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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[counter_player] => [counter_biog] => ) ) ) [1] => Array ( [Event] => Array ( [id] => 11882 [date] => 2013-10-18 [artist] => Blockhead [city] => New York [state] => New York [country] => US [venue] => The Paper Box [promoter] => [description] => [ticket_url] => http://www.ticketfly.com/purchase/event/334541?skinName=tfly&utm_medium=%5BLjava.lang.String%3B%40706608ba&wrKey=A2213A407BAE0F0 [image_upload_id] => 18287 [created] => 2013-07-29 16:10:35 [modified] => 2013-07-29 16:10:35 [year_slug] => 2013 [month_slug] => oct [day_slug] => 18 [slug] => blockhead-new-york-the-paper-box-2 [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 18287 [media_type] => image [artist] => Blockhead [title] => Blockhead Brooklyn [credits] => [buy_link] => [filename] => images/blockhead/BlockheadBrooklyn.jpg [checksum] => be9acfe9801aafc33ae3291d438ede8d [mime_type] => image/jpeg [size] => 379159 [external_url] => http://media.ninjatune.net/images/blockhead/BlockheadBrooklyn.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => blockhead [slug] => blockhead-brooklyn [created] => 2013-07-19 14:04:49 [modified] => 2013-07-19 14:05:34 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 25 [name] => Blockhead [description] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links] =>

Facebook
Twitter

[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

Facebook
Twitter

[counter_player] => [counter_biog] => ) ) ) [2] => Array ( [Event] => Array ( [id] => 11883 [date] => 2013-10-18 [artist] => Daedelus [city] => Milan [state] => [country] => IT [venue] => Leoncavallo [promoter] => [description] => [ticket_url] => http://www.songkick.com/concerts/17466259-daedelus-at-leoncavallo?utm_content=dT0xNDI1NjUyMyZkPTI0NTY0OTc%3D&utm_medium=email&ut [image_upload_id] => 3909 [created] => 2013-07-29 16:16:54 [modified] => 2013-07-29 16:16:54 [year_slug] => 2013 [month_slug] => oct [day_slug] => 18 [slug] => daedelus-milan-leoncavallo [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 3909 [media_type] => image [artist] => Daedelus [title] => Daedelus - Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/daedelus/daedelus-010.jpg [checksum] => 1084c9431fd481320fb79aa8acb2f34b [mime_type] => image/jpeg [size] => 2741796 [external_url] => http://media.ninjatune.net/images/daedelus/daedelus-010.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => daedelus [slug] => promo-shot-migrated-84 [created] => 2010-11-24 03:42:19 [modified] => 2010-11-24 03:42:19 [embed] => ) [Country] => Array ( [id] => 217 [name] => Italy [longname] => Italy [numcode] => 380 [iso] => IT [iso3] => ITA [currency] => EUR [active] => 1 [parent_id] => 209 [lft] => 431 [rght] => 432 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 59 [name] => Daedelus [description] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links] =>

Website

Facebook
Twitter
Soundcloud

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Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

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Big Dada are proud and pleased to announce that they will release the album Jungle Revolution by Congo Natty on 1 July 2013. Congo Natty aka Rebel MC has a career dating back to his early hit with Double Trouble, "Street Tuff," but is probably most respected as one of the pioneers of Jungle - perhaps the first uniquely UK-born bass music. Jungle Revolution features the whole of the extended Congo Natty family and was mixed with Adrian Sherwood. Clearly showing this Rasta's belief that Jungle is a re-boot of roots reggae for a new century, the record is full of blood and fire, the sternum-buzz of sub-bass, rapid fire drum breaks, sweet hooks, righteous anger and professions of religious fervour. It’s the kind of passionate, committed, raw and spiritual, beautiful record that doesn’t come along every day.

To celebrate this release, we are giving away the track "UK Allstars," which features a who's who of British soundsystem culture. This is the first time ever that this line up have all appeared on one track together and so also marks a historic coming together of a scene which lies at the roots of so much of what we now take for granted in UK music, from dubstep to grime to drum & bass and beyond.

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Big Dada are proud and pleased to announce that they will release the album Jungle Revolution by Congo Natty on 1 July 2013.

Congo Natty aka Rebel MC has a career dating back to his early hit with Double Trouble, "Street Tuff," but is probably most respected as one of the pioneers of Jungle - perhaps the first uniquely UK-born bass music.

Jungle Revolution features the whole of the extended Congo Natty family and was mixed with Adrian Sherwood. Clearly showing this Rasta's belief that Jungle is a re-boot of roots reggae for a new century, the record is full of blood and fire, the sternum-buzz of sub-bass, rapid fire drum breaks, sweet hooks, righteous anger and professions of religious fervour. It’s the kind of passionate, committed, raw and spiritual, beautiful record that doesn’t come along every day.

To celebrate this release, we are giving away the track "UK Allstars," which features a who's who of British soundsystem culture. This is the first time ever that this line up have all appeared on one track together and so also marks a historic coming together of a scene which lies at the roots of so much of what we now take for granted in UK music, from dubstep to grime to drum & bass and beyond.

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Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

[links] =>

Website
Facebook
Twitter
Soundcloud

[image_upload_id] => 19301 [label_id] => 1 [twitter_username] => MARTYN3024 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Martyn [created] => 2011-06-29 15:37:25 [modified] => 2014-04-11 14:50:12 [slug] => martyn [fuga_id] => [description_clean] =>

Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

[links_clean] =>

Website
Facebook
Twitter
Soundcloud

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WERKDISCS are proud to announce the debut EP - Never Sleep - from London based producer Moiré.

This is the result of a lack of sleep - the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time. 

The lead track on this release, LOSE IT - the result of a collaborative effort between Moiré, Lessons and singer Heidi Vogel - is described by Moiré as that instant of losing and finding yourself, the moment you are walking through a club and everything is blurry then something clicks, changes, and the music becomes clearer and louder. 

What follows is a track that can only be described visually as that surreal moment when you are on a roof top looking across the city at 5AM and the sun rises before you – DRUGS, a track that grabs you unsuspectingly and refuses to let go. 

Then comes Actress' remix of LOSE IT. After his first listen of the track, WERKDISCS boss Actress was inspired and with imperious form, deconstructed and twisted the track into a dancefloor roller, completely different to the original, showing that distinctive character that is so pervasive of Actress' style. 

The final track - INTO (Digital Only) - is something that takes you deep. Beautiful, intense and uncompromising sounds are layered into a cacophonous, shimmering wall that taps into that raw sound of the city that inspires this EP. 

This release signals the arrival of a talented artist pushing his creative boundaries.

Moiré photo - Barbora Mrázková

[links] =>

Moiré website

Facebook
Twitter
Instagram

[image_upload_id] => 17593 [label_id] => 10 [twitter_username] => moiresound [instagram_id] => 237197382 [instagram_username] => moire_music [link] => [listed] => 1 [sortname] => Moiré [created] => 2013-01-15 18:03:14 [modified] => 2014-05-15 15:13:14 [slug] => moire [fuga_id] => [description_clean] =>

WERKDISCS are proud to announce the debut EP - Never Sleep - from London based producer Moiré.

This is the result of a lack of sleep - the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time. 

The lead track on this release, LOSE IT - the result of a collaborative effort between Moiré, Lessons and singer Heidi Vogel - is described by Moiré as that instant of losing and finding yourself, the moment you are walking through a club and everything is blurry then something clicks, changes, and the music becomes clearer and louder. 

What follows is a track that can only be described visually as that surreal moment when you are on a roof top looking across the city at 5AM and the sun rises before you – DRUGS, a track that grabs you unsuspectingly and refuses to let go. 

Then comes Actress' remix of LOSE IT. After his first listen of the track, WERKDISCS boss Actress was inspired and with imperious form, deconstructed and twisted the track into a dancefloor roller, completely different to the original, showing that distinctive character that is so pervasive of Actress' style. 

The final track - INTO (Digital Only) - is something that takes you deep. Beautiful, intense and uncompromising sounds are layered into a cacophonous, shimmering wall that taps into that raw sound of the city that inspires this EP. 

This release signals the arrival of a talented artist pushing his creative boundaries.

Moiré photo - Barbora Mrázková

[links_clean] =>

Moiré website

Facebook
Twitter
Instagram

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Grey  Reverend  is  the solo project of songwriter  L.D.  Brown.  He began the project  in  2005 while living in Philadelphia P.A,  focusing  on guitar  and  voice as a primary means of expression.  Raised  on  a variety of musical genres,  L.D. began playing the saxophone at age 9, but didn't discover the guitar until the age of 22 ,when he moved into an apartment where someone had serendipitously left one behind.  While living in Philadelphia, Brown was also fortunate enough to meet and study music under the instruction and guidance of his mentor and jazz guitar legend, Pat Martino. Soon  enough,  he  was  performing  in  various jazz, rock,  and  blues  outfits  throughout  the City of Brotherly Love. He immersed himself in  the  complex  language  of  music  theory  and jazz improvisation, though a few years into his burgeoning career, he mysteriously began  experiencing  problems  with  his  hands while performing and practicing. This setback obscured his aspirations of becoming a Jazz guitar soloist, in the realm of such legends as Wes Montgomery and Grant Green. Alas, he vowed not to give up the instrument that he had grown to love so dearly. 

Diagnosed  with  focal  dystonia, a neurological disorder that effects fine motor skills,  L.D.  was forced to cope  with  the  loss  of  dexterity  in his  hands  and slowly found himself  drawn  towards more subtle and simplistic  folk  and  blues  compositions of songwriters such as Joni Mitchell, John Fahey, Terry Calier and Mississippi John Hurt.  The  desire to  write and sing his  own  material combined  with  the  knowledge  of musicology  prompted  L.D.  to begin crafting  subversive  and  unique chord structures  for  his deeply visceral compositions.  Using  a stream-­of-­consciousness  style  of writing,  L.D.   also found inspiration in creating  sincere, yet accessible  lyrics about life, love,and loss. 

In  2006,  Brown  left  Philadelphia  for  New  York  City.  Shortly  after settling  in  Brooklyn,  where  he  currently resides,  he  began  to  meet and  collaborate  with  different  artists  and  songwriters  in  his neighborhood. This  manifested  into  a  friendship  with  Jason Swinscoe, the  founding  member  and leader  of  The  Cinematic  Orchestra. Swinscoe  incorporated  L.D.  into  his  musical  outfit, after he was commissioned to cover the now classic TCO song "To Build a Home".  He has  toured  with  TCO  in  support  of  the  group's  2006  studio  album Ma  Fleur,  and  has  been  a contributing  member of the group for nearly  6  years.  Also while in New York L.D.  began  busking  in the subways,  helping  him  to  develop  his  voice  and  performance skills  and inevitably catching  the  eye  of  many  record  labels  and producers. 

In  2011  Grey  Reverend was signed to Ninja Tune/Motion  Audio Records and released  his  first  international  LP  titled  "Of  The  Days".  L.D  has toured  the  U.K  and  Europe  in  support  of  this  album,  and has  been a  featured artist  on  NPR's  All  Things  Considered,  in  the  U.S. Grey Reverend's music has also been showcased on MTV, ABC ,NBC, HBO ,BBC and other networks worldwide, since the aforementioned release. 

Besides working with The Cinematic Orchestra, he has been collaborating with a wide range of artist around the world. He has worked with Bonobo, Fink, Lou Rhodes of Lamb, members of Wilco, Lizz Wright, Tortoise and many others along his journeys, and claims music to be his means of connecting with the rest of the world. 

David Garland of WNYC radio in New York put it eloquently when he said "As Grey Reverend, LD Brown makes compelling songs with reverence for the grey, undefined areas of style, and without concern for standard musical, or social expectations." 

A modern bluesman…if you will... 

[links] =>

Artist Website

Facebook
Twitter
Soundcloud

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Grey  Reverend  is  the solo project of songwriter  L.D.  Brown.  He began the project  in  2005 while living in Philadelphia P.A,  focusing  on guitar  and  voice as a primary means of expression.  Raised  on  a variety of musical genres,  L.D. began playing the saxophone at age 9, but didn't discover the guitar until the age of 22 ,when he moved into an apartment where someone had serendipitously left one behind.  While living in Philadelphia, Brown was also fortunate enough to meet and study music under the instruction and guidance of his mentor and jazz guitar legend, Pat Martino. Soon  enough,  he  was  performing  in  various jazz, rock,  and  blues  outfits  throughout  the City of Brotherly Love. He immersed himself in  the  complex  language  of  music  theory  and jazz improvisation, though a few years into his burgeoning career, he mysteriously began  experiencing  problems  with  his  hands while performing and practicing. This setback obscured his aspirations of becoming a Jazz guitar soloist, in the realm of such legends as Wes Montgomery and Grant Green. Alas, he vowed not to give up the instrument that he had grown to love so dearly. 

Diagnosed  with  focal  dystonia, a neurological disorder that effects fine motor skills,  L.D.  was forced to cope  with  the  loss  of  dexterity  in his  hands  and slowly found himself  drawn  towards more subtle and simplistic  folk  and  blues  compositions of songwriters such as Joni Mitchell, John Fahey, Terry Calier and Mississippi John Hurt.  The  desire to  write and sing his  own  material combined  with  the  knowledge  of musicology  prompted  L.D.  to begin crafting  subversive  and  unique chord structures  for  his deeply visceral compositions.  Using  a stream-­of-­consciousness  style  of writing,  L.D.   also found inspiration in creating  sincere, yet accessible  lyrics about life, love,and loss. 

In  2006,  Brown  left  Philadelphia  for  New  York  City.  Shortly  after settling  in  Brooklyn,  where  he  currently resides,  he  began  to  meet and  collaborate  with  different  artists  and  songwriters  in  his neighborhood. This  manifested  into  a  friendship  with  Jason Swinscoe, the  founding  member  and leader  of  The  Cinematic  Orchestra. Swinscoe  incorporated  L.D.  into  his  musical  outfit, after he was commissioned to cover the now classic TCO song "To Build a Home".  He has  toured  with  TCO  in  support  of  the  group's  2006  studio  album Ma  Fleur,  and  has  been  a contributing  member of the group for nearly  6  years.  Also while in New York L.D.  began  busking  in the subways,  helping  him  to  develop  his  voice  and  performance skills  and inevitably catching  the  eye  of  many  record  labels  and producers. 

In  2011  Grey  Reverend was signed to Ninja Tune/Motion  Audio Records and released  his  first  international  LP  titled  "Of  The  Days".  L.D  has toured  the  U.K  and  Europe  in  support  of  this  album,  and has  been a  featured artist  on  NPR's  All  Things  Considered,  in  the  U.S. Grey Reverend's music has also been showcased on MTV, ABC ,NBC, HBO ,BBC and other networks worldwide, since the aforementioned release. 

Besides working with The Cinematic Orchestra, he has been collaborating with a wide range of artist around the world. He has worked with Bonobo, Fink, Lou Rhodes of Lamb, members of Wilco, Lizz Wright, Tortoise and many others along his journeys, and claims music to be his means of connecting with the rest of the world. 

David Garland of WNYC radio in New York put it eloquently when he said "As Grey Reverend, LD Brown makes compelling songs with reverence for the grey, undefined areas of style, and without concern for standard musical, or social expectations." 

A modern bluesman…if you will... 

[links_clean] =>

Artist Website

Facebook
Twitter
Soundcloud

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links_clean] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

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w/ Deltron

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w/ Deltron

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Back in 1996, Kid Koala became the first North American artist signed to UK label Ninja Tune. In the years that followed Kid Koala released a string of remixes and toured North America with fellow Ninja artists: Coldcut, DJ Food and DJ Vadim. But it was not long before his skill, innovation, and performance style led him to attract attention from those outside the club community. In 1998, he was invited to join Money Mark’s band, and then went on the road to open for the Beastie Boys on their 'Hello Nasty' world tour.

In 2000, Ninja Tune released Kid Koala’s debut album 'Carpal Tunnel Syndrome', which received international praise by the press for having defied expectation. The album featured a video game and a 32-page comic illustrated by Kid Koala himself. Following the release of the album Kid Koala toured extensively in North America and Europe as a member of groups such as Deltron 3030, Lovage, Bullfrog and on his own, opening for some of his favorite artists, Radiohead and Bjork.

While on the road, Kid Koala kept busy with pen to paper, illustrating a 350-page book called 'Nufonia Must Fall', accompanied by a soundtrack that he composed on the piano. Shortly after the release of this book came the release of his second album, 'Some of My Best Friends are DJs' complete with a 50-page comic book and mini chess game. This album was supported by a cabaret-style tour known as 'The Short Attention Span Theatre', which featured 3 DJs on 8 turntables, a slide show and a bingo game among other quirky surprises. Following this tour Kid Koala performed DJ sets in Australia, Asia, Europe, Russia, North America and South America, all the while working on a new book.

Kid Koala's most recent release on Ninja Tune was 'Your Mom’s Favorite DJ' in 2006. On this record he shows that his chosen means of expression (the turntable) is used not as a way of showing that he can do faster crabs than anyone else, but as a way of telling stories. Although there is the romance, silent movie comedy and swing that your mother may well smile at and even shake her booty to, the enthralling deftness and complexity you’d expect from Kid Koala is also here - woven together with classic hip hop beats, breaks and generous swathes of heavy guitars.

In 2009, Kid Koala put together 3 'Music to Draw To' performances in Montreal for which he basically invited people to come and draw while he played records. There was no dancing allowed, but people could enjoy a free cup of hot chocolate, purchase some treats and either draw or do some writing. These events were initially created just for fun, but they became a huge success. As the series progressed, he received more and more requests for us to take our event to other parts of Quebec, North America, Europe... Even South America and South Africa...

Later that year, Kid Koala embarked on another journey, that of presenting a project called 'The Slew' – live with the former rhythm section of Grammy Award-winning Australian rock band Wolfmother. Featuring drums, bass/keys and DJs working across a truly excessive six turntables, the set featured raw guitar cuts and heavy beats that set out as a one-time-only tour across North America. Due to the high demand by fans for a return and the amount of fun the band had playing together, they toured the North American Jazz Festival circuit and also appeared at SONAR Spain and Chicago. Somewhere in between their busy tour schedule the ex-Wolfmother rhyhtm section joined Kid Koala in the studio to lay down some new songs. Currently Dynomite D is working on the songs at his studio.

In late 2010, Kid Koala finsihed his latest graphic novel and soundtrack titled 'Space Cadet'. To work out the accompanying live show and gallery exhibition, he took part in an artist residence at MASS MoCA (Massachussetts Museum Of Contemporary Art) in December. The Space Cadet Headphone Concert and Gallery debuted on December 11 with 2 shows. The novel and soundtrack are set to be released during 2011 through Pigeon Press and a world tour will commence soon after.

[links] =>

www.kidkoala.com

Facebook
Twitter
Soundcloud

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Back in 1996, Kid Koala became the first North American artist signed to UK label Ninja Tune. In the years that followed Kid Koala released a string of remixes and toured North America with fellow Ninja artists: Coldcut, DJ Food and DJ Vadim. But it was not long before his skill, innovation, and performance style led him to attract attention from those outside the club community. In 1998, he was invited to join Money Mark’s band, and then went on the road to open for the Beastie Boys on their 'Hello Nasty' world tour.

In 2000, Ninja Tune released Kid Koala’s debut album 'Carpal Tunnel Syndrome', which received international praise by the press for having defied expectation. The album featured a video game and a 32-page comic illustrated by Kid Koala himself. Following the release of the album Kid Koala toured extensively in North America and Europe as a member of groups such as Deltron 3030, Lovage, Bullfrog and on his own, opening for some of his favorite artists, Radiohead and Bjork.

While on the road, Kid Koala kept busy with pen to paper, illustrating a 350-page book called 'Nufonia Must Fall', accompanied by a soundtrack that he composed on the piano. Shortly after the release of this book came the release of his second album, 'Some of My Best Friends are DJs' complete with a 50-page comic book and mini chess game. This album was supported by a cabaret-style tour known as 'The Short Attention Span Theatre', which featured 3 DJs on 8 turntables, a slide show and a bingo game among other quirky surprises. Following this tour Kid Koala performed DJ sets in Australia, Asia, Europe, Russia, North America and South America, all the while working on a new book.

Kid Koala's most recent release on Ninja Tune was 'Your Mom’s Favorite DJ' in 2006. On this record he shows that his chosen means of expression (the turntable) is used not as a way of showing that he can do faster crabs than anyone else, but as a way of telling stories. Although there is the romance, silent movie comedy and swing that your mother may well smile at and even shake her booty to, the enthralling deftness and complexity you’d expect from Kid Koala is also here - woven together with classic hip hop beats, breaks and generous swathes of heavy guitars.

In 2009, Kid Koala put together 3 'Music to Draw To' performances in Montreal for which he basically invited people to come and draw while he played records. There was no dancing allowed, but people could enjoy a free cup of hot chocolate, purchase some treats and either draw or do some writing. These events were initially created just for fun, but they became a huge success. As the series progressed, he received more and more requests for us to take our event to other parts of Quebec, North America, Europe... Even South America and South Africa...

Later that year, Kid Koala embarked on another journey, that of presenting a project called 'The Slew' – live with the former rhythm section of Grammy Award-winning Australian rock band Wolfmother. Featuring drums, bass/keys and DJs working across a truly excessive six turntables, the set featured raw guitar cuts and heavy beats that set out as a one-time-only tour across North America. Due to the high demand by fans for a return and the amount of fun the band had playing together, they toured the North American Jazz Festival circuit and also appeared at SONAR Spain and Chicago. Somewhere in between their busy tour schedule the ex-Wolfmother rhyhtm section joined Kid Koala in the studio to lay down some new songs. Currently Dynomite D is working on the songs at his studio.

In late 2010, Kid Koala finsihed his latest graphic novel and soundtrack titled 'Space Cadet'. To work out the accompanying live show and gallery exhibition, he took part in an artist residence at MASS MoCA (Massachussetts Museum Of Contemporary Art) in December. The Space Cadet Headphone Concert and Gallery debuted on December 11 with 2 shows. The novel and soundtrack are set to be released during 2011 through Pigeon Press and a world tour will commence soon after.

[links_clean] =>

www.kidkoala.com

Facebook
Twitter
Soundcloud

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