Sherwood. Clearly showing this Rasta's belief that Jungle is a re-boot of roots reggae for a new century, the record is full of blood and fire, the sternum-buzz of sub-bass, rapid fire drum breaks, sweet hooks, righteous anger and professions of religious fervour. It’s the kind of passionate, committed, raw and spiritual, beautiful record that doesn’t come along every day.

To celebrate this release, we are giving away the track "UK Allstars," which features a who's who of British soundsystem culture. This is the first time ever that this line up have all appeared on one track together and so also marks a historic coming together of a scene which lies at the roots of so much of what we now take for granted in UK music, from dubstep to grime to drum & bass and beyond.

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Big Dada are proud and pleased to announce that they will release the album Jungle Revolution by Congo Natty on 1 July 2013.

Congo Natty aka Rebel MC has a career dating back to his early hit with Double Trouble, "Street Tuff," but is probably most respected as one of the pioneers of Jungle - perhaps the first uniquely UK-born bass music.

Jungle Revolution features the whole of the extended Congo Natty family and was mixed with Adrian Sherwood. Clearly showing this Rasta's belief that Jungle is a re-boot of roots reggae for a new century, the record is full of blood and fire, the sternum-buzz of sub-bass, rapid fire drum breaks, sweet hooks, righteous anger and professions of religious fervour. It’s the kind of passionate, committed, raw and spiritual, beautiful record that doesn’t come along every day.

To celebrate this release, we are giving away the track "UK Allstars," which features a who's who of British soundsystem culture. This is the first time ever that this line up have all appeared on one track together and so also marks a historic coming together of a scene which lies at the roots of so much of what we now take for granted in UK music, from dubstep to grime to drum & bass and beyond.

[links_clean] => [counter_player] => [counter_biog] => ) [2] => Array ( [id] => 163 [name] => Sticky [description] =>

Richard 'Sticky' Forbes built his reputation as one of the countries leading club music producers at the height of the UK Garage scene. His distinctive sound not only made his music unavoidable in the clubs during this era, but also launched the careers of a number of the UK’s leading talents including the Mercury Music Prize-winning Ms. Dynamite (the pair's collaboration "Booo!" is regularly cited amongst the greatest of UKG club classics).

Sticky has had an endless numbers of club and chart hits featuring artists including Kele Le Roc, Stush, Tubby T and Twista. He has also remixed the likes of Britney Spears, Justin Timberlake, Aaliyah, Sugababes, Hot Chip, Erykah Badu and Tulisa, consistently making music which has you smiling as well as dancing.

In late 2011, Sticky signed with Big Dada. His first release with the label was the digital-only "Pedal Riddim," in December 2102. He is due to release his first album with the label in 2013.

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Richard 'Sticky' Forbes built his reputation as one of the countries leading club music producers at the height of the UK Garage scene. His distinctive sound not only made his music unavoidable in the clubs during this era, but also launched the careers of a number of the UK’s leading talents including the Mercury Music Prize-winning Ms. Dynamite (the pair's collaboration "Booo!" is regularly cited amongst the greatest of UKG club classics).

Sticky has had an endless numbers of club and chart hits featuring artists including Kele Le Roc, Stush, Tubby T and Twista. He has also remixed the likes of Britney Spears, Justin Timberlake, Aaliyah, Sugababes, Hot Chip, Erykah Badu and Tulisa, consistently making music which has you smiling as well as dancing.

In late 2011, Sticky signed with Big Dada. His first release with the label was the digital-only "Pedal Riddim," in December 2102. He is due to release his first album with the label in 2013.

[links_clean] => [counter_player] => [counter_biog] => ) [3] => Array ( [id] => 95 [name] => Toddla T [description] =>

Do U Know Toddla T? 

In 2007 Toddla T (aka Tom Bell) was working in a shoe shop in his hometown of Sheffield. Then just 19 and living at home with his parents, he DJ'd at weekends and was producing beats and tracks with his friend Scott as Small Arms Fiya.

Now it's 2011 Toddla T is making the finishing touches to his second album on the legendary Ninja Tune label, has a regular slot on BBC Radio 1, and has produced tracks for some of the UK urban scenes biggest stars (hands up Tinchy, Jammer, Bashy, Roots Manuva and Ms Dynamite). 

He DJ's around the globe, has a slew of remixes under his belt (Hot Chip, Gyptian, Gorillaz, Major Lazer for starters), is a star of his own Toddla TV channel online and has worked in studios from Kingston Jamaica to Kingston upon Hull. Not to mention the recent launch of his Girls Music Label which, after only three releases has already featured productions by British dance music heroes Sticky and Roska.

So how do you get to be one of the leading lights of UK dance music in 4 short years?

Much can be attributed to Toddla’s phenomenal talent, drive and ambition. He has good taste and keen eyes and ears in all elements of British youth culture. However, the man himself modestly explains that it has just as much to do with the sea change which has taken place in British Pop music in the last few years. 

When Toddla first started taking to the decks outside of his home town he was worried that no one would "get it" and to start with, many didn't. (Listen to the track "Roadtrip" from debut album Skanky Skanky to hear an amusing account of just such a night). No one could quite work out who Toddla was. Was he an MC? or the producer at the front of a now forgotten, media created "UK Digi-Dancehall revolution"? Was that skinny white kid the voice singing about Rice n Peas? Surely not.

Not allowing this confusion to get in his way T stuck to his guns. He could smell a change in the air and knew that what he was doing was worth sticking with. He made a mixtape, The Toddla T Ghettoblaster Vol.1 in 2008 and put it up for free online. It was downloaded by more than 10,000 people, was brilliantly received and announced Toddla as a talent to be watched. People other than club promoters and other DJ's started to hear about him and his club sets started to get more and more busy with people who were there to see him. Longtime studio spar and MC Serocee joined him on the road and the pair started to travel far and wide around the UK spreading the good word. 

His debut album Skanky Skanky was released in January 2009, this was followed by a Fabric live mix album and a lot of requests for his production skills with everyone from Major Lazer to Grandmaster Flash getting in touch. Over a Guinness or two in his new London local (he decamped from Sheffield to the capital in 2010) Toddla reflects on the last couple of "pretty crazy years", the current UK scene and sets out his stall for what promises to be a very busy and successful 2011. 

"When I was first signed (to 1965 Records) every kid wanted to be in a band. The Arctic Monkeys, The Libertines and all that were really popular, me and my mates who were into Notorious B.I.G and dancehall were really in the minority. Nowadays kids want to be Skream and Benga, or Tinchy or N-Dubz and because of that all their points of musical reference have changed" 

It's true, there has been a huge shift in musical aesthetic, away from the skinny jeans and Chuck Taylors of The Strokes and the seemingly never-ending bandwagon that followed. What Toddla's saying here is borne out of the recently released statistic that rock music has had its worst year in the UK charts since 1960 with only 3 rock bands making it into the top 100 songs of 2010.

As a backdrop to Dizzee, Tinie, Tinchy et al storming the charts, the explosion of dubstep and subsequent re-evaluation of bass-driven, UK club music has seen a major shift in what people aged 15 - 25 are raving to. Where Soulwax and SMD and their like were ruling the clubs 2002 - 2006 nowadays seasoned campaigners like Shy FX and David Rodigan are championed by kids who weren't born when they were first spinning records.

Watch Me Dance is a bold step forward for Toddla T. Fans of Skanky Skanky will find plenty that will please them but for the countless thousands of clubbers who know Toddla T the DJ but haven't heard his productions this second album may come as a surprise. Toddla explains... 

"I've been busiest in the last two years as a DJ, so of course this album has a big dose of the sounds and production techniques that I'm out there representing in the clubs every weekend but if you're looking for tops-off jungle or 4x4 bassline tearouts you won't find them here. This is definitely still a record for clubbers, but it's the one they'll listen to at home with their mates or every day on the way to work" 

In Watch Me Dance Toddla has created a dubwise, street-soul masterpiece. In a typically precocious reference to records that were made when he was 4 and 10 years old respectively Toddla sums it up. "A bit of the Soul from Soul II Soul Club Classics and a bit of the Left-field from Leftism, I've been listening to those now and again, they took in a whole load of club music and made an album that summed something up and were great to listen to at the same time." 

Amen to that.

Watch Me Dance is released on Ninja Tune on 22 August 2011.

[links] =>

www.toddlat.com

Facebook
Twitter
Soundcloud

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Do U Know Toddla T? 

In 2007 Toddla T (aka Tom Bell) was working in a shoe shop in his hometown of Sheffield. Then just 19 and living at home with his parents, he DJ'd at weekends and was producing beats and tracks with his friend Scott as Small Arms Fiya.

Now it's 2011 Toddla T is making the finishing touches to his second album on the legendary Ninja Tune label, has a regular slot on BBC Radio 1, and has produced tracks for some of the UK urban scenes biggest stars (hands up Tinchy, Jammer, Bashy, Roots Manuva and Ms Dynamite). 

He DJ's around the globe, has a slew of remixes under his belt (Hot Chip, Gyptian, Gorillaz, Major Lazer for starters), is a star of his own Toddla TV channel online and has worked in studios from Kingston Jamaica to Kingston upon Hull. Not to mention the recent launch of his Girls Music Label which, after only three releases has already featured productions by British dance music heroes Sticky and Roska.

So how do you get to be one of the leading lights of UK dance music in 4 short years?

Much can be attributed to Toddla’s phenomenal talent, drive and ambition. He has good taste and keen eyes and ears in all elements of British youth culture. However, the man himself modestly explains that it has just as much to do with the sea change which has taken place in British Pop music in the last few years. 

When Toddla first started taking to the decks outside of his home town he was worried that no one would "get it" and to start with, many didn't. (Listen to the track "Roadtrip" from debut album Skanky Skanky to hear an amusing account of just such a night). No one could quite work out who Toddla was. Was he an MC? or the producer at the front of a now forgotten, media created "UK Digi-Dancehall revolution"? Was that skinny white kid the voice singing about Rice n Peas? Surely not.

Not allowing this confusion to get in his way T stuck to his guns. He could smell a change in the air and knew that what he was doing was worth sticking with. He made a mixtape, The Toddla T Ghettoblaster Vol.1 in 2008 and put it up for free online. It was downloaded by more than 10,000 people, was brilliantly received and announced Toddla as a talent to be watched. People other than club promoters and other DJ's started to hear about him and his club sets started to get more and more busy with people who were there to see him. Longtime studio spar and MC Serocee joined him on the road and the pair started to travel far and wide around the UK spreading the good word. 

His debut album Skanky Skanky was released in January 2009, this was followed by a Fabric live mix album and a lot of requests for his production skills with everyone from Major Lazer to Grandmaster Flash getting in touch. Over a Guinness or two in his new London local (he decamped from Sheffield to the capital in 2010) Toddla reflects on the last couple of "pretty crazy years", the current UK scene and sets out his stall for what promises to be a very busy and successful 2011. 

"When I was first signed (to 1965 Records) every kid wanted to be in a band. The Arctic Monkeys, The Libertines and all that were really popular, me and my mates who were into Notorious B.I.G and dancehall were really in the minority. Nowadays kids want to be Skream and Benga, or Tinchy or N-Dubz and because of that all their points of musical reference have changed" 

It's true, there has been a huge shift in musical aesthetic, away from the skinny jeans and Chuck Taylors of The Strokes and the seemingly never-ending bandwagon that followed. What Toddla's saying here is borne out of the recently released statistic that rock music has had its worst year in the UK charts since 1960 with only 3 rock bands making it into the top 100 songs of 2010.

As a backdrop to Dizzee, Tinie, Tinchy et al storming the charts, the explosion of dubstep and subsequent re-evaluation of bass-driven, UK club music has seen a major shift in what people aged 15 - 25 are raving to. Where Soulwax and SMD and their like were ruling the clubs 2002 - 2006 nowadays seasoned campaigners like Shy FX and David Rodigan are championed by kids who weren't born when they were first spinning records.

Watch Me Dance is a bold step forward for Toddla T. Fans of Skanky Skanky will find plenty that will please them but for the countless thousands of clubbers who know Toddla T the DJ but haven't heard his productions this second album may come as a surprise. Toddla explains... 

"I've been busiest in the last two years as a DJ, so of course this album has a big dose of the sounds and production techniques that I'm out there representing in the clubs every weekend but if you're looking for tops-off jungle or 4x4 bassline tearouts you won't find them here. This is definitely still a record for clubbers, but it's the one they'll listen to at home with their mates or every day on the way to work" 

In Watch Me Dance Toddla has created a dubwise, street-soul masterpiece. In a typically precocious reference to records that were made when he was 4 and 10 years old respectively Toddla sums it up. "A bit of the Soul from Soul II Soul Club Classics and a bit of the Left-field from Leftism, I've been listening to those now and again, they took in a whole load of club music and made an album that summed something up and were great to listen to at the same time." 

Amen to that.

Watch Me Dance is released on Ninja Tune on 22 August 2011.

[links_clean] =>

www.toddlat.com

Facebook
Twitter
Soundcloud

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Manchester born, London based 24 year old producer/dj/composer Sam Shepherd aka Floating Points has quickly become one of the most respected and sought-after musicians in modern music. Debuting in February 2009 with the limited 7 inch ‘For You/Radiality’ (Eglo records) he has gone on to establish himself as one the forerunners of today’s new dance music movement, earning the respect of his peers and contemporaries such as Theo Parrish, Kyle Hall, Benji B, Ramadanman, Four Tet, Kode 9 and Mary Anne Hobbs. He's released music predominantly on Eglo records (which he runs alongside Rinse FM’s Alexander Nut), as well as Planet Mu, R2, Ninja Tune and notching up remixes and features for the likes of Domino, Ubiquity, XL, Fabric and Rinse.

The name Floating Points holds just much weight within the DJ world as its does in production, song writing and arrangement. In a short space of time Shepherd has won over crowds around the world with his strictly vinyl club sessions, spanning, house, techno, soul and disco, steadily climbing the ranks of the globes most impressive DJ’s, fuelling an indulgent record habit that regularly leads him on trips to both Chicago and Detroit.

Outside of his studio based productions and crate-breaking DJ sets Shepherd makes use of his classical music training, writing, composing and arranging for the Floating Points Ensemble. The 16 piece group, led by Shepherd, recently won the ‘Best Maida Vale Session’ gong at Gilles Peterson’s ‘Worldwide Awards’. With big plans for 2011 the future is looking bright for Floating Points. When not writing, recording or playing music Sam Shepherd can be found in the laboratories of UCL, where is currently studying a PHD in 'The Neuroscience Of Pain'.

[links] =>

Facebook
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Manchester born, London based 24 year old producer/dj/composer Sam Shepherd aka Floating Points has quickly become one of the most respected and sought-after musicians in modern music. Debuting in February 2009 with the limited 7 inch ‘For You/Radiality’ (Eglo records) he has gone on to establish himself as one the forerunners of today’s new dance music movement, earning the respect of his peers and contemporaries such as Theo Parrish, Kyle Hall, Benji B, Ramadanman, Four Tet, Kode 9 and Mary Anne Hobbs. He's released music predominantly on Eglo records (which he runs alongside Rinse FM’s Alexander Nut), as well as Planet Mu, R2, Ninja Tune and notching up remixes and features for the likes of Domino, Ubiquity, XL, Fabric and Rinse.

The name Floating Points holds just much weight within the DJ world as its does in production, song writing and arrangement. In a short space of time Shepherd has won over crowds around the world with his strictly vinyl club sessions, spanning, house, techno, soul and disco, steadily climbing the ranks of the globes most impressive DJ’s, fuelling an indulgent record habit that regularly leads him on trips to both Chicago and Detroit.

Outside of his studio based productions and crate-breaking DJ sets Shepherd makes use of his classical music training, writing, composing and arranging for the Floating Points Ensemble. The 16 piece group, led by Shepherd, recently won the ‘Best Maida Vale Session’ gong at Gilles Peterson’s ‘Worldwide Awards’. With big plans for 2011 the future is looking bright for Floating Points. When not writing, recording or playing music Sam Shepherd can be found in the laboratories of UCL, where is currently studying a PHD in 'The Neuroscience Of Pain'.

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Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

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[image_upload_id] => 19301 [label_id] => 1 [twitter_username] => MARTYN3024 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Martyn [created] => 2011-06-29 15:37:25 [modified] => 2014-04-11 14:50:12 [slug] => martyn [fuga_id] => [description_clean] =>

Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

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Machinedrum (JETS) Sunday, Aug 25th Ibiza, ES We Love Space Buy
Ninja Tune and Big Dada present: Carnival 2013 Sunday, Aug 25th London, GB Flyover
Floating Points Sunday, Aug 25th London, GB Studio 338 Buy
Martyn Sunday, Aug 25th London, GB The Coronet Buy
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