Array ( [Event] => Array ( [id] => 13361 [date] => 2014-10-16 [artist] => Actress, Martyn live ft. Inga Copeland, Moiré, Seven Davis Jr & Romare [city] => Amsterdam [state] => [country] => NL [venue] => OT301 [promoter] => [description] =>

Ninja Tune x ADE 2014

Actress
Martyn live feat Inga Copeland
Moiré
Seven Davis Jr
Romare 

[ticket_url] => [image_upload_id] => [created] => 2014-09-03 14:33:20 [modified] => 2014-09-12 14:27:20 [year_slug] => 2014 [month_slug] => oct [day_slug] => 16 [slug] => actress-martyn-live-ft-inga-copeland-moire-seven-davis-jr-and-romare-amsterdam-ot301 [description_clean] =>

Ninja Tune x ADE 2014

Actress
Martyn live feat Inga Copeland
Moiré
Seven Davis Jr
Romare 

[products_count] => 0 [hidden] => 0 [soldout] => 0 ) [Image] => Array ( [id] => [media_type] => [artist] => [title] => [credits] => [buy_link] => [filename] => [checksum] => [mime_type] => [size] => [external_url] => [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => [active] => [processed] => [artist_slug] => [slug] => [created] => [modified] => [embed] => ) [Country] => Array ( [id] => 234 [name] => Netherlands [longname] => Netherlands [numcode] => 528 [iso] => NL [iso3] => NLD [currency] => EUR [active] => 1 [parent_id] => 226 [lft] => 465 [rght] => 466 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 203 [name] => Romare [description] =>

Ninja Tune is very proud to announce the signing of Romare. One of the most exciting British talents to emerge from the electronic world of late, Romare’s music combines a seriousness of intent with a thrilling immediacy.

The discovery of revered American collagist Romare Bearden whilst at university became a lightning bolt moment, as is revealed by the moniker he chose for himself. More importantly, Bearden’s collages inspired the young musician to pursue a similar technique in his productions, harnessing its power to illuminate and assert through re-contextualisation.

With two vinyl EP releases on the excellent Black Acre label - Meditations on Afrocentrism (2012) and Love Songs: Part One (2013) - fiercely supported by the likes of Benji B, Gilles Peterson, Huw Stephens and BonoboRomare’s music has, rightfully, already caused a stir.

A true artist, Romare’s music moves the mind as much as the feet, its sense of detail married to its mood, melody and passion.

[links] =>

Website
Facebook
Twitter
SoundCloud
YouTube

[image_upload_id] => 19139 [label_id] => 1 [twitter_username] => romaremusic [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Romare [created] => 2014-03-05 10:29:46 [modified] => 2014-03-06 12:26:09 [slug] => romare [fuga_id] => [description_clean] =>

Ninja Tune is very proud to announce the signing of Romare. One of the most exciting British talents to emerge from the electronic world of late, Romare’s music combines a seriousness of intent with a thrilling immediacy.

The discovery of revered American collagist Romare Bearden whilst at university became a lightning bolt moment, as is revealed by the moniker he chose for himself. More importantly, Bearden’s collages inspired the young musician to pursue a similar technique in his productions, harnessing its power to illuminate and assert through re-contextualisation.

With two vinyl EP releases on the excellent Black Acre label - Meditations on Afrocentrism (2012) and Love Songs: Part One (2013) - fiercely supported by the likes of Benji B, Gilles Peterson, Huw Stephens and BonoboRomare’s music has, rightfully, already caused a stir.

A true artist, Romare’s music moves the mind as much as the feet, its sense of detail married to its mood, melody and passion.

[links_clean] =>

Website
Facebook
Twitter
SoundCloud
YouTube

[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 179 [name] => Moiré [description] =>

WERKDISCS are proud to announce the debut EP - Never Sleep - from London based producer Moiré.

This is the result of a lack of sleep - the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time. 

The lead track on this release, LOSE IT - the result of a collaborative effort between Moiré, Lessons and singer Heidi Vogel - is described by Moiré as that instant of losing and finding yourself, the moment you are walking through a club and everything is blurry then something clicks, changes, and the music becomes clearer and louder. 

What follows is a track that can only be described visually as that surreal moment when you are on a roof top looking across the city at 5AM and the sun rises before you – DRUGS, a track that grabs you unsuspectingly and refuses to let go. 

Then comes Actress' remix of LOSE IT. After his first listen of the track, WERKDISCS boss Actress was inspired and with imperious form, deconstructed and twisted the track into a dancefloor roller, completely different to the original, showing that distinctive character that is so pervasive of Actress' style. 

The final track - INTO (Digital Only) - is something that takes you deep. Beautiful, intense and uncompromising sounds are layered into a cacophonous, shimmering wall that taps into that raw sound of the city that inspires this EP. 

This release signals the arrival of a talented artist pushing his creative boundaries.

Moiré photo - Barbora Mrázková

[links] =>

Moiré website

Facebook
Twitter
Instagram

[image_upload_id] => 17593 [label_id] => 10 [twitter_username] => moiresound [instagram_id] => 237197382 [instagram_username] => moire_music [link] => [listed] => 1 [sortname] => Moiré [created] => 2013-01-15 18:03:14 [modified] => 2014-05-15 15:13:14 [slug] => moire [fuga_id] => [description_clean] =>

WERKDISCS are proud to announce the debut EP - Never Sleep - from London based producer Moiré.

This is the result of a lack of sleep - the obsessive expressions of a mind inspired by the city and the scene that has surrounded him for a long time. 

The lead track on this release, LOSE IT - the result of a collaborative effort between Moiré, Lessons and singer Heidi Vogel - is described by Moiré as that instant of losing and finding yourself, the moment you are walking through a club and everything is blurry then something clicks, changes, and the music becomes clearer and louder. 

What follows is a track that can only be described visually as that surreal moment when you are on a roof top looking across the city at 5AM and the sun rises before you – DRUGS, a track that grabs you unsuspectingly and refuses to let go. 

Then comes Actress' remix of LOSE IT. After his first listen of the track, WERKDISCS boss Actress was inspired and with imperious form, deconstructed and twisted the track into a dancefloor roller, completely different to the original, showing that distinctive character that is so pervasive of Actress' style. 

The final track - INTO (Digital Only) - is something that takes you deep. Beautiful, intense and uncompromising sounds are layered into a cacophonous, shimmering wall that taps into that raw sound of the city that inspires this EP. 

This release signals the arrival of a talented artist pushing his creative boundaries.

Moiré photo - Barbora Mrázková

[links_clean] =>

Moiré website

Facebook
Twitter
Instagram

[counter_player] => [counter_biog] => ) [2] => Array ( [id] => 170 [name] => Actress [description] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links] =>

Werkdiscs

Facebook
Twitter

[image_upload_id] => 18890 [label_id] => 10 [twitter_username] => ctress_a [instagram_id] => 178436049 [instagram_username] => ctress_18 [link] => [listed] => 1 [sortname] => Actress [created] => 2012-08-06 16:25:23 [modified] => 2013-12-18 12:03:56 [slug] => actress [fuga_id] => [description_clean] =>

Ghettoville is the bleached out and black tinted conclusion of the Actress image. 

Where the demands of writing caught the artist slumped and reclined, devoid of any soul, acutely aware of the simulated prism that required breakout.

Four albums in and the notes and compositions no longer contain decipherable language.

The scripts now carry tears, the world has returned to a flattened state, and out through that window, the birds look back into the cage they once inhabited.

Spitting flames behind a white wall of silence. The machines have turned to stone, data reads like an obituary to its user.A fix is no longer a release, it's a brittle curse. 

Zero satisfaction, no teeth, pseudo artists running rampant, but the path continues.

R.I.P Music 2014.

Actress

[links_clean] =>

Werkdiscs

Facebook
Twitter

[counter_player] => [counter_biog] => ) [3] => Array ( [id] => 152 [name] => Martyn [description] =>

Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

[links] =>

Website
Facebook
Twitter
Soundcloud

[image_upload_id] => 19301 [label_id] => 1 [twitter_username] => MARTYN3024 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Martyn [created] => 2011-06-29 15:37:25 [modified] => 2014-04-11 14:50:12 [slug] => martyn [fuga_id] => [description_clean] =>

Three years after his last album – Ghost PeopleMartyn joins the Ninja Tune family to present his third long player. Universally respected for his ever-evolving, but inimitable sound, the Dutch-born, Washington DC-based producer brings an entirely new sonic direction with The Air Between Words. This is an exploration of the essence of all of Martyn’s music: a rugged four-to-the-floor groove, intelligently sculpted and artfully composed.

Where Great Lengths - his 2009 debut - was a body of work that explored Martyn’s uncategorizable versatility, and 2011’s Ghost People (via Brainfeeder) was a focused effort on writing an album with a specific sound, The Air Between Words came from a different realm altogether. Martyn had no parameters, and in fact no plan at all. He fell into a back-to-basics mentality where simple experimentation with purely analogue sounds and equipment inadvertently turned to melodic sketches, and without warning the album revealed itself.

“Every album signifies a period in your life, and finishing one shows you something about yourself,” says Martyn about the experience. “Without the music being introspective, this is my most natural sounding album.”

The Air Between Words opens coyly with the panoramic sonics of "Forgiveness Step 1" - a beatless but nonetheless authoritative statement of intent - before pitching headlong into pure dancefloor territory. Lean, raw, powerful productions predominate - gloriously brash, occasionally beautiful, but always vigorously hypnotic, sensitively swung and utterly irresistible.

Martyn joins forces with Kieran Hebden aka Four Tet for "Glassbeadgames", a powerhouse of a track that finds the perfect amalgamation of both producers’ fortés. Heavy kicks, UKG-esque percussion and swirling subs dictate the groove, whilst the melodic progressions are simultaneously melancholic and anthemic, and further enhanced by a Hebden trademark thumb piano motif.

Another collaboration - "Love of Pleasure" - finds Martyn partnering with his good friend copeland (formerly known as Inga Copeland, or one half of art pop duo Hype Williams). Her fragile vocal cuts through distorted piano riffs and swathes of broken synths, a fitting centerpiece for the album before it returns to its essence via "Forgiveness Step 2", "Like That" and "Two Leads and a Computer", which distinctly draw from a 90s Warp heritage (Sweet Exorcist, LFO and Autechre) but bizarrely sound like they’ve been beamed from the future. After the Afro-tinged elegance of "Lullaby", the final piece word belongs to "Fashion Skater": a dark, earthy, almost Zen-like exercise in house music in its purest form.

Stylistically and sonically, Martyn stands apart from his counterparts. His music incorporates vintage references but is steadfastly forward-facing at the same time. He’s always done that. His sound is heritage and future - and that character has elevated him alongside fellow electronic heavyweights such as Four Tet, Kode9, dBridge and Mark Pritchard.

[links_clean] =>

Website
Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => ) ) ) )

Events

<< Previous
Artist Date City Venue Buy
Actress, Martyn live ft. Inga Copeland, Moiré, Seven Davis Jr & Romare Thursday, Oct 16th Amsterdam, NL OT301
Next >>