Array ( [Event] => Array ( [id] => 10991 [date] => 2013-08-29 [artist] => Outlook Festival [city] => Fort Punta Christo Pula [state] => [country] => HR [venue] => Outlook Festival [promoter] => [description] =>

29th August - 2nd September

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29th August - 2nd September

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

[image_upload_id] => 19130 [label_id] => 1 [twitter_username] => mrscruff1 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Mr. Scruff [created] => 2010-07-17 22:15:58 [modified] => 2014-03-03 16:02:01 [slug] => mr-scruff [fuga_id] => [description_clean] =>

Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links_clean] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

) [1] => Array ( [id] => 134 [name] => Dorian Concept [description] =>

There is a certain element of playfulness and wonder that can be heard in the music of the Viennese-born, self-taught multi-instrumentalist and producer Oliver Thomas Johnson, aka Dorian Concept.

After being exposed to hip hop in his early teens, he started to experiment with music production software on his parents’ computer at the age of 15. Around the same time, he picked up the piano, electric bass, and soprano saxophone, and since then he has been fascinated by combining the world of music production with the one of instrumental improvisation.

Dorian Concept started his career as a typical “bedroom producer” with a MySpace page in his late teens and enrolled in the University of Applied Sciences in Salzburg to study multi-media art in 2005. Just five years later, he was performing at the Royal Albert Hall with the Cinematic Orchestra, a group he had always admired, at the twentieth anniversary gala of Ninja Tune.

Some of the important stations of Dorian Concept’s rise from a bedroom producer studying in Salzburg to a Royal Albert Hall performer date back to 2006, when he started uploading a series of short videos of himself improvising on synthesizers on Youtube ­ starting with "Fooling Around on MicroKorg” ­ that have garnered over a million hits. Within a year, BBC radio greats like Benji B, Giles Peterson, and Mary Anne Hobbs championed his early digital releases, and shortly thereafter he started touring internationally.

In 2008, he participated in the Red Bull Musical Academy and released his first EP Maximized Minimalization on the Viennese label Affine Records. This EP ­ along with the subsequent track “The Fucking Formula” ­ was his take on instrumental hip hop at the time. His single “Trilingual Dance Sexperience” became a beast of its own right, acknowledged as a landmark for that unique Dorian Concept sound. Boomkat described it as “what sounds like the culmination of the last 10 years of techno, grime, hiphop club music and cutting-edge electronics attempting to race each other to the finishing line of the decade.”

In 2009, Kindred Spirits/Nod Navigators released his debut album When Planets Explode, which enjoyed critical and underground acclaim. The next two years were a blur of different cities and stages that brought his live show to Australia, Asia, all over Europe, and the States, while playing keys as part of Flying Lotus’ live band in between. His improvisational skills and virtuosity on his trusty MicroKorg shine during his animated live performances.

Dorian Concept’s jazz-influenced beat concoctions reap havoc on the dance-floor but never lose their sense of musicality. Unconventional chord changes, expressive dynamics and quirky layers of counterpoint melodies are parts of his unmistakable musical voice. He dots effortlessly through different genres and styles: from sublime electronica to hyperactive garage to avant-garde dancehall. Therefore, it made perfect sense when the multifaceted imprint Ninja Tune invited Dorian Concept to contribute to its twentieth anniversary box set in 2010 with the standout track "Her Tears Taste Like Pears.” It was no surprise that Ninja Tune then added him to its roster, releasing an EP under the same title in 2011.

Shortly after the Ninja Tune EP, Dorian Concept decided to take some time off to craft a new sound. He abandoned his signature use of the Mikrokorg and started working with a Wurlitzer electronic piano and a handful of analogue synthesizers. Joined Ends - his forthcoming album on Ninja Tune - showcases a new sound that reveals a radically different side of his artistic repertoire. A departure from rigid beat-making, he has chosen to concentrate on his intuition and his keyboard skills. Dorian Concept is also expanding his much lauded live show into a trio with touring planned for Autumn 2014 and beyond.

Joined Ends is his most deliberate, focused, and liberating work to date.

[links] =>

Tumblr
Facebook
Twitter
Soundcloud

[image_upload_id] => 19652 [label_id] => 1 [twitter_username] => dorianconcept [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Dorian Concept [created] => 2010-11-24 11:23:09 [modified] => 2014-07-03 16:52:53 [slug] => dorian-concept [fuga_id] => [description_clean] =>

There is a certain element of playfulness and wonder that can be heard in the music of the Viennese-born, self-taught multi-instrumentalist and producer Oliver Thomas Johnson, aka Dorian Concept.

After being exposed to hip hop in his early teens, he started to experiment with music production software on his parents’ computer at the age of 15. Around the same time, he picked up the piano, electric bass, and soprano saxophone, and since then he has been fascinated by combining the world of music production with the one of instrumental improvisation.

Dorian Concept started his career as a typical “bedroom producer” with a MySpace page in his late teens and enrolled in the University of Applied Sciences in Salzburg to study multi-media art in 2005. Just five years later, he was performing at the Royal Albert Hall with the Cinematic Orchestra, a group he had always admired, at the twentieth anniversary gala of Ninja Tune.

Some of the important stations of Dorian Concept’s rise from a bedroom producer studying in Salzburg to a Royal Albert Hall performer date back to 2006, when he started uploading a series of short videos of himself improvising on synthesizers on Youtube ­ starting with "Fooling Around on MicroKorg” ­ that have garnered over a million hits. Within a year, BBC radio greats like Benji B, Giles Peterson, and Mary Anne Hobbs championed his early digital releases, and shortly thereafter he started touring internationally.

In 2008, he participated in the Red Bull Musical Academy and released his first EP Maximized Minimalization on the Viennese label Affine Records. This EP ­ along with the subsequent track “The Fucking Formula” ­ was his take on instrumental hip hop at the time. His single “Trilingual Dance Sexperience” became a beast of its own right, acknowledged as a landmark for that unique Dorian Concept sound. Boomkat described it as “what sounds like the culmination of the last 10 years of techno, grime, hiphop club music and cutting-edge electronics attempting to race each other to the finishing line of the decade.”

In 2009, Kindred Spirits/Nod Navigators released his debut album When Planets Explode, which enjoyed critical and underground acclaim. The next two years were a blur of different cities and stages that brought his live show to Australia, Asia, all over Europe, and the States, while playing keys as part of Flying Lotus’ live band in between. His improvisational skills and virtuosity on his trusty MicroKorg shine during his animated live performances.

Dorian Concept’s jazz-influenced beat concoctions reap havoc on the dance-floor but never lose their sense of musicality. Unconventional chord changes, expressive dynamics and quirky layers of counterpoint melodies are parts of his unmistakable musical voice. He dots effortlessly through different genres and styles: from sublime electronica to hyperactive garage to avant-garde dancehall. Therefore, it made perfect sense when the multifaceted imprint Ninja Tune invited Dorian Concept to contribute to its twentieth anniversary box set in 2010 with the standout track "Her Tears Taste Like Pears.” It was no surprise that Ninja Tune then added him to its roster, releasing an EP under the same title in 2011.

Shortly after the Ninja Tune EP, Dorian Concept decided to take some time off to craft a new sound. He abandoned his signature use of the Mikrokorg and started working with a Wurlitzer electronic piano and a handful of analogue synthesizers. Joined Ends - his forthcoming album on Ninja Tune - showcases a new sound that reveals a radically different side of his artistic repertoire. A departure from rigid beat-making, he has chosen to concentrate on his intuition and his keyboard skills. Dorian Concept is also expanding his much lauded live show into a trio with touring planned for Autumn 2014 and beyond.

Joined Ends is his most deliberate, focused, and liberating work to date.

[links_clean] =>

Tumblr
Facebook
Twitter
Soundcloud

) [2] => Array ( [id] => 163 [name] => Sticky [description] =>

Richard 'Sticky' Forbes built his reputation as one of the countries leading club music producers at the height of the UK Garage scene. His distinctive sound not only made his music unavoidable in the clubs during this era, but also launched the careers of a number of the UK’s leading talents including the Mercury Music Prize-winning Ms. Dynamite (the pair's collaboration "Booo!" is regularly cited amongst the greatest of UKG club classics).

Sticky has had an endless numbers of club and chart hits featuring artists including Kele Le Roc, Stush, Tubby T and Twista. He has also remixed the likes of Britney Spears, Justin Timberlake, Aaliyah, Sugababes, Hot Chip, Erykah Badu and Tulisa, consistently making music which has you smiling as well as dancing.

In late 2011, Sticky signed with Big Dada. His first release with the label was the digital-only "Pedal Riddim," in December 2102. He is due to release his first album with the label in 2013.

[links] => [image_upload_id] => 17745 [label_id] => 2 [twitter_username] => djsticky [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Sticky [created] => 2012-01-16 15:21:21 [modified] => 2014-03-06 10:21:58 [slug] => sticky [fuga_id] => [description_clean] =>

Richard 'Sticky' Forbes built his reputation as one of the countries leading club music producers at the height of the UK Garage scene. His distinctive sound not only made his music unavoidable in the clubs during this era, but also launched the careers of a number of the UK’s leading talents including the Mercury Music Prize-winning Ms. Dynamite (the pair's collaboration "Booo!" is regularly cited amongst the greatest of UKG club classics).

Sticky has had an endless numbers of club and chart hits featuring artists including Kele Le Roc, Stush, Tubby T and Twista. He has also remixed the likes of Britney Spears, Justin Timberlake, Aaliyah, Sugababes, Hot Chip, Erykah Badu and Tulisa, consistently making music which has you smiling as well as dancing.

In late 2011, Sticky signed with Big Dada. His first release with the label was the digital-only "Pedal Riddim," in December 2102. He is due to release his first album with the label in 2013.

[links_clean] => ) ) ) [1] => Array ( [Event] => Array ( [id] => 11568 [date] => 2013-08-29 [artist] => Actress [city] => London [state] => [country] => GB [venue] => St John at Hackney Church [promoter] => [description] => [ticket_url] => http://www.wegottickets.com/event/220179 [image_upload_id] => 18122 [created] => 2013-05-17 11:41:02 [modified] => 2013-05-30 13:14:16 [year_slug] => 2013 [month_slug] => aug [day_slug] => 29 [slug] => actress-london-st-john-at-hackney-church [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18122 [media_type] => image [artist] => Werkhaus Flyer [title] => Werkhaus Flyer [credits] => [buy_link] => [filename] => images/werkhaus-flyer/werkhaus.jpg [checksum] => bed2978f6b1d9be64853447eacb1227e [mime_type] => image/jpeg [size] => 83013 [external_url] => http://media.ninjatune.net/images/werkhaus-flyer/werkhaus.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => werkhaus-flyer [slug] => werkhaus-flyer [created] => 2013-05-29 14:39:14 [modified] => 2013-05-30 13:12:54 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 170 [name] => Actress [description] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links] =>

Werkdiscs

Facebook
Twitter

[image_upload_id] => 18890 [label_id] => 10 [twitter_username] => ctress_a [instagram_id] => 178436049 [instagram_username] => ctress_18 [link] => [listed] => 1 [sortname] => Actress [created] => 2012-08-06 16:25:23 [modified] => 2013-12-18 12:03:56 [slug] => actress [fuga_id] => [description_clean] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links_clean] =>

Werkdiscs

Facebook
Twitter

) ) ) [2] => Array ( [Event] => Array ( [id] => 11960 [date] => 2013-08-29 [artist] => Actress and Moiré [city] => London [state] => [country] => GB [venue] => Dance Tunnel [promoter] => [description] => [ticket_url] => https://www.facebook.com/events/323344134477801/?ref=2 [image_upload_id] => 18396 [created] => 2013-08-28 14:30:45 [modified] => 2013-08-28 14:30:45 [year_slug] => 2013 [month_slug] => aug [day_slug] => 29 [slug] => actress-and-moire-london-dance-tunnel [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18396 [media_type] => image [artist] => Werkdiscs [title] => Afterparty [credits] => [buy_link] => https://www.facebook.com/events/323344134477801/?ref=2 [filename] => images/werkdiscs/Werkhaus-DanceTunnel-Afterparty.jpg [checksum] => f38ca8df045a69f6117311d1f8cb7914 [mime_type] => image/jpeg [size] => 2867761 [external_url] => http://media.ninjatune.net/images/werkdiscs/Werkhaus-DanceTunnel-Afterparty.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => werkdiscs [slug] => afterparty [created] => 2013-08-28 14:19:36 [modified] => 2013-08-28 14:20:32 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 179 [name] => Moiré [description] =>

WERKDISCS are proud to announce the debut EP - Never Sleep - from London based producer Moiré.

This is the result of a lack of sleep - the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time. 

The lead track on this release, LOSE IT - the result of a collaborative effort between Moiré, Lessons and singer Heidi Vogel - is described by Moiré as that instant of losing and finding yourself, the moment you are walking through a club and everything is blurry then something clicks, changes, and the music becomes clearer and louder. 

What follows is a track that can only be described visually as that surreal moment when you are on a roof top looking across the city at 5AM and the sun rises before you – DRUGS, a track that grabs you unsuspectingly and refuses to let go. 

Then comes Actress' remix of LOSE IT. After his first listen of the track, WERKDISCS boss Actress was inspired and with imperious form, deconstructed and twisted the track into a dancefloor roller, completely different to the original, showing that distinctive character that is so pervasive of Actress' style. 

The final track - INTO (Digital Only) - is something that takes you deep. Beautiful, intense and uncompromising sounds are layered into a cacophonous, shimmering wall that taps into that raw sound of the city that inspires this EP. 

This release signals the arrival of a talented artist pushing his creative boundaries.

Moiré photo - Barbora Mrázková

[links] =>

Moiré website

Facebook
Twitter
Instagram

[image_upload_id] => 17593 [label_id] => 10 [twitter_username] => moiresound [instagram_id] => 237197382 [instagram_username] => moire_music [link] => [listed] => 1 [sortname] => Moiré [created] => 2013-01-15 18:03:14 [modified] => 2014-05-15 15:13:14 [slug] => moire [fuga_id] => [description_clean] =>

WERKDISCS are proud to announce the debut EP - Never Sleep - from London based producer Moiré.

This is the result of a lack of sleep - the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time. 

The lead track on this release, LOSE IT - the result of a collaborative effort between Moiré, Lessons and singer Heidi Vogel - is described by Moiré as that instant of losing and finding yourself, the moment you are walking through a club and everything is blurry then something clicks, changes, and the music becomes clearer and louder. 

What follows is a track that can only be described visually as that surreal moment when you are on a roof top looking across the city at 5AM and the sun rises before you – DRUGS, a track that grabs you unsuspectingly and refuses to let go. 

Then comes Actress' remix of LOSE IT. After his first listen of the track, WERKDISCS boss Actress was inspired and with imperious form, deconstructed and twisted the track into a dancefloor roller, completely different to the original, showing that distinctive character that is so pervasive of Actress' style. 

The final track - INTO (Digital Only) - is something that takes you deep. Beautiful, intense and uncompromising sounds are layered into a cacophonous, shimmering wall that taps into that raw sound of the city that inspires this EP. 

This release signals the arrival of a talented artist pushing his creative boundaries.

Moiré photo - Barbora Mrázková

[links_clean] =>

Moiré website

Facebook
Twitter
Instagram

) [1] => Array ( [id] => 170 [name] => Actress [description] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links] =>

Werkdiscs

Facebook
Twitter

[image_upload_id] => 18890 [label_id] => 10 [twitter_username] => ctress_a [instagram_id] => 178436049 [instagram_username] => ctress_18 [link] => [listed] => 1 [sortname] => Actress [created] => 2012-08-06 16:25:23 [modified] => 2013-12-18 12:03:56 [slug] => actress [fuga_id] => [description_clean] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

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) ) ) [3] => Array ( [Event] => Array ( [id] => 11865 [date] => 2013-08-29 [artist] => Ape School [city] => Philadelphia [state] => PA [country] => US [venue] => Milkboy Philly [promoter] => [description] => [ticket_url] => http://www.ticketfly.com/purchase/event/324267?skinName=tfly&utm_medium=%5BLjava.lang.String%3B%4045d99c1b&wrKey=6A96A1107D2C09B [image_upload_id] => 3872 [created] => 2013-07-24 16:05:10 [modified] => 2013-07-24 16:05:10 [year_slug] => 2013 [month_slug] => aug [day_slug] => 29 [slug] => ape-school-philadelphia-milkboy-philly [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 3872 [media_type] => image [artist] => Ape School [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/ape-school/ape1.jpg [checksum] => 6efd1e91c6c00a8a9b2348a89f987628 [mime_type] => image/jpeg [size] => 489217 [external_url] => http://media.ninjatune.net/images/ape-school/ape1.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => ape-school [slug] => promo-shot-migrated-47 [created] => 2010-11-24 03:36:56 [modified] => 2010-11-24 03:36:56 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 86 [name] => Ape School [description] =>

Born in the late 1970s on an unfathomably snowy night in Miami, Michael Johnson began life somewhat auspiciously. Transplanted to rural panhandle Florida at a young age and later exiled to inland Gainesville as a teen, Michael was lucky to not get sucked into the world of baseball and 4-wheel drive, sinking instead into fascination with Circus Psych, Trumans Water tribute and Alt-something-or-other.

Michael signed to Sub Pop with fellow Floridians Holopaw in 2002, recorded with Brian Deck (Modest Mouse, Caifone), toured with Iron and Wine and Fruit Bats, and developed an entirely unhealthy method of making music, dubbed 'wino-synthesis'.

In 2003, locked safely away in a back room in Pensacola, Florida, Michael completed his first solo release, 'Nonsense Goes Mudslide', for Must!Delicious Recordings. Nobody noticed its primitively ambitious, sprawling but touching collision of acoustics, electronics, vocals, layers, space, and frenetics.

Transplanted to Philadelphia, Michael squandered time and money on his mid-twenties until eventually lucking into a job at a music university replete with arcane wall-tall analog synthesizers and hirsute student body. Michael persuaded Holopaw to record their second full, 'Length Quit +/or Fight', in a modular box in Brooklyn, NY, aided by the mastery of Michael Pecchio. Electing at first to fight, Holopaw embarked on a tour for which Michael insisted Daedelus support as opening dandy.

Leaving Holopaw shortly thereafter, Michael began simultaneously smashing toms for Philly funnyman Kurt Vile, playing with Floridian chums Human Television, and entering into unholy union with Kurt Heasley and his Lilys. Rapidly gaining knowledge of what to do and not do, Michael Johnson joined the Lilys on their album 'Everything Wrong is Imaginary' and tour, shared stages with countless lovely individuals, and returned finally to his lonesome guitar and delay.

Providing refuge for a wayfaring Daedelus in 2007, ideas were exchanged. Michael supplied guitars, synths and disembodied vocals for Daedelus' 'Love To Make Music To' album, released to acclaim in 2008; Daedelus provided a viable outlet for Michael's then yet-to-be recorded opus, which would soon share his collaborator's home of Ninja Tune, on its Counter Records imprint.

Alone in a university studio in the summer of 2007, as professor and head technology monkey, Michael conjured his second solo release, his first recording as Ape School, a more cohesive, dramatic and accidentally lyrical love affair between machines and, less so, American whitey. Again with the help of Michael Pecchio as head research mixologist, Ape School has become reality. With a live band now featuring members of the aforementioned Lilys, Holopaw and Human Television, Ape School is purging alumni and accepting new enrollment.

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[image_upload_id] => 3874 [label_id] => 5 [twitter_username] => apeschool [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Ape School [created] => 2010-07-17 22:15:59 [modified] => 2013-08-22 10:16:35 [slug] => ape-school [fuga_id] => [description_clean] =>

Born in the late 1970s on an unfathomably snowy night in Miami, Michael Johnson began life somewhat auspiciously. Transplanted to rural panhandle Florida at a young age and later exiled to inland Gainesville as a teen, Michael was lucky to not get sucked into the world of baseball and 4-wheel drive, sinking instead into fascination with Circus Psych, Trumans Water tribute and Alt-something-or-other.

Michael signed to Sub Pop with fellow Floridians Holopaw in 2002, recorded with Brian Deck (Modest Mouse, Caifone), toured with Iron and Wine and Fruit Bats, and developed an entirely unhealthy method of making music, dubbed 'wino-synthesis'.

In 2003, locked safely away in a back room in Pensacola, Florida, Michael completed his first solo release, 'Nonsense Goes Mudslide', for Must!Delicious Recordings. Nobody noticed its primitively ambitious, sprawling but touching collision of acoustics, electronics, vocals, layers, space, and frenetics.

Transplanted to Philadelphia, Michael squandered time and money on his mid-twenties until eventually lucking into a job at a music university replete with arcane wall-tall analog synthesizers and hirsute student body. Michael persuaded Holopaw to record their second full, 'Length Quit +/or Fight', in a modular box in Brooklyn, NY, aided by the mastery of Michael Pecchio. Electing at first to fight, Holopaw embarked on a tour for which Michael insisted Daedelus support as opening dandy.

Leaving Holopaw shortly thereafter, Michael began simultaneously smashing toms for Philly funnyman Kurt Vile, playing with Floridian chums Human Television, and entering into unholy union with Kurt Heasley and his Lilys. Rapidly gaining knowledge of what to do and not do, Michael Johnson joined the Lilys on their album 'Everything Wrong is Imaginary' and tour, shared stages with countless lovely individuals, and returned finally to his lonesome guitar and delay.

Providing refuge for a wayfaring Daedelus in 2007, ideas were exchanged. Michael supplied guitars, synths and disembodied vocals for Daedelus' 'Love To Make Music To' album, released to acclaim in 2008; Daedelus provided a viable outlet for Michael's then yet-to-be recorded opus, which would soon share his collaborator's home of Ninja Tune, on its Counter Records imprint.

Alone in a university studio in the summer of 2007, as professor and head technology monkey, Michael conjured his second solo release, his first recording as Ape School, a more cohesive, dramatic and accidentally lyrical love affair between machines and, less so, American whitey. Again with the help of Michael Pecchio as head research mixologist, Ape School has become reality. With a live band now featuring members of the aforementioned Lilys, Holopaw and Human Television, Ape School is purging alumni and accepting new enrollment.

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