Array ( [Event] => Array ( [id] => 10741 [date] => 2013-04-18 [artist] => Wiley [city] => Norwich [state] => [country] => GB [venue] => UEA [promoter] => [description] => [ticket_url] => [image_upload_id] => 15768 [created] => 2012-11-09 17:11:15 [modified] => 2012-11-09 17:11:15 [year_slug] => 2013 [month_slug] => apr [day_slug] => 18 [slug] => wiley-norwich-uea [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 15768 [media_type] => image [artist] => Wiley [title] => 100% Publishing Cover [credits] => [buy_link] => [filename] => images/wiley/5021392180892.jpg [checksum] => 7913320742b678bac08eddc7930a0532 [mime_type] => image/jpeg [size] => 135986 [external_url] => http://media.ninjatune.net/images/wiley/5021392180892.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => wiley [slug] => 100-percent-publishing-cover [created] => 2011-06-01 11:48:43 [modified] => 2013-02-26 17:12:46 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 69 [name] => Wiley [description] =>

Richard Kylea Cowie (born 19 January 1979), better known by his stage name Wiley, is perhaps the most prolific British producer, rapper and recording artist to emerge in the last 15 years. He who was one of the original founders of the Roll Deep crew, and has made pioneering music in the fields of jungle, drum & bass and UK garage music. He is credited as the originator of the grime genre, which roared out of east London in the early noughties.

Wiley's third album "Playtime is Over" on Big Dada Records, combined artistic control for Wiley with a full scale release on a recognised label. In early 2011, Wiley finally announced his return to the Big Dada label, and the release of his ultimate album and statement, "100% Publishing". This was followed less than six months later by "Evolve Or Be Extinct," perhaps his strongest and most consistent album, which went on to win the AIM Genre Award 2012.

Wiley remains one of the biggest characters and wildest talents in British music. Whether helping younger artists break through (Dizzee, Chipmunk, Tinchy) offloading hundreds of unreleased tracks on Twitter, rowing with detractors or doling out private insights on the web – he is always in the studio. Ultimately a workaholic, he’s the kind of artist one can imagine making groundbreaking, avant-garde music well into his old age. A true maverick and an artist in the truest sense of the word, in between working with Big Dada, Wiley has released three top ten singles, including "Wearing My Rolex" and UK number 1, "Heatwave.

[links] =>

www.wileymusic.co.uk

Facebook
Twitter

[image_upload_id] => 15800 [label_id] => 2 [twitter_username] => WileyArtist [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Wiley [created] => 2010-07-17 22:15:59 [modified] => 2013-01-07 12:38:41 [slug] => wiley [fuga_id] => [description_clean] =>

Richard Kylea Cowie (born 19 January 1979), better known by his stage name Wiley, is perhaps the most prolific British producer, rapper and recording artist to emerge in the last 15 years. He who was one of the original founders of the Roll Deep crew, and has made pioneering music in the fields of jungle, drum & bass and UK garage music. He is credited as the originator of the grime genre, which roared out of east London in the early noughties.

Wiley's third album "Playtime is Over" on Big Dada Records, combined artistic control for Wiley with a full scale release on a recognised label. In early 2011, Wiley finally announced his return to the Big Dada label, and the release of his ultimate album and statement, "100% Publishing". This was followed less than six months later by "Evolve Or Be Extinct," perhaps his strongest and most consistent album, which went on to win the AIM Genre Award 2012.

Wiley remains one of the biggest characters and wildest talents in British music. Whether helping younger artists break through (Dizzee, Chipmunk, Tinchy) offloading hundreds of unreleased tracks on Twitter, rowing with detractors or doling out private insights on the web – he is always in the studio. Ultimately a workaholic, he’s the kind of artist one can imagine making groundbreaking, avant-garde music well into his old age. A true maverick and an artist in the truest sense of the word, in between working with Big Dada, Wiley has released three top ten singles, including "Wearing My Rolex" and UK number 1, "Heatwave.

[links_clean] =>

www.wileymusic.co.uk

Facebook
Twitter

[counter_player] => [counter_biog] => ) ) ) [1] => Array ( [Event] => Array ( [id] => 11020 [date] => 2013-04-18 [artist] => Daedelus [city] => Brussels [state] => [country] => BE [venue] => VK [promoter] => [description] => [ticket_url] => [image_upload_id] => 3909 [created] => 2013-01-23 14:07:13 [modified] => 2013-01-23 14:07:13 [year_slug] => 2013 [month_slug] => apr [day_slug] => 18 [slug] => daedelus-brussels-vk [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 3909 [media_type] => image [artist] => Daedelus [title] => Daedelus - Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/daedelus/daedelus-010.jpg [checksum] => 1084c9431fd481320fb79aa8acb2f34b [mime_type] => image/jpeg [size] => 2741796 [external_url] => http://media.ninjatune.net/images/daedelus/daedelus-010.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => daedelus [slug] => promo-shot-migrated-84 [created] => 2010-11-24 03:42:19 [modified] => 2010-11-24 03:42:19 [embed] => ) [Country] => Array ( [id] => 228 [name] => Belgium [longname] => Belgium [numcode] => 56 [iso] => BE [iso3] => BEL [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 453 [rght] => 454 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 59 [name] => Daedelus [description] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links] =>

Website

Facebook
Twitter
Soundcloud

[image_upload_id] => 19811 [label_id] => 7 [twitter_username] => daedelus_music [instagram_id] => 855015 [instagram_username] => daedelus [link] => [listed] => 0 [sortname] => Daedelus [created] => 2010-07-17 22:15:59 [modified] => 2014-09-08 11:12:48 [slug] => daedelus [fuga_id] => [description_clean] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [2] => Array ( [Event] => Array ( [id] => 11057 [date] => 2013-04-18 [artist] => Bonobo [city] => Toronto [state] => [country] => CA [venue] => Danforth Music Hall [promoter] => [description] =>

http://www.bonobomusic.com/

[ticket_url] => http://www.bonobomusic.com/ [image_upload_id] => 4236 [created] => 2013-01-24 15:15:42 [modified] => 2013-01-24 15:15:42 [year_slug] => 2013 [month_slug] => apr [day_slug] => 18 [slug] => bonobo-toronto-danforth-music-hall [description_clean] =>

http://www.bonobomusic.com/

[products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 4236 [media_type] => image [artist] => Bonobo [title] => Bonobo - Promo Shot - Jul 2010 [credits] => [buy_link] => [filename] => images/bonobo/bonobo-34_2.jpg [checksum] => 3e6349fd9afbdd64023744448c4c831a [mime_type] => image/jpeg [size] => 3899509 [external_url] => http://media.ninjatune.net/images/bonobo/bonobo-34_2.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => bonobo [slug] => bonobo-promo-shot-jul-2010 [created] => 2010-11-24 04:22:15 [modified] => 2010-11-24 04:22:15 [embed] => ) [Country] => Array ( [id] => 119 [name] => Canada [longname] => Canada [numcode] => 124 [iso] => CA [iso3] => CAN [currency] => CAD [active] => 1 [parent_id] => 117 [lft] => 235 [rght] => 236 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 55 [name] => Bonobo [description] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[counter_player] => [counter_biog] => ) ) ) [3] => Array ( [Event] => Array ( [id] => 11221 [date] => 2013-04-18 [artist] => Daedelus, Slugabed, and Pomrad. [city] => Brussels [state] => [country] => BE [venue] => VK* [promoter] => [description] => [ticket_url] => http://plateforme.fnacspectacles.com/place-spectacle/manifestation/place-spectacle/manifestation/Musique-electronique-DAEDELUS-- [image_upload_id] => 15331 [created] => 2013-02-19 15:46:39 [modified] => 2013-02-19 15:50:54 [year_slug] => 2013 [month_slug] => apr [day_slug] => 18 [slug] => daedelus-slugabed-and-pomrad-brussels-vk [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 15331 [media_type] => image [artist] => Slugabed [title] => Slugabed Artist Pic [credits] => [buy_link] => [filename] => images/slugabed/slugashotglass-jpg.png [checksum] => f30adafbfc88d11d0da88d1f39253e6f [mime_type] => image/png [size] => 5945014 [external_url] => http://media.ninjatune.net/images/slugabed/slugashotglass-jpg.png [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => slugabed [slug] => slugabed-artist-pic [created] => 2011-02-17 16:46:07 [modified] => 2011-10-21 16:38:47 [embed] => ) [Country] => Array ( [id] => 228 [name] => Belgium [longname] => Belgium [numcode] => 56 [iso] => BE [iso3] => BEL [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 453 [rght] => 454 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 141 [name] => Slugabed [description] =>

Blending influences both classic and contemporary, from the outermost reaches of dubstep, hip hop and beyond, Slugabed has received unanimous praise for his debut album 'Time Time, released on the Ninja Tune label in May 2012.

Under his Slugabed alias, 23 year-old Greg Feldwick creates music which is at once complex, deep, thoughtful and above all distinctive. It channels the energy of the best of today's bass music, through spacey bleeps and meditative melodies to explore the outermost reaches of electronic music making today.

Originally hailing from Bath, UK, Feldwick relocated to Brighton in 2008, where he played an instrumental role in the success of local club night Donky Pitch for which he still holds a residency. The first rumblings of appreciation from his peers came at this time, from Slugabed’s initial pool of 12-inches. Releases for the Ramp Recordings and Stuff Records labels were the first introduction for many to his work, with both demonstrating his ability to combine intelligent and original production skills with serious dancefloor appeal.

Strong club and radio support followed from a wide range of respected DJs including Mary Anne Hobbs, Mark Pritchard, Benji B, Laurent Garnier and Surgeon as well as Tom Ravenscroft and Huw Stevens on BBC Radio 1.

With an already impressive catalogue of official remixes for the likes of Starkey, Eprom and Kelpe under his belt, he also created his own unofficial version of Pharoah Monch’s classic ‘Simon Says’ which devastated dancefloors worldwide. However, it was arguably his ‘Ultra Heat Treated’ EP, released in 2009 on the Planet Mu label, that propelled Slugabed into the spotlight, winning him new support and glowing reviews across the board, as well as interest from some of the best cutting-edge record labels around.

Partly as a result of this interest he was offered a chance to remix Roots Manuva’s all-time great “Witness (1Hope)” for Ninja Tune’s twentieth anniversary boxset. The result was one of the stand-outs of that mammoth collection, and made him one of only a handful of producers to successfully remix that classic cut. In fact, Roots Manuva himself liked it so much that he personally requested the instrumental so that he could use it in his live set. Almost inevitably, the album deal with Ninja Tune followed shortly after.

Since then, things have really taken off for Feldwick. He has played at the legendary Berghain club in Berlin as part of Scuba’s SUB:STANCE night, toured the USA, Australia and Asia, and remixed both Eskmo and Stateless for his new home label, as well as supplying another remix for the mighty Roots Manuva's 'Get The Get' single.

Funny, clever, referential, sometimes moving and never anything but completely himself, Slugabed is a substantial new presence in UK bass music.

With an ongoing touring schedule throughout Europe and the world, 2 new singles planned, and work on his second LP underway, things look set to stay busy for Slugabed into 2013 and beyond.

[links] =>

www.slugabed.net

Facebook
Twitter
Soundcloud

[image_upload_id] => 16726 [label_id] => 1 [twitter_username] => slugabedmusic [instagram_id] => [instagram_username] => [link] => [listed] => 0 [sortname] => Slugabed [created] => 2011-02-17 16:40:58 [modified] => 2014-08-20 11:02:40 [slug] => slugabed [fuga_id] => [description_clean] =>

Blending influences both classic and contemporary, from the outermost reaches of dubstep, hip hop and beyond, Slugabed has received unanimous praise for his debut album 'Time Time, released on the Ninja Tune label in May 2012.

Under his Slugabed alias, 23 year-old Greg Feldwick creates music which is at once complex, deep, thoughtful and above all distinctive. It channels the energy of the best of today's bass music, through spacey bleeps and meditative melodies to explore the outermost reaches of electronic music making today.

Originally hailing from Bath, UK, Feldwick relocated to Brighton in 2008, where he played an instrumental role in the success of local club night Donky Pitch for which he still holds a residency. The first rumblings of appreciation from his peers came at this time, from Slugabed’s initial pool of 12-inches. Releases for the Ramp Recordings and Stuff Records labels were the first introduction for many to his work, with both demonstrating his ability to combine intelligent and original production skills with serious dancefloor appeal.

Strong club and radio support followed from a wide range of respected DJs including Mary Anne Hobbs, Mark Pritchard, Benji B, Laurent Garnier and Surgeon as well as Tom Ravenscroft and Huw Stevens on BBC Radio 1.

With an already impressive catalogue of official remixes for the likes of Starkey, Eprom and Kelpe under his belt, he also created his own unofficial version of Pharoah Monch’s classic ‘Simon Says’ which devastated dancefloors worldwide. However, it was arguably his ‘Ultra Heat Treated’ EP, released in 2009 on the Planet Mu label, that propelled Slugabed into the spotlight, winning him new support and glowing reviews across the board, as well as interest from some of the best cutting-edge record labels around.

Partly as a result of this interest he was offered a chance to remix Roots Manuva’s all-time great “Witness (1Hope)” for Ninja Tune’s twentieth anniversary boxset. The result was one of the stand-outs of that mammoth collection, and made him one of only a handful of producers to successfully remix that classic cut. In fact, Roots Manuva himself liked it so much that he personally requested the instrumental so that he could use it in his live set. Almost inevitably, the album deal with Ninja Tune followed shortly after.

Since then, things have really taken off for Feldwick. He has played at the legendary Berghain club in Berlin as part of Scuba’s SUB:STANCE night, toured the USA, Australia and Asia, and remixed both Eskmo and Stateless for his new home label, as well as supplying another remix for the mighty Roots Manuva's 'Get The Get' single.

Funny, clever, referential, sometimes moving and never anything but completely himself, Slugabed is a substantial new presence in UK bass music.

With an ongoing touring schedule throughout Europe and the world, 2 new singles planned, and work on his second LP underway, things look set to stay busy for Slugabed into 2013 and beyond.

[links_clean] =>

www.slugabed.net

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) [4] => Array ( [Event] => Array ( [id] => 11222 [date] => 2013-04-18 [artist] => Daedelus, Slugabed, and Pomrad. [city] => Brussels [state] => [country] => BE [venue] => Tk* [promoter] => [description] => [ticket_url] => http://plateforme.fnacspectacles.com/place-spectacle/manifestation/place-spectacle/manifestation/Musique-electronique-DAEDELUS-- [image_upload_id] => 15479 [created] => 2013-02-19 15:54:45 [modified] => 2013-02-19 15:54:45 [year_slug] => 2013 [month_slug] => apr [day_slug] => 18 [slug] => daedelus-slugabed-and-pomrad-brussels-tk [description_clean] => [products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => 15479 [media_type] => image [artist] => Daedelus [title] => Daedelus Artist Shot 2 2011 [credits] => [buy_link] => [filename] => images/daedelus/daedelus-artistpress2-2011.jpg [checksum] => fff3078961cb1462a80f93d86ee79e9d [mime_type] => image/jpeg [size] => 503401 [external_url] => http://media.ninjatune.net/images/daedelus/daedelus-artistpress2-2011.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => daedelus [slug] => daedelus-artist-shot-2-2011 [created] => 2011-03-15 13:17:24 [modified] => 2011-03-15 13:17:30 [embed] => ) [Country] => Array ( [id] => 228 [name] => Belgium [longname] => Belgium [numcode] => 56 [iso] => BE [iso3] => BEL [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 453 [rght] => 454 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 59 [name] => Daedelus [description] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links] =>

Website

Facebook
Twitter
Soundcloud

[image_upload_id] => 19811 [label_id] => 7 [twitter_username] => daedelus_music [instagram_id] => 855015 [instagram_username] => daedelus [link] => [listed] => 0 [sortname] => Daedelus [created] => 2010-07-17 22:15:59 [modified] => 2014-09-08 11:12:48 [slug] => daedelus [fuga_id] => [description_clean] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) )
<< Previous
Artist Date City Venue Buy
Wiley Thursday, Apr 18th Norwich, GB UEA
Daedelus Thursday, Apr 18th Brussels, BE VK
Bonobo Thursday, Apr 18th Toronto, CA Danforth Music Hall Buy
Daedelus, Slugabed, and Pomrad. Thursday, Apr 18th Brussels, BE VK* Buy
Daedelus, Slugabed, and Pomrad. Thursday, Apr 18th Brussels, BE Tk* Buy
Next >>