In October 2014, Austrian musician and producer Dorian Concept will present his singular musical vision in its most widescreen form to date. His second album Joined Ends is the biggest, boldest work of his career, and a sheer, technicolour audible joy.

This album is sonic geometry at its finest. With layers upon layers of breathtaking chords, weighty bass lines and hypnotic synth phrases - the album sits somewhere between a floating lucid dream and a deep trip into a synaesthetic wonderland. The track "Draft Culture" made him realise he was “on to something, vibe-wise.” Then the album began to take shape, very slowly but deliberately. In the past he had tended to work quickly finishing tracks within days, whereas each of the tracks on this the album was often a month-long process.

Whilst working on this album he cut down on touring and distanced himself from his signature club sound to put his mind on what was to become a two year journey. His rise from bedroom producer to Royal Albert Hall performer has been beautifully encapsulated on Joined Ends.

The self-taught keyboarder and multi-instrumentalist also studied Sound Design & Music Production at the Salzburg University of Applied Sciences which helped inform his unique approach to production.

For Joined Ends, he dropped his trademark MicroKorg and started working with new gear, building the album around a Wurlitzer electric piano and a handful of analogue synths. Sequencing only the beats, he based his songs on material he recorded live and then sampled. Concept says, “the new gear was important because the MicroKorg had been my main production unit for a long time. It really tied me down to my old sound. I’ve always been a fan of reduction, so working with analogue gear was a way for me to put my focus back on playing. It feels like my first musical cycle is closing and the start of a new one.” With this in mind, he is expanding his much lauded live show into a trio with touring planned for the autumn.

The album moves with profound subtlety and deceptive simplicity: at times feeling effortless and light ("Ann River, Mn"), other times taking a turn for the calculated (as in the rhythmic intensity of "Trophies"), and sometimes falling into euphoric escape (heard in the fragile arpeggios of the closer "Tried Now Tired".) Although there is a tangible narrative weaving throughout, each individual song is packed with several stories, such as "Nest Nest", which oscillates between music-box charm, dynamic flares and pulsing rhythms. A dense, agile body of work filled with playful melodic earworms, complex textures and virtuosic transformations, the long player reveals more with each listen.

He even sings throughout, intertwining melodies and washes of colour. Dorian Concept explains: "I wanted my vocals to have a distant feel, to be somewhat inaudible and androgynous. For them to be something that you'd feel like humming rather than reciting - almost as if the vocals entered your mind as a memory."

By challenging himself to work outside of his established musical environment, Dorian Concept has re-invented himself. Joined Ends brings the feeling of the artist at his most free.

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