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Straight outta Toxteth, Elliott Egerton made one of the rawest, funniest debuts of 2012 with "[sic]" - an album which showcased a uniquely intelligent, angry and hilarious wordsmith. With live shows which lurch between chaos and silver-tongued, quick fire brilliance, Egerton is a born MC, his delivery effortlessly moving between the funny and the furious, as he spins yarns and nails metaphors that make rap sound new again.

[links] =>

Facebook
Twitter

[image_upload_id] => 15872 [label_id] => 2 [twitter_username] => bangonmusic [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Bang On! [created] => 2010-11-05 12:34:59 [modified] => 2014-03-06 10:13:09 [slug] => bang-on [fuga_id] => [description_clean] =>

Straight outta Toxteth, Elliott Egerton made one of the rawest, funniest debuts of 2012 with "[sic]" - an album which showcased a uniquely intelligent, angry and hilarious wordsmith. With live shows which lurch between chaos and silver-tongued, quick fire brilliance, Egerton is a born MC, his delivery effortlessly moving between the funny and the furious, as he spins yarns and nails metaphors that make rap sound new again.

[links_clean] =>

Facebook
Twitter

) ) ) [1] => Array ( [Event] => Array ( [id] => 11982 [date] => 2013-09-20 [artist] => Martyn [city] => Brooklyn [state] => New york [country] => US [venue] => Output [promoter] => [description] => [ticket_url] => http://www.ticketfly.com/purchase/event/363853/tfly?utm_medium=api&utm_medium=291182 [image_upload_id] => 16131 [created] => 2013-09-04 12:39:08 [modified] => 2013-09-04 12:39:08 [year_slug] => 2013 [month_slug] => sep [day_slug] => 20 [slug] => martyn-brooklyn-output [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 16131 [media_type] => image [artist] => Martyn [title] => Ghost People Cover [credits] => [buy_link] => [filename] => images/martyn/5021392692296.jpg [checksum] => c49c7995285c70a14d5c449ef214cd2a [mime_type] => image/jpeg [size] => 404791 [external_url] => http://media.ninjatune.net/images/martyn/5021392692296.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => martyn [slug] => ghost-people-cover [created] => 2011-09-16 09:43:43 [modified] => 2011-09-16 09:43:49 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 152 [name] => Martyn [description] =>

Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

[links] =>

Website
Facebook
Twitter
Soundcloud

[image_upload_id] => 19301 [label_id] => 1 [twitter_username] => MARTYN3024 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Martyn [created] => 2011-06-29 15:37:25 [modified] => 2014-04-11 14:50:12 [slug] => martyn [fuga_id] => [description_clean] =>

Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

[links_clean] =>

Website
Facebook
Twitter
Soundcloud

) ) ) [2] => Array ( [Event] => Array ( [id] => 11730 [date] => 2013-09-20 [artist] => Lapalux [city] => Oakdale [state] => CA [country] => US [venue] => Symbiosis Gathering [promoter] => [description] => [ticket_url] => http://www.symbiosisgathering.com/tickets/ [image_upload_id] => 18234 [created] => 2013-07-03 13:26:32 [modified] => 2013-09-11 11:29:09 [year_slug] => 2013 [month_slug] => sep [day_slug] => 20 [slug] => lapalux-oakdale-symbiosis-gathering [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18234 [media_type] => image [artist] => Lapalux [title] => Fall 2013 Tour Poster [credits] => [buy_link] => [filename] => images/lapalux/Lapalux-Fall-2013-Tour-Poster.jpg [checksum] => f817c1e87f273d3ae79e241f805731e8 [mime_type] => image/jpeg [size] => 319182 [external_url] => http://media.ninjatune.net/images/lapalux/Lapalux-Fall-2013-Tour-Poster.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => lapalux [slug] => fall-2013-tour-poster [created] => 2013-07-02 23:24:45 [modified] => 2013-07-02 23:25:21 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 164 [name] => Lapalux [description] =>

In a world in which upstart DIY talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. Lapalux - aka 25-year-old Stuart Howard - is certainly one such. As singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. Nostalchic is his debut album, mission statement, and the climax of many years of studying his craft. 

The amalgam of words that make the title is aptly, and perhaps knowingly chosen. The album evokes nostalgia without ever sounding nostalgic, and Howard may have had his tongue in his chic when he added the second half of the title. The album is his most focused document to date, adding his beloved R&B and soul into elements of house and hip hop, all with the trademark Lapalux finish; infectious, lopsided swing and achingly deep texture.

“Like the R&B of another time and place, transmitted from an unknown planet in a distant galaxy into the mind of a wildly creative sound designer.” – XLR8R 

“Fans of the Kimbies, James Blake’s ‘CMYK’, Four Tet, Bibio, FlyLo, Matthewdavid, Onra, Debruit and all those guys – meet your new favourite producer.“ – Boomkat 

“Lapalux is probably one of the finest producers out there at the moment” – Oli Marlow, Sonic Router 

“The Barry White of electronica.” – Errol Anderson, The Independent

[links] =>

www.lapalux.com

Facebook
Twitter
Soundcloud

[image_upload_id] => 17582 [label_id] => 7 [twitter_username] => lapalux [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Lapalux [created] => 2012-01-17 15:28:40 [modified] => 2013-01-11 10:27:45 [slug] => lapalux [fuga_id] => [description_clean] =>

In a world in which upstart DIY talent is flooding the gates of electronic music, a few recent voices have been so strong as to be startling. Lapalux - aka 25-year-old Stuart Howard - is certainly one such. As singular as a brilliant artist always should be, his instinctive understanding of the atmospheric power of texture grips the ear immediately on listening. Nostalchic is his debut album, mission statement, and the climax of many years of studying his craft. 

The amalgam of words that make the title is aptly, and perhaps knowingly chosen. The album evokes nostalgia without ever sounding nostalgic, and Howard may have had his tongue in his chic when he added the second half of the title. The album is his most focused document to date, adding his beloved R&B and soul into elements of house and hip hop, all with the trademark Lapalux finish; infectious, lopsided swing and achingly deep texture.

“Like the R&B of another time and place, transmitted from an unknown planet in a distant galaxy into the mind of a wildly creative sound designer.” – XLR8R 

“Fans of the Kimbies, James Blake’s ‘CMYK’, Four Tet, Bibio, FlyLo, Matthewdavid, Onra, Debruit and all those guys – meet your new favourite producer.“ – Boomkat 

“Lapalux is probably one of the finest producers out there at the moment” – Oli Marlow, Sonic Router 

“The Barry White of electronica.” – Errol Anderson, The Independent

[links_clean] =>

www.lapalux.com

Facebook
Twitter
Soundcloud

) ) ) [3] => Array ( [Event] => Array ( [id] => 11755 [date] => 2013-09-20 [artist] => Actress [city] => Lyon [state] => [country] => FR [venue] => Le Sucre [promoter] => [description] => [ticket_url] => [image_upload_id] => 17134 [created] => 2013-07-09 15:25:02 [modified] => 2013-07-09 15:25:02 [year_slug] => 2013 [month_slug] => sep [day_slug] => 20 [slug] => actress-lyon-le-sucre [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 17134 [media_type] => image [artist] => Actress [title] => Actress Promo (2012) [credits] => [buy_link] => [filename] => images/actress/Actress-Promo.jpg [checksum] => b5f9460dbc4aef010776b9e0b27649bc [mime_type] => image/jpeg [size] => 47971 [external_url] => http://media.ninjatune.net/images/actress/Actress-Promo.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => actress [slug] => actress-promo-2012 [created] => 2012-08-06 16:21:58 [modified] => 2012-08-06 16:22:06 [embed] => ) [Country] => Array ( [id] => 229 [name] => France [longname] => France [numcode] => 250 [iso] => FR [iso3] => FRA [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 455 [rght] => 456 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 170 [name] => Actress [description] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links] =>

Werkdiscs

Facebook
Twitter

[image_upload_id] => 18890 [label_id] => 10 [twitter_username] => ctress_a [instagram_id] => 178436049 [instagram_username] => ctress_18 [link] => [listed] => 1 [sortname] => Actress [created] => 2012-08-06 16:25:23 [modified] => 2013-12-18 12:03:56 [slug] => actress [fuga_id] => [description_clean] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links_clean] =>

Werkdiscs

Facebook
Twitter

) ) ) [4] => Array ( [Event] => Array ( [id] => 11906 [date] => 2013-09-20 [artist] => Emika [city] => Lille [state] => [country] => FR [venue] => Name Festival [promoter] => [description] => [ticket_url] => http://www.lenamefestival.com/name2013/tickets-travel/ [image_upload_id] => 18350 [created] => 2013-08-07 10:50:03 [modified] => 2013-08-07 12:19:59 [year_slug] => 2013 [month_slug] => sep [day_slug] => 20 [slug] => emika-lille-name-festival [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18350 [media_type] => image [artist] => Emika [title] => Emika Tour Flyer Summer 2013 [credits] => [buy_link] => http://ninjatune.net/artists/events/emika [filename] => images/emika/EMIKA-Tour-Poster-NEW-1.gif [checksum] => 76387c55326666a4d234d893611f5917 [mime_type] => image/gif [size] => 76142 [external_url] => http://media.ninjatune.net/images/emika/EMIKA-Tour-Poster-NEW-1.gif [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => emika [slug] => emika-tour-flyer-summer-2013 [created] => 2013-08-07 10:25:51 [modified] => 2013-08-07 12:35:09 [embed] => ) [Country] => Array ( [id] => 229 [name] => France [longname] => France [numcode] => 250 [iso] => FR [iso3] => FRA [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 455 [rght] => 456 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 93 [name] => Emika [description] =>

Ema Jolly, a musician and performer also known as Emika, has a geographical track record as diverse as they come. Born in the UK of Czech heritage, she spent many musically formative years in Bristol before relocating to the equally rich sonic landscape of Berlin. Emika takes all of her roots and melds them, lending context to her narrative-driven music.

Classically trained in piano and composition, she went on to study music technology at university and worked as a sound designer before pursuing music-making full-time, a career that now manifests in the writing, producing and mixing of all of her own work. Despite her self-described "nerdy," studio-based background, she notes a major shift in her recent output evolving from the isolated nature of her self-titled debut LP to a more interactive and freewheeling piece of work in this year's acclaimed DVA, an opus dreamt up in her Berlin apartment and created entirely herself.

The character of her performances has seen an evolution as well; she excitedly describes the interaction between her sound technician, light technician and choreographer which shapes the live show she's taken worldwide. Emika emphasises the live value of her performances: she and her small crew improvise together for each show, with the result becoming totally unpredictable and a very real response to the audience at hand.

Emika describes her music somewhere at the conjunction between "futuristic storytelling, club context and classical influences"--and it's caught the attention of a slew of collaborators including Tommy Four Seven, Pinch, Nick Hoppner, Paul Frick, Brand Brauer Frick, Amon Tobin and Marcel Dettman (with whom she co-produced a song for his forthcoming record).

After spending a good part of the year travelling everywhere from America to Ukraine, this autumn will see her embark on her first headline tour in Russia, in addition to a number of gigs across Europe. As long as she continues to push her unique singer-songwriter-meets-Berghain sound, there's no sign of slowing down.

[links] =>

www.emika.co.uk

Facebook
Twitter
Soundcloud

[image_upload_id] => 17890 [label_id] => 1 [twitter_username] => emikatwit [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Emika [created] => 2010-07-17 22:15:59 [modified] => 2014-03-06 10:15:14 [slug] => emika [fuga_id] => [description_clean] =>

Ema Jolly, a musician and performer also known as Emika, has a geographical track record as diverse as they come. Born in the UK of Czech heritage, she spent many musically formative years in Bristol before relocating to the equally rich sonic landscape of Berlin. Emika takes all of her roots and melds them, lending context to her narrative-driven music.

Classically trained in piano and composition, she went on to study music technology at university and worked as a sound designer before pursuing music-making full-time, a career that now manifests in the writing, producing and mixing of all of her own work. Despite her self-described "nerdy," studio-based background, she notes a major shift in her recent output evolving from the isolated nature of her self-titled debut LP to a more interactive and freewheeling piece of work in this year's acclaimed DVA, an opus dreamt up in her Berlin apartment and created entirely herself.

The character of her performances has seen an evolution as well; she excitedly describes the interaction between her sound technician, light technician and choreographer which shapes the live show she's taken worldwide. Emika emphasises the live value of her performances: she and her small crew improvise together for each show, with the result becoming totally unpredictable and a very real response to the audience at hand.

Emika describes her music somewhere at the conjunction between "futuristic storytelling, club context and classical influences"--and it's caught the attention of a slew of collaborators including Tommy Four Seven, Pinch, Nick Hoppner, Paul Frick, Brand Brauer Frick, Amon Tobin and Marcel Dettman (with whom she co-produced a song for his forthcoming record).

After spending a good part of the year travelling everywhere from America to Ukraine, this autumn will see her embark on her first headline tour in Russia, in addition to a number of gigs across Europe. As long as she continues to push her unique singer-songwriter-meets-Berghain sound, there's no sign of slowing down.

[links_clean] =>

www.emika.co.uk

Facebook
Twitter
Soundcloud

) ) ) [5] => Array ( [Event] => Array ( [id] => 11990 [date] => 2013-09-20 [artist] => Baishe Kings [city] => London [state] => [country] => GB [venue] => Eight Bank [promoter] => [description] => [ticket_url] => https://baishekingslivelaunchevent.eventbrite.co.uk/ [image_upload_id] => 18488 [created] => 2013-09-13 10:29:25 [modified] => 2013-09-13 10:29:25 [year_slug] => 2013 [month_slug] => sep [day_slug] => 20 [slug] => baishe-kings-london-eight-bank [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18488 [media_type] => image [artist] => Baishe Kings [title] => EOM Launch Flyer [credits] => [buy_link] => https://www.facebook.com/events/469672139797655/ [filename] => images/baishe-kings/Baishe-Kings-launch-flier.jpg [checksum] => de1ad3da570af0e05ce0a5970ce3be5c [mime_type] => image/jpeg [size] => 93446 [external_url] => http://media.ninjatune.net/images/baishe-kings/Baishe-Kings-launch-flier.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => baishe-kings [slug] => eom-launch-flyer [created] => 2013-09-13 10:26:54 [modified] => 2013-09-13 10:27:47 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 192 [name] => Baishe Kings [description] =>

Baishe: verb; adjective; noun; pronoun; proper noun; meaning Swaishe.

Sounding somewhat like a fusion of Odd Future and A Tribe Called Quest — with more than a little British eccentricity — the Baishe Kings are Shin Tesh, F.King Taisho, T.Funk, King Toe Knee, Geekus, Herdavim? and Squint Eastwood, a London based hip-hop septuplet whose music sits somewhat left of left-field. 

[links] => Website
'Eyes Of Mark' Mixtape
Baishie Kings PR Comic [image_upload_id] => 18487 [label_id] => 2 [twitter_username] => BaisheKings [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Baishe Kings [created] => 2013-09-12 17:16:57 [modified] => 2014-05-19 09:35:06 [slug] => baishe-kings [fuga_id] => [description_clean] =>

Baishe: verb; adjective; noun; pronoun; proper noun; meaning Swaishe.

Sounding somewhat like a fusion of Odd Future and A Tribe Called Quest — with more than a little British eccentricity — the Baishe Kings are Shin Tesh, F.King Taisho, T.Funk, King Toe Knee, Geekus, Herdavim? and Squint Eastwood, a London based hip-hop septuplet whose music sits somewhat left of left-field. 

[links_clean] => Website
'Eyes Of Mark' Mixtape
Baishie Kings PR Comic ) ) ) [6] => Array ( [Event] => Array ( [id] => 11690 [date] => 2013-09-20 [artist] => Bonobo (Live Set) [city] => Budapest [state] => [country] => HU [venue] => Millenaris Teatrum [promoter] => [description] => [ticket_url] => http://www.ticketportal.hu/podujatie_search.asp?id=45791 [image_upload_id] => 18290 [created] => 2013-06-27 16:40:44 [modified] => 2013-07-22 11:32:06 [year_slug] => 2013 [month_slug] => sep [day_slug] => 20 [slug] => bonobo-live-set-budapest-millenaris-teatrum [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18290 [media_type] => image [artist] => Bonobo [title] => World Tour Sept-Nov 2013 [credits] => [buy_link] => [filename] => images/bonobo/bonobo-world-tour-2.jpg [checksum] => 98dfe4c9e38bd28285a05311e459e4e3 [mime_type] => image/jpeg [size] => 376460 [external_url] => http://media.ninjatune.net/images/bonobo/bonobo-world-tour-2.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => bonobo [slug] => world-tour-sept-nov-2013 [created] => 2013-07-22 11:15:22 [modified] => 2013-07-22 11:16:01 [embed] => ) [Country] => Array ( [id] => 184 [name] => Hungary [longname] => Hungary [numcode] => 348 [iso] => HU [iso3] => HUN [currency] => HUF [active] => 1 [parent_id] => 180 [lft] => 365 [rght] => 366 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 55 [name] => Bonobo [description] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

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