Array ( [Event] => Array ( [id] => 12038 [date] => 2013-10-17 [artist] => Machinedrum [city] => Edinburgh [state] => [country] => GB [venue] => Sneaky Petes [promoter] => [description] => [ticket_url] => https://www.tickets-scotland.com/artists.html?event_method=viewevent&event_id=68612e3e-1f89-11e3-99e8-12313d04bc40 [image_upload_id] => 18518 [created] => 2013-09-19 17:48:18 [modified] => 2013-09-24 10:54:21 [year_slug] => 2013 [month_slug] => oct [day_slug] => 17 [slug] => machinedrum-edinburgh-sneaky-petes [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18518 [media_type] => image [artist] => Machinedrum [title] => Vapor City Tour 2013 [credits] => [buy_link] => [filename] => images/machinedrum/WHOLE-VAPOR-CITY-TOUR-11-X-17.jpg [checksum] => 72d069db9bc6493044d67cf9142d88cf [mime_type] => image/jpeg [size] => 724005 [external_url] => http://media.ninjatune.net/images/machinedrum/WHOLE-VAPOR-CITY-TOUR-11-X-17.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => machinedrum [slug] => vapor-city-tour-2013 [created] => 2013-09-19 17:13:24 [modified] => 2013-09-19 17:23:29 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 182 [name] => Machinedrum [description] =>

North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

[links] =>

Website

Facebook
Twitter
Instagram

[image_upload_id] => 18456 [label_id] => 1 [twitter_username] => machine_drum [instagram_id] => 182228626 [instagram_username] => machine_drum [link] => [listed] => 1 [sortname] => Machinedrum [created] => 2013-03-15 14:40:02 [modified] => 2014-02-18 10:36:19 [slug] => machinedrum [fuga_id] => [description_clean] =>

North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

[links_clean] =>

Website

Facebook
Twitter
Instagram

) ) ) [1] => Array ( [Event] => Array ( [id] => 11860 [date] => 2013-10-17 [artist] => Blockhead [city] => Cambridge [state] => MA [country] => US [venue] => Middle East - Upstairs [promoter] => [description] => [ticket_url] => http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3719414&pl=mideastclub [image_upload_id] => 18287 [created] => 2013-07-19 14:17:01 [modified] => 2013-07-19 14:17:01 [year_slug] => 2013 [month_slug] => oct [day_slug] => 17 [slug] => blockhead-cambridge-middle-east-upstairs [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18287 [media_type] => image [artist] => Blockhead [title] => Blockhead Brooklyn [credits] => [buy_link] => [filename] => images/blockhead/BlockheadBrooklyn.jpg [checksum] => be9acfe9801aafc33ae3291d438ede8d [mime_type] => image/jpeg [size] => 379159 [external_url] => http://media.ninjatune.net/images/blockhead/BlockheadBrooklyn.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => blockhead [slug] => blockhead-brooklyn [created] => 2013-07-19 14:04:49 [modified] => 2013-07-19 14:05:34 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 25 [name] => Blockhead [description] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links] =>

Facebook
Twitter

[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

Facebook
Twitter

) ) ) [2] => Array ( [Event] => Array ( [id] => 11871 [date] => 2013-10-17 [artist] => Daedelus [city] => Rome [state] => [country] => IT [venue] => Lanificio 159 [promoter] => [description] => [ticket_url] => http://www.songkick.com/concerts/17466254-daedelus-at-lanificio-159?utm_content=dT0xNDI1NjUyMyZkPTI0NTY0OTc%3D&utm_medium=email& [image_upload_id] => 3909 [created] => 2013-07-25 13:07:35 [modified] => 2013-07-25 13:11:22 [year_slug] => 2013 [month_slug] => oct [day_slug] => 17 [slug] => daedelus-rome-lanificio-159 [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 3909 [media_type] => image [artist] => Daedelus [title] => Daedelus - Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/daedelus/daedelus-010.jpg [checksum] => 1084c9431fd481320fb79aa8acb2f34b [mime_type] => image/jpeg [size] => 2741796 [external_url] => http://media.ninjatune.net/images/daedelus/daedelus-010.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => daedelus [slug] => promo-shot-migrated-84 [created] => 2010-11-24 03:42:19 [modified] => 2010-11-24 03:42:19 [embed] => ) [Country] => Array ( [id] => 217 [name] => Italy [longname] => Italy [numcode] => 380 [iso] => IT [iso3] => ITA [currency] => EUR [active] => 1 [parent_id] => 209 [lft] => 431 [rght] => 432 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 59 [name] => Daedelus [description] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links] =>

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Facebook
Twitter
Soundcloud

[image_upload_id] => 15479 [label_id] => 1 [twitter_username] => daedelus_music [instagram_id] => 855015 [instagram_username] => daedelus [link] => [listed] => 0 [sortname] => Daedelus [created] => 2010-07-17 22:15:59 [modified] => 2014-03-06 10:13:54 [slug] => daedelus [fuga_id] => [description_clean] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

) ) ) [3] => Array ( [Event] => Array ( [id] => 11595 [date] => 2013-10-17 [artist] => King Midas Sound [city] => Krakow [state] => [country] => PL [venue] => Unsound Festival [promoter] => [description] => [ticket_url] => http://unsound.pl/en/ [image_upload_id] => 17946 [created] => 2013-05-22 10:27:16 [modified] => 2013-05-22 10:27:16 [year_slug] => 2013 [month_slug] => oct [day_slug] => 17 [slug] => king-midas-sound-krakow-unsound-festival [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 17946 [media_type] => image [artist] => King Midas Sound [title] => KMS Press Shot [credits] => [buy_link] => http://www.ninjatune.net/artist/king-midas-sound [filename] => images/king-midas-sound/King-Midas-430.jpg [checksum] => 252f5b976f52411840f78260a73c3b07 [mime_type] => image/jpeg [size] => 46051 [external_url] => http://media.ninjatune.net/images/king-midas-sound/King-Midas-430.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => king-midas-sound [slug] => kms-press-shot [created] => 2013-03-27 12:29:23 [modified] => 2013-03-27 12:29:44 [embed] => ) [Country] => Array ( [id] => 185 [name] => Poland [longname] => Poland [numcode] => 616 [iso] => PL [iso3] => POL [currency] => PLN [active] => 1 [parent_id] => 180 [lft] => 367 [rght] => 368 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 184 [name] => King Midas Sound [description] =>

Ninja Tune are delighted to announce the signing of King Midas Sound!

The trio, made up of The Bug, Roger Robinson and Kiki Hitomi, will release a new single, Aroo, on Record Store Day 2013 (20 April) on 180g 12" vinyl with silver UV gloss text, matt board, and a black inner sleeve. They'll also be performing live in-store at Rough Trade East, London on 20 April as part of the Record Store Day celebrations.

A full album release will follow later in the year - keep your eyes peeled for the Aroo video premiere, coming very soon.

[links] =>

Website
Twitter
Soundcloud

[image_upload_id] => 17946 [label_id] => 1 [twitter_username] => kingmidassound [instagram_id] => 195570403 [instagram_username] => kingmidassound [link] => [listed] => 1 [sortname] => King Midas Sound [created] => 2013-03-27 14:15:25 [modified] => 2013-05-08 12:31:58 [slug] => king-midas-sound [fuga_id] => [description_clean] =>

Ninja Tune are delighted to announce the signing of King Midas Sound!

The trio, made up of The Bug, Roger Robinson and Kiki Hitomi, will release a new single, Aroo, on Record Store Day 2013 (20 April) on 180g 12" vinyl with silver UV gloss text, matt board, and a black inner sleeve. They'll also be performing live in-store at Rough Trade East, London on 20 April as part of the Record Store Day celebrations.

A full album release will follow later in the year - keep your eyes peeled for the Aroo video premiere, coming very soon.

[links_clean] =>

Website
Twitter
Soundcloud

) ) ) [4] => Array ( [Event] => Array ( [id] => 12138 [date] => 2013-10-17 [artist] => Mr. Scruff [city] => Cardiff [state] => [country] => GB [venue] => The Globe [promoter] => [description] => [ticket_url] => http://www.swnfest.com/tickets [image_upload_id] => 18569 [created] => 2013-10-08 15:07:51 [modified] => 2013-10-08 15:07:51 [year_slug] => 2013 [month_slug] => oct [day_slug] => 17 [slug] => mr-scruff-cardiff-the-globe [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18569 [media_type] => image [artist] => Mr. Scruff [title] => Mr Scruff Cardiff 17.10 [credits] => [buy_link] => [filename] => images/mr-scruff/large-mr-scruff-at-the-globe-cardiff-swn-festival1710.jpg [checksum] => a903f3bee5eb25f37c9df4f4d2ce0233 [mime_type] => image/jpeg [size] => 104697 [external_url] => http://media.ninjatune.net/images/mr-scruff/large-mr-scruff-at-the-globe-cardiff-swn-festival1710.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => mr-scruff [slug] => mr-scruff-cardiff-17-10 [created] => 2013-10-08 15:04:27 [modified] => 2013-10-08 15:05:28 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 40 [name] => Mr. Scruff [description] =>

Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

[image_upload_id] => 19130 [label_id] => 1 [twitter_username] => mrscruff1 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Mr. Scruff [created] => 2010-07-17 22:15:58 [modified] => 2014-03-03 16:02:01 [slug] => mr-scruff [fuga_id] => [description_clean] =>

Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links_clean] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

) ) ) [5] => Array ( [Event] => Array ( [id] => 12161 [date] => 2013-10-17 [artist] => Kid Koala [city] => Detroit [state] => MI [country] => US [venue] => Garden Theater [promoter] => [description] => [ticket_url] => http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=3785264&awc=4103_1381489274_3954c8d9521ed756 [image_upload_id] => 18585 [created] => 2013-10-11 11:58:14 [modified] => 2013-10-11 11:58:14 [year_slug] => 2013 [month_slug] => oct [day_slug] => 17 [slug] => kid-koala-detroit-garden-theater [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18585 [media_type] => image [artist] => Kid Koala [title] => NA Tour with Deltron [credits] => [buy_link] => [filename] => images/kid-koala/kidkoala-deltron.jpg [checksum] => eeae7c147e117d126425e4ddb6c88d55 [mime_type] => image/jpeg [size] => 113766 [external_url] => http://media.ninjatune.net/images/kid-koala/kidkoala-deltron.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => kid-koala [slug] => na-tour-with-deltron [created] => 2013-10-11 10:13:48 [modified] => 2013-10-11 10:14:46 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 38 [name] => Kid Koala [description] =>

Back in 1996, Kid Koala became the first North American artist signed to UK label Ninja Tune. In the years that followed Kid Koala released a string of remixes and toured North America with fellow Ninja artists: Coldcut, DJ Food and DJ Vadim. But it was not long before his skill, innovation, and performance style led him to attract attention from those outside the club community. In 1998, he was invited to join Money Mark’s band, and then went on the road to open for the Beastie Boys on their 'Hello Nasty' world tour.

In 2000, Ninja Tune released Kid Koala’s debut album 'Carpal Tunnel Syndrome', which received international praise by the press for having defied expectation. The album featured a video game and a 32-page comic illustrated by Kid Koala himself. Following the release of the album Kid Koala toured extensively in North America and Europe as a member of groups such as Deltron 3030, Lovage, Bullfrog and on his own, opening for some of his favorite artists, Radiohead and Bjork.

While on the road, Kid Koala kept busy with pen to paper, illustrating a 350-page book called 'Nufonia Must Fall', accompanied by a soundtrack that he composed on the piano. Shortly after the release of this book came the release of his second album, 'Some of My Best Friends are DJs' complete with a 50-page comic book and mini chess game. This album was supported by a cabaret-style tour known as 'The Short Attention Span Theatre', which featured 3 DJs on 8 turntables, a slide show and a bingo game among other quirky surprises. Following this tour Kid Koala performed DJ sets in Australia, Asia, Europe, Russia, North America and South America, all the while working on a new book.

Kid Koala's most recent release on Ninja Tune was 'Your Mom’s Favorite DJ' in 2006. On this record he shows that his chosen means of expression (the turntable) is used not as a way of showing that he can do faster crabs than anyone else, but as a way of telling stories. Although there is the romance, silent movie comedy and swing that your mother may well smile at and even shake her booty to, the enthralling deftness and complexity you’d expect from Kid Koala is also here - woven together with classic hip hop beats, breaks and generous swathes of heavy guitars.

In 2009, Kid Koala put together 3 'Music to Draw To' performances in Montreal for which he basically invited people to come and draw while he played records. There was no dancing allowed, but people could enjoy a free cup of hot chocolate, purchase some treats and either draw or do some writing. These events were initially created just for fun, but they became a huge success. As the series progressed, he received more and more requests for us to take our event to other parts of Quebec, North America, Europe... Even South America and South Africa...

Later that year, Kid Koala embarked on another journey, that of presenting a project called 'The Slew' – live with the former rhythm section of Grammy Award-winning Australian rock band Wolfmother. Featuring drums, bass/keys and DJs working across a truly excessive six turntables, the set featured raw guitar cuts and heavy beats that set out as a one-time-only tour across North America. Due to the high demand by fans for a return and the amount of fun the band had playing together, they toured the North American Jazz Festival circuit and also appeared at SONAR Spain and Chicago. Somewhere in between their busy tour schedule the ex-Wolfmother rhyhtm section joined Kid Koala in the studio to lay down some new songs. Currently Dynomite D is working on the songs at his studio.

In late 2010, Kid Koala finsihed his latest graphic novel and soundtrack titled 'Space Cadet'. To work out the accompanying live show and gallery exhibition, he took part in an artist residence at MASS MoCA (Massachussetts Museum Of Contemporary Art) in December. The Space Cadet Headphone Concert and Gallery debuted on December 11 with 2 shows. The novel and soundtrack are set to be released during 2011 through Pigeon Press and a world tour will commence soon after.

[links] =>

www.kidkoala.com

Facebook
Twitter
Soundcloud

[image_upload_id] => 4006 [label_id] => 1 [twitter_username] => kidkoala [instagram_id] => 209219810 [instagram_username] => realkidkoala [link] => [listed] => 1 [sortname] => Kid Koala [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:51:56 [slug] => kid-koala [fuga_id] => [description_clean] =>

Back in 1996, Kid Koala became the first North American artist signed to UK label Ninja Tune. In the years that followed Kid Koala released a string of remixes and toured North America with fellow Ninja artists: Coldcut, DJ Food and DJ Vadim. But it was not long before his skill, innovation, and performance style led him to attract attention from those outside the club community. In 1998, he was invited to join Money Mark’s band, and then went on the road to open for the Beastie Boys on their 'Hello Nasty' world tour.

In 2000, Ninja Tune released Kid Koala’s debut album 'Carpal Tunnel Syndrome', which received international praise by the press for having defied expectation. The album featured a video game and a 32-page comic illustrated by Kid Koala himself. Following the release of the album Kid Koala toured extensively in North America and Europe as a member of groups such as Deltron 3030, Lovage, Bullfrog and on his own, opening for some of his favorite artists, Radiohead and Bjork.

While on the road, Kid Koala kept busy with pen to paper, illustrating a 350-page book called 'Nufonia Must Fall', accompanied by a soundtrack that he composed on the piano. Shortly after the release of this book came the release of his second album, 'Some of My Best Friends are DJs' complete with a 50-page comic book and mini chess game. This album was supported by a cabaret-style tour known as 'The Short Attention Span Theatre', which featured 3 DJs on 8 turntables, a slide show and a bingo game among other quirky surprises. Following this tour Kid Koala performed DJ sets in Australia, Asia, Europe, Russia, North America and South America, all the while working on a new book.

Kid Koala's most recent release on Ninja Tune was 'Your Mom’s Favorite DJ' in 2006. On this record he shows that his chosen means of expression (the turntable) is used not as a way of showing that he can do faster crabs than anyone else, but as a way of telling stories. Although there is the romance, silent movie comedy and swing that your mother may well smile at and even shake her booty to, the enthralling deftness and complexity you’d expect from Kid Koala is also here - woven together with classic hip hop beats, breaks and generous swathes of heavy guitars.

In 2009, Kid Koala put together 3 'Music to Draw To' performances in Montreal for which he basically invited people to come and draw while he played records. There was no dancing allowed, but people could enjoy a free cup of hot chocolate, purchase some treats and either draw or do some writing. These events were initially created just for fun, but they became a huge success. As the series progressed, he received more and more requests for us to take our event to other parts of Quebec, North America, Europe... Even South America and South Africa...

Later that year, Kid Koala embarked on another journey, that of presenting a project called 'The Slew' – live with the former rhythm section of Grammy Award-winning Australian rock band Wolfmother. Featuring drums, bass/keys and DJs working across a truly excessive six turntables, the set featured raw guitar cuts and heavy beats that set out as a one-time-only tour across North America. Due to the high demand by fans for a return and the amount of fun the band had playing together, they toured the North American Jazz Festival circuit and also appeared at SONAR Spain and Chicago. Somewhere in between their busy tour schedule the ex-Wolfmother rhyhtm section joined Kid Koala in the studio to lay down some new songs. Currently Dynomite D is working on the songs at his studio.

In late 2010, Kid Koala finsihed his latest graphic novel and soundtrack titled 'Space Cadet'. To work out the accompanying live show and gallery exhibition, he took part in an artist residence at MASS MoCA (Massachussetts Museum Of Contemporary Art) in December. The Space Cadet Headphone Concert and Gallery debuted on December 11 with 2 shows. The novel and soundtrack are set to be released during 2011 through Pigeon Press and a world tour will commence soon after.

[links_clean] =>

www.kidkoala.com

Facebook
Twitter
Soundcloud

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Artist Date City Venue Buy
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King Midas Sound Thursday, Oct 17th Krakow, PL Unsound Festival Buy
Mr. Scruff Thursday, Oct 17th Cardiff, GB The Globe Buy
Kid Koala Thursday, Oct 17th Detroit, MI, US Garden Theater Buy
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