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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

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NYE Extravaganza 

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NYE Extravaganza 

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Back in 1996, Kid Koala became the first North American artist signed to UK label Ninja Tune. In the years that followed Kid Koala released a string of remixes and toured North America with fellow Ninja artists: Coldcut, DJ Food and DJ Vadim. But it was not long before his skill, innovation, and performance style led him to attract attention from those outside the club community. In 1998, he was invited to join Money Mark’s band, and then went on the road to open for the Beastie Boys on their 'Hello Nasty' world tour.

In 2000, Ninja Tune released Kid Koala’s debut album 'Carpal Tunnel Syndrome', which received international praise by the press for having defied expectation. The album featured a video game and a 32-page comic illustrated by Kid Koala himself. Following the release of the album Kid Koala toured extensively in North America and Europe as a member of groups such as Deltron 3030, Lovage, Bullfrog and on his own, opening for some of his favorite artists, Radiohead and Bjork.

While on the road, Kid Koala kept busy with pen to paper, illustrating a 350-page book called 'Nufonia Must Fall', accompanied by a soundtrack that he composed on the piano. Shortly after the release of this book came the release of his second album, 'Some of My Best Friends are DJs' complete with a 50-page comic book and mini chess game. This album was supported by a cabaret-style tour known as 'The Short Attention Span Theatre', which featured 3 DJs on 8 turntables, a slide show and a bingo game among other quirky surprises. Following this tour Kid Koala performed DJ sets in Australia, Asia, Europe, Russia, North America and South America, all the while working on a new book.

Kid Koala's most recent release on Ninja Tune was 'Your Mom’s Favorite DJ' in 2006. On this record he shows that his chosen means of expression (the turntable) is used not as a way of showing that he can do faster crabs than anyone else, but as a way of telling stories. Although there is the romance, silent movie comedy and swing that your mother may well smile at and even shake her booty to, the enthralling deftness and complexity you’d expect from Kid Koala is also here - woven together with classic hip hop beats, breaks and generous swathes of heavy guitars.

In 2009, Kid Koala put together 3 'Music to Draw To' performances in Montreal for which he basically invited people to come and draw while he played records. There was no dancing allowed, but people could enjoy a free cup of hot chocolate, purchase some treats and either draw or do some writing. These events were initially created just for fun, but they became a huge success. As the series progressed, he received more and more requests for us to take our event to other parts of Quebec, North America, Europe... Even South America and South Africa...

Later that year, Kid Koala embarked on another journey, that of presenting a project called 'The Slew' – live with the former rhythm section of Grammy Award-winning Australian rock band Wolfmother. Featuring drums, bass/keys and DJs working across a truly excessive six turntables, the set featured raw guitar cuts and heavy beats that set out as a one-time-only tour across North America. Due to the high demand by fans for a return and the amount of fun the band had playing together, they toured the North American Jazz Festival circuit and also appeared at SONAR Spain and Chicago. Somewhere in between their busy tour schedule the ex-Wolfmother rhyhtm section joined Kid Koala in the studio to lay down some new songs. Currently Dynomite D is working on the songs at his studio.

In late 2010, Kid Koala finsihed his latest graphic novel and soundtrack titled 'Space Cadet'. To work out the accompanying live show and gallery exhibition, he took part in an artist residence at MASS MoCA (Massachussetts Museum Of Contemporary Art) in December. The Space Cadet Headphone Concert and Gallery debuted on December 11 with 2 shows. The novel and soundtrack are set to be released during 2011 through Pigeon Press and a world tour will commence soon after.

[links] =>

www.kidkoala.com

Facebook
Twitter
Soundcloud

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Back in 1996, Kid Koala became the first North American artist signed to UK label Ninja Tune. In the years that followed Kid Koala released a string of remixes and toured North America with fellow Ninja artists: Coldcut, DJ Food and DJ Vadim. But it was not long before his skill, innovation, and performance style led him to attract attention from those outside the club community. In 1998, he was invited to join Money Mark’s band, and then went on the road to open for the Beastie Boys on their 'Hello Nasty' world tour.

In 2000, Ninja Tune released Kid Koala’s debut album 'Carpal Tunnel Syndrome', which received international praise by the press for having defied expectation. The album featured a video game and a 32-page comic illustrated by Kid Koala himself. Following the release of the album Kid Koala toured extensively in North America and Europe as a member of groups such as Deltron 3030, Lovage, Bullfrog and on his own, opening for some of his favorite artists, Radiohead and Bjork.

While on the road, Kid Koala kept busy with pen to paper, illustrating a 350-page book called 'Nufonia Must Fall', accompanied by a soundtrack that he composed on the piano. Shortly after the release of this book came the release of his second album, 'Some of My Best Friends are DJs' complete with a 50-page comic book and mini chess game. This album was supported by a cabaret-style tour known as 'The Short Attention Span Theatre', which featured 3 DJs on 8 turntables, a slide show and a bingo game among other quirky surprises. Following this tour Kid Koala performed DJ sets in Australia, Asia, Europe, Russia, North America and South America, all the while working on a new book.

Kid Koala's most recent release on Ninja Tune was 'Your Mom’s Favorite DJ' in 2006. On this record he shows that his chosen means of expression (the turntable) is used not as a way of showing that he can do faster crabs than anyone else, but as a way of telling stories. Although there is the romance, silent movie comedy and swing that your mother may well smile at and even shake her booty to, the enthralling deftness and complexity you’d expect from Kid Koala is also here - woven together with classic hip hop beats, breaks and generous swathes of heavy guitars.

In 2009, Kid Koala put together 3 'Music to Draw To' performances in Montreal for which he basically invited people to come and draw while he played records. There was no dancing allowed, but people could enjoy a free cup of hot chocolate, purchase some treats and either draw or do some writing. These events were initially created just for fun, but they became a huge success. As the series progressed, he received more and more requests for us to take our event to other parts of Quebec, North America, Europe... Even South America and South Africa...

Later that year, Kid Koala embarked on another journey, that of presenting a project called 'The Slew' – live with the former rhythm section of Grammy Award-winning Australian rock band Wolfmother. Featuring drums, bass/keys and DJs working across a truly excessive six turntables, the set featured raw guitar cuts and heavy beats that set out as a one-time-only tour across North America. Due to the high demand by fans for a return and the amount of fun the band had playing together, they toured the North American Jazz Festival circuit and also appeared at SONAR Spain and Chicago. Somewhere in between their busy tour schedule the ex-Wolfmother rhyhtm section joined Kid Koala in the studio to lay down some new songs. Currently Dynomite D is working on the songs at his studio.

In late 2010, Kid Koala finsihed his latest graphic novel and soundtrack titled 'Space Cadet'. To work out the accompanying live show and gallery exhibition, he took part in an artist residence at MASS MoCA (Massachussetts Museum Of Contemporary Art) in December. The Space Cadet Headphone Concert and Gallery debuted on December 11 with 2 shows. The novel and soundtrack are set to be released during 2011 through Pigeon Press and a world tour will commence soon after.

[links_clean] =>

www.kidkoala.com

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [2] => Array ( [Event] => Array ( [id] => 12271 [date] => 2013-12-31 [artist] => Emika [city] => Berlin [state] => [country] => DE [venue] => Gretchen [promoter] => [description] => [ticket_url] => http://www.eventim.de/cgi-bin/gretchen-goes-2014-live-clark-emika-berlin-Tickets.html?affiliate=EVE&doc=artistPages%2Ftickets&fu [image_upload_id] => 17890 [created] => 2013-11-20 11:50:36 [modified] => 2013-11-20 11:50:36 [year_slug] => 2013 [month_slug] => dec [day_slug] => 31 [slug] => emika-berlin-gretchen [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 17890 [media_type] => image [artist] => Emika [title] => Emika artist Shot 2013 [credits] => [buy_link] => [filename] => images/emika/EmikaPress-77-Edit-site.jpg [checksum] => d25d3c5e9b72cfa1f472e2f1ed942ee0 [mime_type] => image/jpeg [size] => 43765 [external_url] => http://media.ninjatune.net/images/emika/EmikaPress-77-Edit-site.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => emika [slug] => emika-artist-shot-2013 [created] => 2013-03-14 14:58:29 [modified] => 2013-04-23 14:20:20 [embed] => ) [Country] => Array ( [id] => 230 [name] => Germany [longname] => Germany [numcode] => 276 [iso] => DE [iso3] => DEU [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 457 [rght] => 458 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 93 [name] => Emika [description] =>

Ema Jolly, a musician and performer also known as Emika, has a geographical track record as diverse as they come. Born in the UK of Czech heritage, she spent many musically formative years in Bristol before relocating to the equally rich sonic landscape of Berlin. Emika takes all of her roots and melds them, lending context to her narrative-driven music.

Classically trained in piano and composition, she went on to study music technology at university and worked as a sound designer before pursuing music-making full-time, a career that now manifests in the writing, producing and mixing of all of her own work. Despite her self-described "nerdy," studio-based background, she notes a major shift in her recent output evolving from the isolated nature of her self-titled debut LP to a more interactive and freewheeling piece of work in this year's acclaimed DVA, an opus dreamt up in her Berlin apartment and created entirely herself.

The character of her performances has seen an evolution as well; she excitedly describes the interaction between her sound technician, light technician and choreographer which shapes the live show she's taken worldwide. Emika emphasises the live value of her performances: she and her small crew improvise together for each show, with the result becoming totally unpredictable and a very real response to the audience at hand.

Emika describes her music somewhere at the conjunction between "futuristic storytelling, club context and classical influences"--and it's caught the attention of a slew of collaborators including Tommy Four Seven, Pinch, Nick Hoppner, Paul Frick, Brand Brauer Frick, Amon Tobin and Marcel Dettman (with whom she co-produced a song for his forthcoming record).

After spending a good part of the year travelling everywhere from America to Ukraine, this autumn will see her embark on her first headline tour in Russia, in addition to a number of gigs across Europe. As long as she continues to push her unique singer-songwriter-meets-Berghain sound, there's no sign of slowing down.

[links] =>

www.emika.co.uk

Facebook
Twitter
Soundcloud

[image_upload_id] => 17890 [label_id] => 1 [twitter_username] => emikatwit [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Emika [created] => 2010-07-17 22:15:59 [modified] => 2014-03-06 10:15:14 [slug] => emika [fuga_id] => [description_clean] =>

Ema Jolly, a musician and performer also known as Emika, has a geographical track record as diverse as they come. Born in the UK of Czech heritage, she spent many musically formative years in Bristol before relocating to the equally rich sonic landscape of Berlin. Emika takes all of her roots and melds them, lending context to her narrative-driven music.

Classically trained in piano and composition, she went on to study music technology at university and worked as a sound designer before pursuing music-making full-time, a career that now manifests in the writing, producing and mixing of all of her own work. Despite her self-described "nerdy," studio-based background, she notes a major shift in her recent output evolving from the isolated nature of her self-titled debut LP to a more interactive and freewheeling piece of work in this year's acclaimed DVA, an opus dreamt up in her Berlin apartment and created entirely herself.

The character of her performances has seen an evolution as well; she excitedly describes the interaction between her sound technician, light technician and choreographer which shapes the live show she's taken worldwide. Emika emphasises the live value of her performances: she and her small crew improvise together for each show, with the result becoming totally unpredictable and a very real response to the audience at hand.

Emika describes her music somewhere at the conjunction between "futuristic storytelling, club context and classical influences"--and it's caught the attention of a slew of collaborators including Tommy Four Seven, Pinch, Nick Hoppner, Paul Frick, Brand Brauer Frick, Amon Tobin and Marcel Dettman (with whom she co-produced a song for his forthcoming record).

After spending a good part of the year travelling everywhere from America to Ukraine, this autumn will see her embark on her first headline tour in Russia, in addition to a number of gigs across Europe. As long as she continues to push her unique singer-songwriter-meets-Berghain sound, there's no sign of slowing down.

[links_clean] =>

www.emika.co.uk

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [3] => Array ( [Event] => Array ( [id] => 12272 [date] => 2013-12-31 [artist] => Antibalas [city] => New York City [state] => [country] => US [venue] => S.O.B.'s [promoter] => [description] => [ticket_url] => http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3922474&awc=4103_1384949863_7f3da31ca5a032aa [image_upload_id] => 3871 [created] => 2013-11-20 12:14:51 [modified] => 2013-11-20 12:14:51 [year_slug] => 2013 [month_slug] => dec [day_slug] => 31 [slug] => antibalas-new-york-city-s-o-b-s [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 3871 [media_type] => image [artist] => Antibalas [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/antibalas/antibalas-5.jpg [checksum] => bad8a52f461a53d141717c60dcf8b783 [mime_type] => image/jpeg [size] => 124092 [external_url] => http://media.ninjatune.net/images/antibalas/antibalas-5.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => antibalas [slug] => promo-shot-migrated-46 [created] => 2010-11-24 03:36:52 [modified] => 2010-11-24 03:36:52 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 1 [name] => Antibalas [description] => Antibalas is the spirit of Afrobeat reincarnated as a hard-hitting collective of musicians in New York City. The group carries on the soul of Fela Anikulapo-Kuti, founder of the unique Afrobeat sound, which unites highlife, jazz, funk, and traditional African elements with unabashed political messages. Antibalas-which means "anti-bullets" or "bullet-proof"-shoots out monstrous horns and bass layered over polyrhythmic beats coupled with furious lyrics inciting insurrection in English, Yoruba, and Spanish. Antibalas formed in 1998 from members of Desco Records' Soul Providers and the Daktaris. They were quickly joined by like-minded New York musicians active in the worlds of jazz, rock, improvised music, and traditional drumming from Cuba and Brazil. The union of Latinos, whites, African Americans, Africans, and Asian Americans is based in Brooklyn, NYC. With fifteen band members, Antibalas-which is run as a collective-cannot easily be described in a traditional biography. The group's players come from such diverse professional, cultural, and personal backgrounds that only a spray of bullets can shed light on the foundation of this musical insurrection. [links] =>

www.antibalas.com

Facebook
Twitter
Soundcloud

[image_upload_id] => 3871 [label_id] => 1 [twitter_username] => antibalas [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Antibalas [created] => 2010-07-17 22:15:58 [modified] => 2013-01-09 10:58:35 [slug] => antibalas [fuga_id] => [description_clean] =>

Antibalas is the spirit of Afrobeat reincarnated as a hard-hitting collective of musicians in New York City. The group carries on the soul of Fela Anikulapo-Kuti, founder of the unique Afrobeat sound, which unites highlife, jazz, funk, and traditional African elements with unabashed political messages. Antibalas-which means "anti-bullets" or "bullet-proof"-shoots out monstrous horns and bass layered over polyrhythmic beats coupled with furious lyrics inciting insurrection in English, Yoruba, and Spanish.

Antibalas formed in 1998 from members of Desco Records' Soul Providers and the Daktaris. They were quickly joined by like-minded New York musicians active in the worlds of jazz, rock, improvised music, and traditional drumming from Cuba and Brazil. The union of Latinos, whites, African Americans, Africans, and Asian Americans is based in Brooklyn, NYC.

With fifteen band members, Antibalas-which is run as a collective-cannot easily be described in a traditional biography. The group's players come from such diverse professional, cultural, and personal backgrounds that only a spray of bullets can shed light on the foundation of this musical insurrection.

[links_clean] =>

www.antibalas.com

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [4] => Array ( [Event] => Array ( [id] => 12277 [date] => 2013-12-31 [artist] => Emika [city] => Berlin [state] => [country] => DE [venue] => Gretchen [promoter] => [description] => [ticket_url] => http://www.eventim.de/cgi-bin/gretchen-goes-2014-live-clark-emika-berlin-Tickets.html?affiliate=EVE&doc=artistPages%2Ftickets&fu [image_upload_id] => 17890 [created] => 2013-11-20 13:40:17 [modified] => 2013-11-20 13:40:17 [year_slug] => 2013 [month_slug] => dec [day_slug] => 31 [slug] => emika-berlin-gretchen-2 [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 17890 [media_type] => image [artist] => Emika [title] => Emika artist Shot 2013 [credits] => [buy_link] => [filename] => images/emika/EmikaPress-77-Edit-site.jpg [checksum] => d25d3c5e9b72cfa1f472e2f1ed942ee0 [mime_type] => image/jpeg [size] => 43765 [external_url] => http://media.ninjatune.net/images/emika/EmikaPress-77-Edit-site.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => emika [slug] => emika-artist-shot-2013 [created] => 2013-03-14 14:58:29 [modified] => 2013-04-23 14:20:20 [embed] => ) [Country] => Array ( [id] => 230 [name] => Germany [longname] => Germany [numcode] => 276 [iso] => DE [iso3] => DEU [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 457 [rght] => 458 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 93 [name] => Emika [description] =>

Ema Jolly, a musician and performer also known as Emika, has a geographical track record as diverse as they come. Born in the UK of Czech heritage, she spent many musically formative years in Bristol before relocating to the equally rich sonic landscape of Berlin. Emika takes all of her roots and melds them, lending context to her narrative-driven music.

Classically trained in piano and composition, she went on to study music technology at university and worked as a sound designer before pursuing music-making full-time, a career that now manifests in the writing, producing and mixing of all of her own work. Despite her self-described "nerdy," studio-based background, she notes a major shift in her recent output evolving from the isolated nature of her self-titled debut LP to a more interactive and freewheeling piece of work in this year's acclaimed DVA, an opus dreamt up in her Berlin apartment and created entirely herself.

The character of her performances has seen an evolution as well; she excitedly describes the interaction between her sound technician, light technician and choreographer which shapes the live show she's taken worldwide. Emika emphasises the live value of her performances: she and her small crew improvise together for each show, with the result becoming totally unpredictable and a very real response to the audience at hand.

Emika describes her music somewhere at the conjunction between "futuristic storytelling, club context and classical influences"--and it's caught the attention of a slew of collaborators including Tommy Four Seven, Pinch, Nick Hoppner, Paul Frick, Brand Brauer Frick, Amon Tobin and Marcel Dettman (with whom she co-produced a song for his forthcoming record).

After spending a good part of the year travelling everywhere from America to Ukraine, this autumn will see her embark on her first headline tour in Russia, in addition to a number of gigs across Europe. As long as she continues to push her unique singer-songwriter-meets-Berghain sound, there's no sign of slowing down.

[links] =>

www.emika.co.uk

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Twitter
Soundcloud

[image_upload_id] => 17890 [label_id] => 1 [twitter_username] => emikatwit [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Emika [created] => 2010-07-17 22:15:59 [modified] => 2014-03-06 10:15:14 [slug] => emika [fuga_id] => [description_clean] =>

Ema Jolly, a musician and performer also known as Emika, has a geographical track record as diverse as they come. Born in the UK of Czech heritage, she spent many musically formative years in Bristol before relocating to the equally rich sonic landscape of Berlin. Emika takes all of her roots and melds them, lending context to her narrative-driven music.

Classically trained in piano and composition, she went on to study music technology at university and worked as a sound designer before pursuing music-making full-time, a career that now manifests in the writing, producing and mixing of all of her own work. Despite her self-described "nerdy," studio-based background, she notes a major shift in her recent output evolving from the isolated nature of her self-titled debut LP to a more interactive and freewheeling piece of work in this year's acclaimed DVA, an opus dreamt up in her Berlin apartment and created entirely herself.

The character of her performances has seen an evolution as well; she excitedly describes the interaction between her sound technician, light technician and choreographer which shapes the live show she's taken worldwide. Emika emphasises the live value of her performances: she and her small crew improvise together for each show, with the result becoming totally unpredictable and a very real response to the audience at hand.

Emika describes her music somewhere at the conjunction between "futuristic storytelling, club context and classical influences"--and it's caught the attention of a slew of collaborators including Tommy Four Seven, Pinch, Nick Hoppner, Paul Frick, Brand Brauer Frick, Amon Tobin and Marcel Dettman (with whom she co-produced a song for his forthcoming record).

After spending a good part of the year travelling everywhere from America to Ukraine, this autumn will see her embark on her first headline tour in Russia, in addition to a number of gigs across Europe. As long as she continues to push her unique singer-songwriter-meets-Berghain sound, there's no sign of slowing down.

[links_clean] =>

www.emika.co.uk

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [5] => Array ( [Event] => Array ( [id] => 12329 [date] => 2013-12-31 [artist] => Run The Jewels [city] => Raleigh [state] => [country] => US [venue] => Lincoln Theatre [promoter] => [description] => [ticket_url] => http://www.etix.com/ticket/online/performanceSearch.jsp?performance_id=1760591&searchType=venue [image_upload_id] => 18744 [created] => 2013-12-11 11:16:38 [modified] => 2013-12-11 11:16:38 [year_slug] => 2013 [month_slug] => dec [day_slug] => 31 [slug] => run-the-jewels-raleigh-lincoln-theatre [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 18744 [media_type] => image [artist] => Run The Jewels [title] => RTJ Press Photo 2013 [credits] => [buy_link] => [filename] => images/run-the-jewels/RTJ-Nov-13.jpg [checksum] => 6dca10ea76148c707e2f6cf01e2d097c [mime_type] => image/jpeg [size] => 118013 [external_url] => http://media.ninjatune.net/images/run-the-jewels/RTJ-Nov-13.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => run-the-jewels [slug] => rtj-press-photo-2013 [created] => 2013-11-13 16:34:46 [modified] => 2013-11-13 16:35:48 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 195 [name] => Run The Jewels [description] =>

El-P and Killer Mike will release their collaborative and acclaimed Run The Jewels album throughout Europe on 4th November via Big Dada. The record will feature new, previously unreleased material and be available in Europe for the first time on digital outlets, including iTunes, and as a deluxe vinyl edition.

Big Dada: “We're incredibly excited to be releasingRun The Jewels. El-P was one of the early inspirations behind Big Dada, and is one of the all-time great driving forces of forward-thinking rap music. His partnership with one of the most intelligent, fluent and ferocious MCs out there, Killer Mike, is hugely exciting and we think Run The Jewels is the rap record of 2013 and then some.

[links] =>
Run The Jewels - FREE DOWNLOAD
[image_upload_id] => 18652 [label_id] => 2 [twitter_username] => therealelp [instagram_id] => 508845469 [instagram_username] => threalelp [link] => [listed] => 1 [sortname] => Run The Jewels [created] => 2013-09-27 11:09:34 [modified] => 2014-03-10 10:43:44 [slug] => run-the-jewels [fuga_id] => [description_clean] =>

El-P and Killer Mike will release their collaborative and acclaimed Run The Jewels album throughout Europe on 4th November via Big Dada. The record will feature new, previously unreleased material and be available in Europe for the first time on digital outlets, including iTunes, and as a deluxe vinyl edition.

Big Dada: “We're incredibly excited to be releasingRun The Jewels. El-P was one of the early inspirations behind Big Dada, and is one of the all-time great driving forces of forward-thinking rap music. His partnership with one of the most intelligent, fluent and ferocious MCs out there, Killer Mike, is hugely exciting and we think Run The Jewels is the rap record of 2013 and then some.

[links_clean] =>
Run The Jewels - FREE DOWNLOAD
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Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links] =>

Website

Facebook
Twitter
Soundcloud

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Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [7] => Array ( [Event] => Array ( [id] => 12337 [date] => 2013-12-31 [artist] => Spank Rock [city] => New York [state] => NY [country] => US [venue] => El Privado [promoter] => [description] => [ticket_url] => http://www.ticketfly.com/purchase/event/443333/tfly?utm_medium=api&utm_medium=291182 [image_upload_id] => 4072 [created] => 2013-12-12 16:17:10 [modified] => 2013-12-12 16:17:10 [year_slug] => 2013 [month_slug] => dec [day_slug] => 31 [slug] => spank-rock-new-york-el-privado [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 4072 [media_type] => image [artist] => Spank Rock [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/spank-rock/Spankrockphoto4.jpg [checksum] => c70ccbd0aac8f984c17ce1fc2e933a10 [mime_type] => image/jpeg [size] => 1962804 [external_url] => http://media.ninjatune.net/images/spank-rock/Spankrockphoto4.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => spank-rock [slug] => promo-shot-migrated-247 [created] => 2010-11-24 04:04:10 [modified] => 2010-11-24 04:04:10 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 64 [name] => Spank Rock [description] =>

Naeem Juwan, better known as MC Spank Rock, MC Super Disco Spank Ro' or just Spank Rock, grew up alongside two brothers and five sisters in a West Baltimore row house. Naeem began rapping in the 8th Grade, getting advice and ample criticism from a big sister who was a little more deep into the hip hop thing than he was. Through her, he was eventually introduced to Shaun J Period (the producer for Mos Def's groundbreaking "Universal Magnetic" EP), Mos Def and Last Emperor. Naeem, "moved to Philly, got wrapped up in the thriving 'Neo Soul' scene, started listening to punk, dropped out of college, partied like the world was ending and got rid of all of my hip hop cds." He was introduced by old school friend Chris Devlin aka Chris Rockswell to Alex Epton. Epton had known Devlin in Baltimore before moving to Boston to the New England Conservatory of Music where he "failed out" before moving on to New York, where he ended up joining pop-punk-electro outfit Zero Zero. After Alex had helped out engineering at sessions that Naeem was working on with Steve McReady, the MC began to go and visit the producer in Brooklyn. When Juwan heard Epton's own music, he knew he had to put something on top of it. The resulting album sounds like "the rap version of Prince's 1999 album," according to Juwan, or, more self-deprecatingly, from Epton, like "American kids ripping off European kids ripping off American hip hop." "Yo Yo Yo Yo Yo" was released on Big Dada in 2006 to instant acclaim and notoriety. After the release of the album, Juwan and Epton split, Naeem signing to Downtown Records and Alex concentrating on his own production work as XXXChange.  Epton has produced for and remixed a number of high profile acts including The Kills, Kele Orekeke, Björk, Charlotte Gainsbourg, Thom Yorke and TV on the Radio, as well as starting the band Win Win (along with Chris Devlin).  Meanwhile, Juwan released the "Abngers & cash" EP with Benny Blanco, recorded and toured with Mark Ronson and, in 2011, released a second Spank Rock album, "Everything Is Boring And Everyone Is A Fucking Liar."

[links] =>

www.spankrock.net

Facebook
SoundCloud

[image_upload_id] => 4074 [label_id] => 2 [twitter_username] => [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Spank Rock [created] => 2010-07-17 22:15:59 [modified] => 2013-01-09 12:31:11 [slug] => spank-rock [fuga_id] => [description_clean] =>

Naeem Juwan, better known as MC Spank Rock, MC Super Disco Spank Ro' or just Spank Rock, grew up alongside two brothers and five sisters in a West Baltimore row house. Naeem began rapping in the 8th Grade, getting advice and ample criticism from a big sister who was a little more deep into the hip hop thing than he was. Through her, he was eventually introduced to Shaun J Period (the producer for Mos Def's groundbreaking "Universal Magnetic" EP), Mos Def and Last Emperor. Naeem, "moved to Philly, got wrapped up in the thriving 'Neo Soul' scene, started listening to punk, dropped out of college, partied like the world was ending and got rid of all of my hip hop cds."

He was introduced by old school friend Chris Devlin aka Chris Rockswell to Alex Epton. Epton had known Devlin in Baltimore before moving to Boston to the New England Conservatory of Music where he "failed out" before moving on to New York, where he ended up joining pop-punk-electro outfit Zero Zero. After Alex had helped out engineering at sessions that Naeem was working on with Steve McReady, the MC began to go and visit the producer in Brooklyn. When Juwan heard Epton's own music, he knew he had to put something on top of it. The resulting album sounds like "the rap version of Prince's 1999 album," according to Juwan, or, more self-deprecatingly, from Epton, like "American kids ripping off European kids ripping off American hip hop." "Yo Yo Yo Yo Yo" was released on Big Dada in 2006 to instant acclaim and notoriety. After the release of the album, Juwan and Epton split, Naeem signing to Downtown Records and Alex concentrating on his own production work as XXXChange.  Epton has produced for and remixed a number of high profile acts including The Kills, Kele Orekeke, Björk, Charlotte Gainsbourg, Thom Yorke and TV on the Radio, as well as starting the band Win Win (along with Chris Devlin).  Meanwhile, Juwan released the "Abngers & cash" EP with Benny Blanco, recorded and toured with Mark Ronson and, in 2011, released a second Spank Rock album, "Everything Is Boring And Everyone Is A Fucking Liar."

[links_clean] =>

www.spankrock.net

Facebook
SoundCloud

[counter_player] => [counter_biog] => ) ) ) [8] => Array ( [Event] => Array ( [id] => 12352 [date] => 2013-12-31 [artist] => DJ Food [city] => Verona [state] => [country] => IT [venue] => Club Interzona [promoter] => [description] => [ticket_url] => [image_upload_id] => 16199 [created] => 2013-12-19 16:34:06 [modified] => 2013-12-19 16:34:06 [year_slug] => 2013 [month_slug] => dec [day_slug] => 31 [slug] => dj-food-verona-club-interzona [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 16199 [media_type] => image [artist] => DJ Food [title] => DJ Food Artist Shot Oct 2011 [credits] => [buy_link] => [filename] => images/dj-food/DJFoodbyWillCooperMitchell6.jpg [checksum] => 0f0acc7bd7abea90c0c9c2f273419733 [mime_type] => image/jpeg [size] => 4338325 [external_url] => http://media.ninjatune.net/images/dj-food/DJFoodbyWillCooperMitchell6.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => dj-food [slug] => dj-food-artist-shot-oct-2011 [created] => 2011-10-06 17:12:57 [modified] => 2011-10-06 17:13:11 [embed] => ) [Country] => Array ( [id] => 217 [name] => Italy [longname] => Italy [numcode] => 380 [iso] => IT [iso3] => ITA [currency] => EUR [active] => 1 [parent_id] => 209 [lft] => 431 [rght] => 432 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 34 [name] => DJ Food [description] =>

DJ Food (present) : Strictly Kev

With nearly 25 years of DJing experience and more than a decade serving up Food for DJs, for both Ninja and Coldcut's weekly radio show 'Solid Steel', Kev is now in the Food hot seat.

At his 'Telepathic Fish' ambient parties in the early 90's he booked Matt Black on his first VJing gigs, started designing artwork for Ninja Tune and paired up with PC (Patrick Carpenter) to form the public 'face' of DJ Food on 4 decks in clubs around the world. After working on various Food and Coldcut related studio projects with PC (A Recipe for Disaster, Journeys by DJ, ColdKrushCuts and the Blech mix compilations for Warp) they released the album 'Kaleidoscope' in 2000, closely followed by the 'Quadraplex EP' in 2001.

Also arriving in 2001 was the first in a series of Solid Steel mix CDs, starting with DJ Food & DK (Darren Knott - Solid Steel's producer) and the publicly lauded 'Now, Listen'. Since then he's been constantly art directing the Ninja label, designing for artists like Amon Tobin, The Herbaliser, DJ Vadim and Funki Porcini. Mix work has included a re-score of the Monkees' cult film 'Head', an as-yet-unreleased album of vintage Sesame Street funk, and his magnum opus 'Raiding the 20th Century'. This last hour long mix / documentary was an internet only release, charting the history of the cut-up and featured journalist Paul Morley reading from his book 'Words & Music'. Not only did it crash servers on several sites that hosted it due to its initial popularity but it was later subject to a cease & desist order from EMI for multiple infringements of copyright.

In 2007, alongside DK again, he followed up their Solid Steel debut with the sequel - 'Now, Listen Again', and the pair spent much of 2008 transferring their mix into a 4 deck audio visual live show. Using Serato's video plug-in - that enables video to be mixed and scratched via turntables the same as records - they christened their efforts 'video turntablism'.

Kev is now working on a series of EPs that will make up the next DJ Food album, an exhaustive DJ Food website (www.djfood.org) and providing artwork for Ninja artists such as King Cannibal and the 20th anniversary label celebrations.

DJ Food (past):

DJ Food has been many persons, of who we will come to in a moment. DJ Food is best described as Food for DJs, simple as that, just flip it around and it begins to mean something entirely different.

Originally produced by Coldcut the DJ Food project started in 1990 with the release of 'Jazz Brakes', with 'Jazz Brakes Volume 3' being the label's most successful early album. Not only are they effective collections of breaks, loops and samples ideal for mixing, remixing and producing - but also fine collections of funky jazz & hip hop tunes, that cut it just as well on the discerning dancefloor as in the safety of your own home...

Since the growth of the abstract hip hop scene in recent years the 'Jazz Brakes' albums have proved to be ahead of their time. The latter DJ Food albums have developed with shades of latin, dub, techno, ambient, tribal, african and jungle flavouring the funk. The 2005 album 'A Recipe For Disaster' was a conscious break from the five 'Jazz Brakes' volumes to form more of an identity as an artist, and a remix album of tracks from all 6 LPs 'Refried Food' was released Feb '95.

But who made this food? Matt Black & Jonathan More (aka Coldcut) were responsible for starting the DJ Food series of 'Jazz Brakes' back in the early 90's, and along the way they met Patrick Carpenter (PC) who was commonly misconstrued as the computer that they made the tracks on for a while. A loose collaborative team began to form as more like-minded people arrived at the party; Paul Brook, Paul Rabiger, Strictly Kev and Issac Elliston to name a few.

Whilst keeping their hand in as DJs, Matt & Jon couldn't and didn't want to DJ twice in one night under both aliases of Coldcut & DJ Food, so PC & Strictly stepped up to represent the Food club-wise. This was the score for some time, until PC became so busy with his involvement in the Cinematic Orchestra that he decided to depart to concentrate on that, leaving Strictly Kev to carry the mantle.

[links] =>

www.djfood.org

Twitter
Soundcloud

[image_upload_id] => 16199 [label_id] => 1 [twitter_username] => djfood [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => DJ Food [created] => 2010-07-17 22:15:58 [modified] => 2014-10-21 09:55:59 [slug] => dj-food [fuga_id] => [description_clean] =>

DJ Food (present) : Strictly Kev

With nearly 25 years of DJing experience and more than a decade serving up Food for DJs, for both Ninja and Coldcut's weekly radio show 'Solid Steel', Kev is now in the Food hot seat.

At his 'Telepathic Fish' ambient parties in the early 90's he booked Matt Black on his first VJing gigs, started designing artwork for Ninja Tune and paired up with PC (Patrick Carpenter) to form the public 'face' of DJ Food on 4 decks in clubs around the world. After working on various Food and Coldcut related studio projects with PC (A Recipe for Disaster, Journeys by DJ, ColdKrushCuts and the Blech mix compilations for Warp) they released the album 'Kaleidoscope' in 2000, closely followed by the 'Quadraplex EP' in 2001.

Also arriving in 2001 was the first in a series of Solid Steel mix CDs, starting with DJ Food & DK (Darren Knott - Solid Steel's producer) and the publicly lauded 'Now, Listen'. Since then he's been constantly art directing the Ninja label, designing for artists like Amon Tobin, The Herbaliser, DJ Vadim and Funki Porcini. Mix work has included a re-score of the Monkees' cult film 'Head', an as-yet-unreleased album of vintage Sesame Street funk, and his magnum opus 'Raiding the 20th Century'. This last hour long mix / documentary was an internet only release, charting the history of the cut-up and featured journalist Paul Morley reading from his book 'Words & Music'. Not only did it crash servers on several sites that hosted it due to its initial popularity but it was later subject to a cease & desist order from EMI for multiple infringements of copyright.

In 2007, alongside DK again, he followed up their Solid Steel debut with the sequel - 'Now, Listen Again', and the pair spent much of 2008 transferring their mix into a 4 deck audio visual live show. Using Serato's video plug-in - that enables video to be mixed and scratched via turntables the same as records - they christened their efforts 'video turntablism'.

Kev is now working on a series of EPs that will make up the next DJ Food album, an exhaustive DJ Food website (www.djfood.org) and providing artwork for Ninja artists such as King Cannibal and the 20th anniversary label celebrations.

DJ Food (past):

DJ Food has been many persons, of who we will come to in a moment. DJ Food is best described as Food for DJs, simple as that, just flip it around and it begins to mean something entirely different.

Originally produced by Coldcut the DJ Food project started in 1990 with the release of 'Jazz Brakes', with 'Jazz Brakes Volume 3' being the label's most successful early album. Not only are they effective collections of breaks, loops and samples ideal for mixing, remixing and producing - but also fine collections of funky jazz & hip hop tunes, that cut it just as well on the discerning dancefloor as in the safety of your own home...

Since the growth of the abstract hip hop scene in recent years the 'Jazz Brakes' albums have proved to be ahead of their time. The latter DJ Food albums have developed with shades of latin, dub, techno, ambient, tribal, african and jungle flavouring the funk. The 2005 album 'A Recipe For Disaster' was a conscious break from the five 'Jazz Brakes' volumes to form more of an identity as an artist, and a remix album of tracks from all 6 LPs 'Refried Food' was released Feb '95.

But who made this food? Matt Black & Jonathan More (aka Coldcut) were responsible for starting the DJ Food series of 'Jazz Brakes' back in the early 90's, and along the way they met Patrick Carpenter (PC) who was commonly misconstrued as the computer that they made the tracks on for a while. A loose collaborative team began to form as more like-minded people arrived at the party; Paul Brook, Paul Rabiger, Strictly Kev and Issac Elliston to name a few.

Whilst keeping their hand in as DJs, Matt & Jon couldn't and didn't want to DJ twice in one night under both aliases of Coldcut & DJ Food, so PC & Strictly stepped up to represent the Food club-wise. This was the score for some time, until PC became so busy with his involvement in the Cinematic Orchestra that he decided to depart to concentrate on that, leaving Strictly Kev to carry the mantle.

[links_clean] =>

www.djfood.org

Twitter
Soundcloud

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