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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

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Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

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Big Dada are proud and pleased to announce that they will release the album Jungle Revolution by Congo Natty on 1 July 2013. Congo Natty aka Rebel MC has a career dating back to his early hit with Double Trouble, "Street Tuff," but is probably most respected as one of the pioneers of Jungle - perhaps the first uniquely UK-born bass music. Jungle Revolution features the whole of the extended Congo Natty family and was mixed with Adrian Sherwood. Clearly showing this Rasta's belief that Jungle is a re-boot of roots reggae for a new century, the record is full of blood and fire, the sternum-buzz of sub-bass, rapid fire drum breaks, sweet hooks, righteous anger and professions of religious fervour. It’s the kind of passionate, committed, raw and spiritual, beautiful record that doesn’t come along every day.

To celebrate this release, we are giving away the track "UK Allstars," which features a who's who of British soundsystem culture. This is the first time ever that this line up have all appeared on one track together and so also marks a historic coming together of a scene which lies at the roots of so much of what we now take for granted in UK music, from dubstep to grime to drum & bass and beyond.

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Big Dada are proud and pleased to announce that they will release the album Jungle Revolution by Congo Natty on 1 July 2013.

Congo Natty aka Rebel MC has a career dating back to his early hit with Double Trouble, "Street Tuff," but is probably most respected as one of the pioneers of Jungle - perhaps the first uniquely UK-born bass music.

Jungle Revolution features the whole of the extended Congo Natty family and was mixed with Adrian Sherwood. Clearly showing this Rasta's belief that Jungle is a re-boot of roots reggae for a new century, the record is full of blood and fire, the sternum-buzz of sub-bass, rapid fire drum breaks, sweet hooks, righteous anger and professions of religious fervour. It’s the kind of passionate, committed, raw and spiritual, beautiful record that doesn’t come along every day.

To celebrate this release, we are giving away the track "UK Allstars," which features a who's who of British soundsystem culture. This is the first time ever that this line up have all appeared on one track together and so also marks a historic coming together of a scene which lies at the roots of so much of what we now take for granted in UK music, from dubstep to grime to drum & bass and beyond.

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links_clean] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

[image_upload_id] => 19130 [label_id] => 1 [twitter_username] => mrscruff1 [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Mr. Scruff [created] => 2010-07-17 22:15:58 [modified] => 2014-03-03 16:02:01 [slug] => mr-scruff [fuga_id] => [description_clean] =>

Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

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www.mrscruff.com

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Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

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Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

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Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

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Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

Facebook
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Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links] =>

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Twitter

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Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links_clean] =>

Facebook
Twitter

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Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

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Facebook
Twitter

[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

Facebook
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3-Way Mix Set

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3-Way Mix Set

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DJ Food (present) : Strictly Kev

With nearly 25 years of DJing experience and more than a decade serving up Food for DJs, for both Ninja and Coldcut's weekly radio show 'Solid Steel', Kev is now in the Food hot seat.

At his 'Telepathic Fish' ambient parties in the early 90's he booked Matt Black on his first VJing gigs, started designing artwork for Ninja Tune and paired up with PC (Patrick Carpenter) to form the public 'face' of DJ Food on 4 decks in clubs around the world. After working on various Food and Coldcut related studio projects with PC (A Recipe for Disaster, Journeys by DJ, ColdKrushCuts and the Blech mix compilations for Warp) they released the album 'Kaleidoscope' in 2000, closely followed by the 'Quadraplex EP' in 2001.

Also arriving in 2001 was the first in a series of Solid Steel mix CDs, starting with DJ Food & DK (Darren Knott - Solid Steel's producer) and the publicly lauded 'Now, Listen'. Since then he's been constantly art directing the Ninja label, designing for artists like Amon Tobin, The Herbaliser, DJ Vadim and Funki Porcini. Mix work has included a re-score of the Monkees' cult film 'Head', an as-yet-unreleased album of vintage Sesame Street funk, and his magnum opus 'Raiding the 20th Century'. This last hour long mix / documentary was an internet only release, charting the history of the cut-up and featured journalist Paul Morley reading from his book 'Words & Music'. Not only did it crash servers on several sites that hosted it due to its initial popularity but it was later subject to a cease & desist order from EMI for multiple infringements of copyright.

In 2007, alongside DK again, he followed up their Solid Steel debut with the sequel - 'Now, Listen Again', and the pair spent much of 2008 transferring their mix into a 4 deck audio visual live show. Using Serato's video plug-in - that enables video to be mixed and scratched via turntables the same as records - they christened their efforts 'video turntablism'.

Kev is now working on a series of EPs that will make up the next DJ Food album, an exhaustive DJ Food website (www.djfood.org) and providing artwork for Ninja artists such as King Cannibal and the 20th anniversary label celebrations.

DJ Food (past):

DJ Food has been many persons, of who we will come to in a moment. DJ Food is best described as Food for DJs, simple as that, just flip it around and it begins to mean something entirely different.

Originally produced by Coldcut the DJ Food project started in 1990 with the release of 'Jazz Brakes', with 'Jazz Brakes Volume 3' being the label's most successful early album. Not only are they effective collections of breaks, loops and samples ideal for mixing, remixing and producing - but also fine collections of funky jazz & hip hop tunes, that cut it just as well on the discerning dancefloor as in the safety of your own home...

Since the growth of the abstract hip hop scene in recent years the 'Jazz Brakes' albums have proved to be ahead of their time. The latter DJ Food albums have developed with shades of latin, dub, techno, ambient, tribal, african and jungle flavouring the funk. The 2005 album 'A Recipe For Disaster' was a conscious break from the five 'Jazz Brakes' volumes to form more of an identity as an artist, and a remix album of tracks from all 6 LPs 'Refried Food' was released Feb '96.

But who made this food? Matt Black & Jonathan More (aka Coldcut) were responsible for starting the DJ Food series of 'Jazz Brakes' back in the early 90's, and along the way they met Patrick Carpenter (PC) who was commonly misconstrued as the computer that they made the tracks on for a while. A loose collaborative team began to form as more like-minded people arrived at the party; Paul Brook, Paul Rabiger, Strictly Kev and Issac Elliston to name a few.

Whilst keeping their hand in as DJs, Matt & Jon couldn't and didn't want to DJ twice in one night under both aliases of Coldcut & DJ Food, so PC & Strictly stepped up to represent the Food club-wise. This was the score for some time, until PC became so busy with his involvement in the Cinematic Orchestra that he decided to depart to concentrate on that, leaving Strictly Kev to carry the mantle.

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DJ Food (present) : Strictly Kev

With nearly 25 years of DJing experience and more than a decade serving up Food for DJs, for both Ninja and Coldcut's weekly radio show 'Solid Steel', Kev is now in the Food hot seat.

At his 'Telepathic Fish' ambient parties in the early 90's he booked Matt Black on his first VJing gigs, started designing artwork for Ninja Tune and paired up with PC (Patrick Carpenter) to form the public 'face' of DJ Food on 4 decks in clubs around the world. After working on various Food and Coldcut related studio projects with PC (A Recipe for Disaster, Journeys by DJ, ColdKrushCuts and the Blech mix compilations for Warp) they released the album 'Kaleidoscope' in 2000, closely followed by the 'Quadraplex EP' in 2001.

Also arriving in 2001 was the first in a series of Solid Steel mix CDs, starting with DJ Food & DK (Darren Knott - Solid Steel's producer) and the publicly lauded 'Now, Listen'. Since then he's been constantly art directing the Ninja label, designing for artists like Amon Tobin, The Herbaliser, DJ Vadim and Funki Porcini. Mix work has included a re-score of the Monkees' cult film 'Head', an as-yet-unreleased album of vintage Sesame Street funk, and his magnum opus 'Raiding the 20th Century'. This last hour long mix / documentary was an internet only release, charting the history of the cut-up and featured journalist Paul Morley reading from his book 'Words & Music'. Not only did it crash servers on several sites that hosted it due to its initial popularity but it was later subject to a cease & desist order from EMI for multiple infringements of copyright.

In 2007, alongside DK again, he followed up their Solid Steel debut with the sequel - 'Now, Listen Again', and the pair spent much of 2008 transferring their mix into a 4 deck audio visual live show. Using Serato's video plug-in - that enables video to be mixed and scratched via turntables the same as records - they christened their efforts 'video turntablism'.

Kev is now working on a series of EPs that will make up the next DJ Food album, an exhaustive DJ Food website (www.djfood.org) and providing artwork for Ninja artists such as King Cannibal and the 20th anniversary label celebrations.

DJ Food (past):

DJ Food has been many persons, of who we will come to in a moment. DJ Food is best described as Food for DJs, simple as that, just flip it around and it begins to mean something entirely different.

Originally produced by Coldcut the DJ Food project started in 1990 with the release of 'Jazz Brakes', with 'Jazz Brakes Volume 3' being the label's most successful early album. Not only are they effective collections of breaks, loops and samples ideal for mixing, remixing and producing - but also fine collections of funky jazz & hip hop tunes, that cut it just as well on the discerning dancefloor as in the safety of your own home...

Since the growth of the abstract hip hop scene in recent years the 'Jazz Brakes' albums have proved to be ahead of their time. The latter DJ Food albums have developed with shades of latin, dub, techno, ambient, tribal, african and jungle flavouring the funk. The 2005 album 'A Recipe For Disaster' was a conscious break from the five 'Jazz Brakes' volumes to form more of an identity as an artist, and a remix album of tracks from all 6 LPs 'Refried Food' was released Feb '96.

But who made this food? Matt Black & Jonathan More (aka Coldcut) were responsible for starting the DJ Food series of 'Jazz Brakes' back in the early 90's, and along the way they met Patrick Carpenter (PC) who was commonly misconstrued as the computer that they made the tracks on for a while. A loose collaborative team began to form as more like-minded people arrived at the party; Paul Brook, Paul Rabiger, Strictly Kev and Issac Elliston to name a few.

Whilst keeping their hand in as DJs, Matt & Jon couldn't and didn't want to DJ twice in one night under both aliases of Coldcut & DJ Food, so PC & Strictly stepped up to represent the Food club-wise. This was the score for some time, until PC became so busy with his involvement in the Cinematic Orchestra that he decided to depart to concentrate on that, leaving Strictly Kev to carry the mantle.

[links_clean] =>

www.djfood.org

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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links] =>

www.mrscruff.com

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Twitter
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Mr. Scruff: DJ, Producer & Cartoonist

As a DJ, Andy Carthy aka Mr. Scruff plays across the board, flitting between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, record sleeves and CD covers, and usually accompany him at gigs as live animated visuals.

Carthy’s first encounter with mixing was as a 12 year old in late 1984, when a friend played him some of his uncle's electro records, notably the Streetsounds LP Crucial Electro Volume 1, opening his eyes and ears to the art of mixing records. Soon after he was constructing his own crude pause-button mixtapes, inspired by the electro compilations and various radio shows on stations such as Piccadilly, Radio Lancashire & Southside that exposed him to electro and hip-hop, soul, reggae and early house music. Shouts to John Peel (of course), Greg Wilson, Robbie Vincent, Richard Searling, Stu Allan, Lee Browne, Ranking Miss P, Scotty, Tony the Greek, Steve Barker, Gary Hickson, Sam Brown & Waxmaster.

Little by little Andy was building a collection fuelled by this knowledge, all the while improving his DJ skills. By 1987 he was proficient at turntable mixing and editing, although he was still using primitive home hi-fi gear. His first break came in 1994, when he met Barney Doodlebug, a DJ/Doodler who gave him his first Manchester gig, on a Sunday night in a venue called Dry Bar. He also passed on a demo tape to local label Rob's Records, which resulted in them releasing the first Mr. Scruff 12" single.

A regular on the Manchester scene through ’94-’95, he released a string of 12”s on Rob's Records subsidiary Pleasure, as well as sides for Echo Drop, Grand Central & Cup of Tea. His work for Grand Central with Mark Rae inspired some four-deck club performances, including friendly “battles” with DJ Food, which introduced him to the Ninja Tune fold.

Gigging across the UK (with Electric Chair, Off Centre, Fat City and Tru Thoughts) and Europe (with Grand Central), Mr. Scruff signed to Ninja Tune in 1998. His debut album Keep It Unreal arrived a year later, featuring the certified classic "Get A Move On", kick-starting his Manchester club night of the same name, borne of a desire to play exactly what he wanted, rather than having to fit in with the music policies of other club nights.

These were the beginnings of his famed “all-night-long” DJ sets cheerfully spanning blues, jazz, soul, funk, 60s R&B, disco, boogie, deep house, reggae, ska, rocksteady, dancehall, electronica, electro, hip hop, African, Latin, drum & bass, breakbeat… and bolstered his standing as a passionate, digger, collector and, above all, an unrivalled selector of the good stuff.

Trouser Jazz (2002); the epic mix CD Keep It Solid Steel (2004); and Ninja Tuna (2008) cemented Scruff’s rep as a premium freaker of frequencies, the latter featuring collaborations with the likes of Quantic, Danny Breaks, Alice Russell, Andreya Triana, Pete Simpson, Kaidi Tatham and Roots Manuva.

A fistful of EPs and singles populated 2009-2013 including Wobble Control (2011), Feel It / Bounce (2011) and Be The Music (2012).

In 2010 Big Chill Festival invited Mr. Scruff to host his own tent, testament to his inimitable raw dancefloor magnetism as are his regularly rammed-to-the-rafters Keep It Unreal sessions at Band On The Wall (Manchester) and KOKO (London).

After receiving a mighty nudge by the giant elbow of Ninja, the majority of 2013 was spent in the studio recording new album Friendly Bacteria, featuring Denis Jones, Matthew Halsall, Phil France, Vanessa Freeman & Robert Owens.

[links_clean] =>

www.mrscruff.com

Facebook
Twitter
Soundcloud

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From the UK via Liberia, Nigeria and Scotland, Young Fathers have pursued a unique trajectory, from mid-teen hip hop trio via psych-pop rap to where they are now, on their own original island thrown up by a pop volcano, tectonic plates of genres rubbing up against each other like under-sea dirty party-people; seams of molten pop history spewing lava more fertile than guano, upon which the rich foliage of hook, rhythm and bass grow immodestly in the sun.

Along the way, they have dropped pearls:  Straight Back On It, from their unreleased debut album Inconceivable Child... Conceived, is the telescoping of Tommy Boy into the 21st century.  Featured performances with Simian Mobile Disco and Stanton Warriors gave glimpses of the kind of light bulb shattering energy they are capable of.  Several tours, many festivals, honing a live presence which often looked like the vision of a boy band through the bottom of a glass of crystal meth.

Finally, having left their original production company and moved out on their own, Young Fathers dropped their first mixtape/mini album at the end of 2011.  TAPE ONE showed them in a darker place, a natural pop progression, the kind documented in the David Essex films, That'll Be The Day and Stardust, reaching shamanistic levels of call, response, lyrical invocations.  Wildly urban.

Signing to American west coast pulse-finder label, Anticon in 2012 they released TAPE TWO, even dirtier and louder than TAPE ONE (of course!) but also its natural side two.  With tracks like Queen Is Dead (which had the honour of being temporarily 'banned by the BBC' - literally, 'in case the Queen of Britain died') tapping into a Swazi initiation ceremony cut up by Gyson's scissors, to I Heard, full of that sweet, soul pain, holding hands with Curtis and Marvin over a dystopic beatbox.

2013 saw them venture to America, a natural target, where they mystified and blew away jaded SXSW regulars, then more tours around Europe and the UK, each time touching a few more innocents, passing through Reading and Leeds and creating thunder at the In The Woods festival.

Here they are then, alternating spells in the basement creating with alchemy massive bass on sheets of flash and mantronik steel, forged in an African fire, their new full length album entitled DEAD, due out on Anticon and Big Dada in the new year.

Loquacious Alloysious Massaquoi, lithe and graceful on stage, can take it from down and dirty to beatified choir boy in a musical phrase; growling and whispering 'G', gazing into the spotlight, transfixed by his own rhythms, pleading with the crowd to just, get it; exploding Kayus, whose overproof rapping can rip holes in walls without a microphone, hinting at dark deeds known and done, Ole Dirty Bastard's bastard son.

A stream of self-conceived and directed videos, a tie-in with Ch4 and Lemonade Money for the short films broadcast in 2013 featuring them and their music, hosting a friday night tombstone slot through October on BBC R1xtra, curating a monthly night in Glasgow at Broadcast (Back Off Devil), this plus upcoming tours of France, where TAPE TWO has been greeted with the classic Gallic understanding of all things dark-rocknroll (where Jim Morrison is apparently buried), touring the UK and the rest of Europe in the new year, all means that Young Fathers will hardly have time to think, let alone roam the gothic streets of old Edinburgh, hanging with friends.  

They are committed, on course, irrefutably aligned with the stars, set to sail the globe like a ghost ship, bringing dread and joy to safe harbours and dangerous docks.  Traveling with sails tattered and billowing from a mistral, channeled from the west coast of Africa to the east and the north of Britain, unfettered and multinational.  Without passports.

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From the UK via Liberia, Nigeria and Scotland, Young Fathers have pursued a unique trajectory, from mid-teen hip hop trio via psych-pop rap to where they are now, on their own original island thrown up by a pop volcano, tectonic plates of genres rubbing up against each other like under-sea dirty party-people; seams of molten pop history spewing lava more fertile than guano, upon which the rich foliage of hook, rhythm and bass grow immodestly in the sun.

Along the way, they have dropped pearls:  Straight Back On It, from their unreleased debut album Inconceivable Child... Conceived, is the telescoping of Tommy Boy into the 21st century.  Featured performances with Simian Mobile Disco and Stanton Warriors gave glimpses of the kind of light bulb shattering energy they are capable of.  Several tours, many festivals, honing a live presence which often looked like the vision of a boy band through the bottom of a glass of crystal meth.

Finally, having left their original production company and moved out on their own, Young Fathers dropped their first mixtape/mini album at the end of 2011.  TAPE ONE showed them in a darker place, a natural pop progression, the kind documented in the David Essex films, That'll Be The Day and Stardust, reaching shamanistic levels of call, response, lyrical invocations.  Wildly urban.

Signing to American west coast pulse-finder label, Anticon in 2012 they released TAPE TWO, even dirtier and louder than TAPE ONE (of course!) but also its natural side two.  With tracks like Queen Is Dead (which had the honour of being temporarily 'banned by the BBC' - literally, 'in case the Queen of Britain died') tapping into a Swazi initiation ceremony cut up by Gyson's scissors, to I Heard, full of that sweet, soul pain, holding hands with Curtis and Marvin over a dystopic beatbox.

2013 saw them venture to America, a natural target, where they mystified and blew away jaded SXSW regulars, then more tours around Europe and the UK, each time touching a few more innocents, passing through Reading and Leeds and creating thunder at the In The Woods festival.

Here they are then, alternating spells in the basement creating with alchemy massive bass on sheets of flash and mantronik steel, forged in an African fire, their new full length album entitled DEAD, due out on Anticon and Big Dada in the new year.

Loquacious Alloysious Massaquoi, lithe and graceful on stage, can take it from down and dirty to beatified choir boy in a musical phrase; growling and whispering 'G', gazing into the spotlight, transfixed by his own rhythms, pleading with the crowd to just, get it; exploding Kayus, whose overproof rapping can rip holes in walls without a microphone, hinting at dark deeds known and done, Ole Dirty Bastard's bastard son.

A stream of self-conceived and directed videos, a tie-in with Ch4 and Lemonade Money for the short films broadcast in 2013 featuring them and their music, hosting a friday night tombstone slot through October on BBC R1xtra, curating a monthly night in Glasgow at Broadcast (Back Off Devil), this plus upcoming tours of France, where TAPE TWO has been greeted with the classic Gallic understanding of all things dark-rocknroll (where Jim Morrison is apparently buried), touring the UK and the rest of Europe in the new year, all means that Young Fathers will hardly have time to think, let alone roam the gothic streets of old Edinburgh, hanging with friends.  

They are committed, on course, irrefutably aligned with the stars, set to sail the globe like a ghost ship, bringing dread and joy to safe harbours and dangerous docks.  Traveling with sails tattered and billowing from a mistral, channeled from the west coast of Africa to the east and the north of Britain, unfettered and multinational.  Without passports.

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Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

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Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links_clean] =>

Facebook
Twitter

[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 25 [name] => Blockhead [description] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links] =>

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Twitter

[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

Facebook
Twitter

[counter_player] => [counter_biog] => ) ) ) [10] => Array ( [Event] => Array ( [id] => 13173 [date] => 2014-09-13 [artist] => ODESZA [city] => Jackson Hole [state] => [country] => US [venue] => Mangy Moose Saloon [promoter] => [description] => [ticket_url] => https://www.tgrtix.com/tickets/aa/VenueTicketQuantity.aspx?VId=ziHC5vnbGxY%3D [image_upload_id] => 19770 [created] => 2014-07-22 16:42:05 [modified] => 2014-08-04 10:28:19 [year_slug] => 2014 [month_slug] => sep [day_slug] => 13 [slug] => odesza-jackson-hole-mangy-moose-saloon [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19770 [media_type] => image [artist] => ODESZA [title] => Phase 2 Flyer [credits] => [buy_link] => [filename] => images/odesza/ODESZA-Phase2TourAnnouncement.jpg [checksum] => 765d89ca07212d54e9a4b162884df8dc [mime_type] => image/jpeg [size] => 789428 [external_url] => http://media.ninjatune.net/images/odesza/ODESZA-Phase2TourAnnouncement.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => odesza [slug] => phase-2-flyer [created] => 2014-08-01 17:16:46 [modified] => 2014-08-01 17:19:57 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 210 [name] => ODESZA [description] =>

Over the past 18 months, Seattle producer duo ODESZA (Harrison Mills, Clayton Knight) has rapidly ascended to the top of their class. Accruing listens online, selling out shows and packing out festival crowds, ODESZA has won fans through the stereo and from the stage. They’ve racked up 10 Hype Machine #1s, over 16 million SoundCloud streams, over 7.5 million Spotify plays and a sold out U.S. headline tour this spring. They’ve performed at numerous festivals including Coachella, Sasquatch, Lightning In A Bottle, Osheaga, Shambhala, What The Festival, Summer Meltdown, Decibel Festival, The Hudson Project and Symbiosis Gathering, and shared stages with Pretty Lights, Bonobo, Emancipator, and Star Slinger

Today, ODESZA proudly unveils their brand new album, In Return, to be released Sept. 9thon Counter Records.  In Return more than delivers on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py, Shy Girls, and Madelyn Grant, who is featured on the previously released hit, “Sun Models”, are expertly worked into ODESZA’s trademark, mood-altering uplift. In Return is available now for pre-order at odesza.com where fans can purchase Vinyl, CD and mp3/WAVs for the first time ever.  The new track, “Memories That You Call (feat. Monsoonsiren)”, premiered via Noisey, is available to stream and download via the pre-order. ODESZA will tour in support of In Return throughout the fall playing their largest headline gigs yet with shows already selling out over two months in advance. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album.

[links] =>

inreturn.odesza.com

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Soundcloud

[image_upload_id] => 19684 [label_id] => 5 [twitter_username] => odesza [instagram_id] => 272276842 [instagram_username] => odesza [link] => [listed] => 0 [sortname] => ODESZA [created] => 2014-07-14 21:14:03 [modified] => 2014-08-14 10:48:47 [slug] => odesza [fuga_id] => [description_clean] =>

Over the past 18 months, Seattle producer duo ODESZA (Harrison Mills, Clayton Knight) has rapidly ascended to the top of their class. Accruing listens online, selling out shows and packing out festival crowds, ODESZA has won fans through the stereo and from the stage. They’ve racked up 10 Hype Machine #1s, over 16 million SoundCloud streams, over 7.5 million Spotify plays and a sold out U.S. headline tour this spring. They’ve performed at numerous festivals including Coachella, Sasquatch, Lightning In A Bottle, Osheaga, Shambhala, What The Festival, Summer Meltdown, Decibel Festival, The Hudson Project and Symbiosis Gathering, and shared stages with Pretty Lights, Bonobo, Emancipator, and Star Slinger

Today, ODESZA proudly unveils their brand new album, In Return, to be released Sept. 9thon Counter Records.  In Return more than delivers on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py, Shy Girls, and Madelyn Grant, who is featured on the previously released hit, “Sun Models”, are expertly worked into ODESZA’s trademark, mood-altering uplift. In Return is available now for pre-order at odesza.com where fans can purchase Vinyl, CD and mp3/WAVs for the first time ever.  The new track, “Memories That You Call (feat. Monsoonsiren)”, premiered via Noisey, is available to stream and download via the pre-order. ODESZA will tour in support of In Return throughout the fall playing their largest headline gigs yet with shows already selling out over two months in advance. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album.

[links_clean] =>

inreturn.odesza.com

Facebook
Twitter
Soundcloud

[counter_player] => [counter_biog] => Over the past 18 months, Seattle producer duo ODESZA (Harrison Mills, Clayton Knight) has rapidly ascended to the top of their class. Accruing listens online, selling out shows and packing out festival crowds, ODESZA has won fans through the stereo and from the stage. They’ve racked up 10 Hype Machine #1s, over 16 million SoundCloud streams, over 7.5 million Spotify plays and a sold out U.S. headline tour this spring. They’ve performed at numerous festivals including Coachella, Sasquatch, Lightning In A Bottle, Osheaga, Shambhala, What The Festival, Summer Meltdown, Decibel Festival, The Hudson Project and Symbiosis Gathering, and shared stages with Pretty Lights, Bonobo, Emancipator, and Star Slinger. Today, ODESZA proudly unveils their brand new album, In Return, to be released Sept. 9thon Counter Records. In Return more than delivers on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py, Shy Girls, and Madelyn Grant, who is featured on the previously released hit, “Sun Models”, are expertly worked into ODESZA’s trademark, mood-altering uplift. In Return is available now for pre-order at inreturn.odesza.com, where fans can purchase Vinyl, CD and mp3/WAVs for the first time ever. The new track, “Memories That You Call (feat. Monsoonsiren)”, premiered via Noisey, is available to stream and download via the pre-order. ODESZA will tour in support of In Return throughout the fall playing their largest headline gigs yet with shows already selling out over two months in advance. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album. ) ) ) [11] => Array ( [Event] => Array ( [id] => 13109 [date] => 2014-09-14 [artist] => Yppah and Blockhead [city] => Fresno [state] => [country] => US [venue] => Warnor's Center [promoter] => [description] => [ticket_url] => http://www.ticketfly.com/purchase/event/594637/tfly?utm_medium=api&utm_medium=291182 [image_upload_id] => 19840 [created] => 2014-06-20 10:10:09 [modified] => 2014-08-19 10:19:53 [year_slug] => 2014 [month_slug] => sep [day_slug] => 14 [slug] => yppah-and-blockhead-fresno-warnors-center [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19840 [media_type] => image [artist] => Yppah [title] => Yppah Fall tour flyer 2014 [credits] => [buy_link] => [filename] => images/yppah/yppahfall430.jpg [checksum] => e9710268e028c421433b6540b4f1bf5d [mime_type] => image/jpeg [size] => 316142 [external_url] => http://media.ninjatune.net/images/yppah/yppahfall430.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => yppah [slug] => yppah-fall-tour-flyer-2014 [created] => 2014-08-19 10:17:01 [modified] => 2014-08-19 10:19:37 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 67 [name] => Yppah [description] =>

Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links] =>

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[image_upload_id] => 16637 [label_id] => 1 [twitter_username] => _Yppah_ [instagram_id] => 15838015 [instagram_username] => _Yppah_ [link] => [listed] => 1 [sortname] => Yppah [created] => 2010-07-17 22:15:59 [modified] => 2013-05-08 13:05:57 [slug] => yppah [fuga_id] => [description_clean] =>

Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links_clean] =>

Facebook
Twitter

[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 25 [name] => Blockhead [description] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links] =>

Facebook
Twitter

[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

Facebook
Twitter

[counter_player] => [counter_biog] => ) ) ) [12] => Array ( [Event] => Array ( [id] => 12986 [date] => 2014-09-17 [artist] => Andreya Triana [city] => London [state] => [country] => GB [venue] => Wiltons Music Hall [promoter] => [description] => [ticket_url] => http://www.soundcrashmusic.com/andreya-triana-live/ [image_upload_id] => 4234 [created] => 2014-05-27 10:42:38 [modified] => 2014-07-22 09:50:50 [year_slug] => 2014 [month_slug] => sep [day_slug] => 17 [slug] => andreya-triana-london-wiltons-music-hall [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 4234 [media_type] => image [artist] => Andreya Triana [title] => Andreya - Promo shot (Cropped) - Jul 2010 [credits] => [buy_link] => [filename] => images/andreya-triana/andreyabyEllisScott-2.jpg [checksum] => fa6caec0d661d88d6f492b8687dc4140 [mime_type] => image/jpeg [size] => 1231072 [external_url] => http://media.ninjatune.net/images/andreya-triana/andreyabyEllisScott-2.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => andreya-triana [slug] => andreya-promo-shot-cropped-jul-2010 [created] => 2010-11-24 04:22:08 [modified] => 2010-11-24 04:22:08 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 89 [name] => Andreya Triana [description] =>

An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 

 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene. Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 

2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records. 2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana!

[links] => Facebook
Twitter
Soundcloud [image_upload_id] => 4234 [label_id] => 1 [twitter_username] => andreyatriana [instagram_id] => 5689105 [instagram_username] => andreyatriana [link] => [listed] => 1 [sortname] => Andreya Triana [created] => 2010-07-17 22:15:59 [modified] => 2014-08-14 10:40:39 [slug] => andreya-triana [fuga_id] => [description_clean] =>

An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 

 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene. Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 

2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records. 2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana!

[links_clean] => Facebook
Twitter
Soundcloud [counter_player] => [counter_biog] => An experimental and self taught singer and songwriter originally hailing from South East London, Andreya Triana grew up submerged in a multicultural atmosphere. A unique vocalist, Andreya began singing at the tender age of 7, taking influence from the sights and sounds of inner city London. Her early love and passion for music would see her locked in her bedroom for hours on end writing poetry, making homemade mix tapes and recording tracks - utilising two battered cassette decks to record harmonies. Her early love of improvisation would warp and change over the years, hugely influencing her 'Freeflo Sessions' - a hypnotic one woman show using a sampler to loop vocals, percussive sounds and beats live. To date she has taken her Freeflo Sessions worldwide, dazzling audiences far and wide with her cutting edge and soulful performances. 2006 saw her selected from thousands to take part in the Red Bull Music Academy in Australia where she further developed her style for improvisation and secured links with some of the best producers and musicians on the music scene. Multiple collaborations ensued daily at the Academy, with 'Tea Leaf Dancers', a collaboration with glitchy hip hop producer Flying Lotus (released on Warp Records), was a product of this and has been her most successful musical venture to date. Hailed as a classic while getting rave reviews from Benji B and Gilles Peterson while getting airplay on Annie Mac's Radio One show, it was this track that also caught the attention of Ninja Tune stalwart Bonobo. 2009 has been an eventful year for Miss Triana, touring America and Canada with the Bonobo live band, playing on the BBC Introducing stage at Glastonbury showcasing new material and signing a three album deal with Ninja Tune Records. 2010 saw the release of her album 'Lost Where I Belong', produced by Bonobo, with fellow Ninja Tune singer and songwriter Fink also stepping up to co-write two tracks for the album. 'Lost Where I Belong' is a beautifully honest album combining Soul, Folk, Jazz and Bonobo's cinematic magic in a highly anticipated and hotly tipped debut... watch out for Andreya Triana! ) ) ) [13] => Array ( [Event] => Array ( [id] => 13104 [date] => 2014-09-17 [artist] => Blockhead and Yppah [city] => Colorado Springs [state] => [country] => US [venue] => Black Sheep [promoter] => [description] => [ticket_url] => http://www.ticketweb.com/t3/sale/SaleEventDetail?dispatch=loadSelectionData&eventId=5095205&REFERRAL_ID=tmfeedbuyat73074&wt.mc_i [image_upload_id] => 19840 [created] => 2014-06-19 17:32:21 [modified] => 2014-08-19 10:20:08 [year_slug] => 2014 [month_slug] => sep [day_slug] => 17 [slug] => blockhead-and-yppah-colorado-springs-black-sheep [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19840 [media_type] => image [artist] => Yppah [title] => Yppah Fall tour flyer 2014 [credits] => [buy_link] => [filename] => images/yppah/yppahfall430.jpg [checksum] => e9710268e028c421433b6540b4f1bf5d [mime_type] => image/jpeg [size] => 316142 [external_url] => http://media.ninjatune.net/images/yppah/yppahfall430.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => yppah [slug] => yppah-fall-tour-flyer-2014 [created] => 2014-08-19 10:17:01 [modified] => 2014-08-19 10:19:37 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 67 [name] => Yppah [description] =>

Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

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[image_upload_id] => 16637 [label_id] => 1 [twitter_username] => _Yppah_ [instagram_id] => 15838015 [instagram_username] => _Yppah_ [link] => [listed] => 1 [sortname] => Yppah [created] => 2010-07-17 22:15:59 [modified] => 2013-05-08 13:05:57 [slug] => yppah [fuga_id] => [description_clean] =>

Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

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[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 25 [name] => Blockhead [description] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

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[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

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[counter_player] => [counter_biog] => ) ) ) [14] => Array ( [Event] => Array ( [id] => 12944 [date] => 2014-09-18 [artist] => Bonobo (Dj Set) and FaltyDL [city] => Madison [state] => [country] => US [venue] => Majestic Theatre [promoter] => [description] => [ticket_url] => http://bonobomusic.com/presale?event=40872 [image_upload_id] => 19450 [created] => 2014-05-20 11:15:33 [modified] => 2014-05-22 10:04:18 [year_slug] => 2014 [month_slug] => sep [day_slug] => 18 [slug] => bonobo-dj-set-and-faltydl-madison-majestic-theatre [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19450 [media_type] => image [artist] => Bonobo [title] => US DJ Tour 2014 [credits] => [buy_link] => [filename] => images/bonobo/Bonobo-NA-DJ-Tour-WEB-ALL-DATES-v3.jpg [checksum] => df7dd2bd48ed276c36ce2ca16b254513 [mime_type] => image/jpeg [size] => 645163 [external_url] => http://media.ninjatune.net/images/bonobo/Bonobo-NA-DJ-Tour-WEB-ALL-DATES-v3.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => bonobo [slug] => us-dj-tour-2014 [created] => 2014-05-20 10:02:58 [modified] => 2014-05-20 10:04:49 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 55 [name] => Bonobo [description] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

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[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

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[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 154 [name] => FaltyDL [description] =>

Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. These days he lives in Brooklyn, New York. Releasing music for Planet Mu, Ramp, Rush Hour, 50 Weapons, Hemlock, Swamp81, his own Blueberry Records imprint and, of course, Ninja Tune, he has recorded three albums (Love Is A Liability, You Stand Uncertain and Hardcourage) and will share his fourth LP In The Wild on 11th August 2014. He has also toured with James Blake; opened for Radiohead; and remixed for the likes of Seun Kuti, Photek, The xx and Disclosure.

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Instagram [image_upload_id] => 19477 [label_id] => 1 [twitter_username] => faltydl [instagram_id] => 8458705 [instagram_username] => faltydl [link] => [listed] => 1 [sortname] => FaltyDL [created] => 2011-09-23 12:05:55 [modified] => 2014-05-23 15:49:49 [slug] => faltydl [fuga_id] => [description_clean] =>

Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. These days he lives in Brooklyn, New York. Releasing music for Planet Mu, Ramp, Rush Hour, 50 Weapons, Hemlock, Swamp81, his own Blueberry Records imprint and, of course, Ninja Tune, he has recorded three albums (Love Is A Liability, You Stand Uncertain and Hardcourage) and will share his fourth LP In The Wild on 11th August 2014. He has also toured with James Blake; opened for Radiohead; and remixed for the likes of Seun Kuti, Photek, The xx and Disclosure.

[links_clean] => Tumblr
Facebook
Twitter
Soundcloud
Instagram [counter_player] => [counter_biog] => ) ) ) [15] => Array ( [Event] => Array ( [id] => 13110 [date] => 2014-09-18 [artist] => Yppah and Blockhead [city] => Fort Collins [state] => [country] => US [venue] => Aggie Theatre [promoter] => [description] => [ticket_url] => http://www.aggietheatre.com/calendar.html [image_upload_id] => 19840 [created] => 2014-06-20 10:13:38 [modified] => 2014-08-19 10:20:22 [year_slug] => 2014 [month_slug] => sep [day_slug] => 18 [slug] => yppah-and-blockhead-fort-collins-aggie-theatre [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19840 [media_type] => image [artist] => Yppah [title] => Yppah Fall tour flyer 2014 [credits] => [buy_link] => [filename] => images/yppah/yppahfall430.jpg [checksum] => e9710268e028c421433b6540b4f1bf5d [mime_type] => image/jpeg [size] => 316142 [external_url] => http://media.ninjatune.net/images/yppah/yppahfall430.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => yppah [slug] => yppah-fall-tour-flyer-2014 [created] => 2014-08-19 10:17:01 [modified] => 2014-08-19 10:19:37 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 67 [name] => Yppah [description] =>

Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links] =>

Facebook
Twitter

[image_upload_id] => 16637 [label_id] => 1 [twitter_username] => _Yppah_ [instagram_id] => 15838015 [instagram_username] => _Yppah_ [link] => [listed] => 1 [sortname] => Yppah [created] => 2010-07-17 22:15:59 [modified] => 2013-05-08 13:05:57 [slug] => yppah [fuga_id] => [description_clean] =>

Yppah (pronounced 'Yippah'), sometimes know as Joe Corrales, Jr., released his debut album You Are Beautiful At All Times in November of 2006 on Ninja Tune. This stunning debut is a lush mix of beautiful and often times melancholic electronica, breakbeat drum samples with shoegazer melodies set in an atmospheric sound landscape.

Joe spent his early teen years playing guitar and bass in rock bands, then later as a scratch DJ who mixed hip hop and house in clubs sets. He's also a founding member of the turntablist group The Truth.

Drawing on a cultural heritage that took in My Bloody Valentine alongside hip hop and heavily influenced by various forms of electronic music, psychedelic soul and rock, his music often mixes guitars shoved through massive reverbs/delays, keyboards/synthesizers, live drums, and other techniques.

Since the release of You Are Beautiful At All Times, Yppah has formed a live band consisting of himself, Caliban Goodbrain (Thomas Sutherland), Nicholas Noeding, Jr. and rotating band members. Live performances of the album have included shows at SXSW 2007 and the enormously popular Starbucks Mixed Media Series at the Museum of Fine Arts Houston. Yppah again made an appearance at SXSW 2008, this time as a DJ. He has traveled with the likes of DJ Food, DK, Bonobo and Zero dB taking part in Solid Steel Nippon 2, a hugely popular music event in Japan, and has also created remixes for DJ Kentaro and Zero dB.

Recently, Yppah's music has been embraced by the entertainment industry. His songs have been featured in television episodes of CSI and House, the movie 21, and in the videogame trailer for Atari's Alone in the Dark.

Yppah's sophomore album, They Know What Ghost Know, was released in May of 2009. Employing the same atmospheric mix as his debut album, They Know What Ghost Know consists of a more rock based sound. He is also a third of the electronic/rock group Day of the Woman with Pollination/Nick Noeding, Jr. (Albuquerque, NM) and Stenographer/Dave Salinas (Houston, TX).

[links_clean] =>

Facebook
Twitter

[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 25 [name] => Blockhead [description] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

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Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

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[counter_player] => [counter_biog] => ) ) ) [16] => Array ( [Event] => Array ( [id] => 13174 [date] => 2014-09-18 [artist] => ODESZA [city] => San Francisco [state] => [country] => US [venue] => Mezzanine - Night 1 [promoter] => [description] => [ticket_url] => http://www.ticketmaster.com/odesza-san-francisco-california-09-18-2014/event/1C004CE8B1B54EC5?brand=anotherplanet&camefrom=CFC_M [image_upload_id] => 19770 [created] => 2014-07-22 16:43:33 [modified] => 2014-08-01 17:21:56 [year_slug] => 2014 [month_slug] => sep [day_slug] => 18 [slug] => odesza-san-francisco-mezzanine-night-1 [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19770 [media_type] => image [artist] => ODESZA [title] => Phase 2 Flyer [credits] => [buy_link] => [filename] => images/odesza/ODESZA-Phase2TourAnnouncement.jpg [checksum] => 765d89ca07212d54e9a4b162884df8dc [mime_type] => image/jpeg [size] => 789428 [external_url] => http://media.ninjatune.net/images/odesza/ODESZA-Phase2TourAnnouncement.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => odesza [slug] => phase-2-flyer [created] => 2014-08-01 17:16:46 [modified] => 2014-08-01 17:19:57 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 210 [name] => ODESZA [description] =>

Over the past 18 months, Seattle producer duo ODESZA (Harrison Mills, Clayton Knight) has rapidly ascended to the top of their class. Accruing listens online, selling out shows and packing out festival crowds, ODESZA has won fans through the stereo and from the stage. They’ve racked up 10 Hype Machine #1s, over 16 million SoundCloud streams, over 7.5 million Spotify plays and a sold out U.S. headline tour this spring. They’ve performed at numerous festivals including Coachella, Sasquatch, Lightning In A Bottle, Osheaga, Shambhala, What The Festival, Summer Meltdown, Decibel Festival, The Hudson Project and Symbiosis Gathering, and shared stages with Pretty Lights, Bonobo, Emancipator, and Star Slinger

Today, ODESZA proudly unveils their brand new album, In Return, to be released Sept. 9thon Counter Records.  In Return more than delivers on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py, Shy Girls, and Madelyn Grant, who is featured on the previously released hit, “Sun Models”, are expertly worked into ODESZA’s trademark, mood-altering uplift. In Return is available now for pre-order at odesza.com where fans can purchase Vinyl, CD and mp3/WAVs for the first time ever.  The new track, “Memories That You Call (feat. Monsoonsiren)”, premiered via Noisey, is available to stream and download via the pre-order. ODESZA will tour in support of In Return throughout the fall playing their largest headline gigs yet with shows already selling out over two months in advance. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album.

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inreturn.odesza.com

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[image_upload_id] => 19684 [label_id] => 5 [twitter_username] => odesza [instagram_id] => 272276842 [instagram_username] => odesza [link] => [listed] => 0 [sortname] => ODESZA [created] => 2014-07-14 21:14:03 [modified] => 2014-08-14 10:48:47 [slug] => odesza [fuga_id] => [description_clean] =>

Over the past 18 months, Seattle producer duo ODESZA (Harrison Mills, Clayton Knight) has rapidly ascended to the top of their class. Accruing listens online, selling out shows and packing out festival crowds, ODESZA has won fans through the stereo and from the stage. They’ve racked up 10 Hype Machine #1s, over 16 million SoundCloud streams, over 7.5 million Spotify plays and a sold out U.S. headline tour this spring. They’ve performed at numerous festivals including Coachella, Sasquatch, Lightning In A Bottle, Osheaga, Shambhala, What The Festival, Summer Meltdown, Decibel Festival, The Hudson Project and Symbiosis Gathering, and shared stages with Pretty Lights, Bonobo, Emancipator, and Star Slinger

Today, ODESZA proudly unveils their brand new album, In Return, to be released Sept. 9thon Counter Records.  In Return more than delivers on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py, Shy Girls, and Madelyn Grant, who is featured on the previously released hit, “Sun Models”, are expertly worked into ODESZA’s trademark, mood-altering uplift. In Return is available now for pre-order at odesza.com where fans can purchase Vinyl, CD and mp3/WAVs for the first time ever.  The new track, “Memories That You Call (feat. Monsoonsiren)”, premiered via Noisey, is available to stream and download via the pre-order. ODESZA will tour in support of In Return throughout the fall playing their largest headline gigs yet with shows already selling out over two months in advance. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album.

[links_clean] =>

inreturn.odesza.com

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Soundcloud

[counter_player] => [counter_biog] => Over the past 18 months, Seattle producer duo ODESZA (Harrison Mills, Clayton Knight) has rapidly ascended to the top of their class. Accruing listens online, selling out shows and packing out festival crowds, ODESZA has won fans through the stereo and from the stage. They’ve racked up 10 Hype Machine #1s, over 16 million SoundCloud streams, over 7.5 million Spotify plays and a sold out U.S. headline tour this spring. They’ve performed at numerous festivals including Coachella, Sasquatch, Lightning In A Bottle, Osheaga, Shambhala, What The Festival, Summer Meltdown, Decibel Festival, The Hudson Project and Symbiosis Gathering, and shared stages with Pretty Lights, Bonobo, Emancipator, and Star Slinger. Today, ODESZA proudly unveils their brand new album, In Return, to be released Sept. 9thon Counter Records. In Return more than delivers on the promise of ODESZA’s previous work. A record with a precocious maturity and coherence, it’s a start-to-finish stunner of pop-infused, electronic wonder, littered with infectious hooks and potent atmosphere. Vocal performances from Zyra, Py, Shy Girls, and Madelyn Grant, who is featured on the previously released hit, “Sun Models”, are expertly worked into ODESZA’s trademark, mood-altering uplift. In Return is available now for pre-order at inreturn.odesza.com, where fans can purchase Vinyl, CD and mp3/WAVs for the first time ever. The new track, “Memories That You Call (feat. Monsoonsiren)”, premiered via Noisey, is available to stream and download via the pre-order. ODESZA will tour in support of In Return throughout the fall playing their largest headline gigs yet with shows already selling out over two months in advance. A new live performance has been developed to accompany In Return – ensuring that the shows will do full justice to the album. ) ) ) [17] => Array ( [Event] => Array ( [id] => 12945 [date] => 2014-09-19 [artist] => Bonobo (DJ Set) and FaltyDL [city] => Chicago [state] => [country] => US [venue] => Metro [promoter] => [description] => [ticket_url] => http://bonobomusic.com/presale?event=40873 [image_upload_id] => 19450 [created] => 2014-05-20 11:16:26 [modified] => 2014-05-22 10:04:57 [year_slug] => 2014 [month_slug] => sep [day_slug] => 19 [slug] => bonobo-dj-set-and-faltydl-chicago-metro [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19450 [media_type] => image [artist] => Bonobo [title] => US DJ Tour 2014 [credits] => [buy_link] => [filename] => images/bonobo/Bonobo-NA-DJ-Tour-WEB-ALL-DATES-v3.jpg [checksum] => df7dd2bd48ed276c36ce2ca16b254513 [mime_type] => image/jpeg [size] => 645163 [external_url] => http://media.ninjatune.net/images/bonobo/Bonobo-NA-DJ-Tour-WEB-ALL-DATES-v3.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => bonobo [slug] => us-dj-tour-2014 [created] => 2014-05-20 10:02:58 [modified] => 2014-05-20 10:04:49 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 55 [name] => Bonobo [description] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links] =>

Bonobo website

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[image_upload_id] => 19635 [label_id] => 1 [twitter_username] => sibonobo [instagram_id] => 1322091 [instagram_username] => si_bonobo [link] => [listed] => 1 [sortname] => Bonobo [created] => 2010-07-17 22:15:59 [modified] => 2014-07-02 15:32:12 [slug] => bonobo [fuga_id] => [description_clean] =>

Simon Green, AKA Bonobo, is an artist very much at the peak of his powers. His 2013 album The North Borders was the high watermark of his career to date: a masterful record, marrying Green's inimitable melodic genius to cutting edge electronics, bass and drums.

An artist that constantly pushes himself outside of his musical comfort zone, Bonobo’s ranging personal tastes and regularly expanding range of synthesizers and instruments continue to take his productions to new levels. This outlook has earned him a reputation as one of the most pioneering figures in electronic music, in both his solo DJ sets and 12-piece live band shows.

All this comes as the result of over ten years hard work, and five albums that have honed Green's skills. A born musician, Green - like many artists - expresses himself most articulately via his music. The result is that his work is always keenly felt, and always feels imperative. There are no wasted moments, and myriad great ones.

It's tempting to relate Green's yearning, emotive aesthetic to his upbringing in rural Hampshire. His move to Brighton is also an influence; his skill at drum programming perhaps harking back to his days DJing and producing in the small, musically fertile town. Under the initial guidance of Tru Thoughts' Rob Luis and at nights such as Phonic:hoop, Bonobo found an early education in music.

His first album - 2000's Animal Magic - was released via Tru Thoughts before being picked up by Ninja Tune. It announced him as a serious talent; able to bring a true musician's edge to electronic music, with all the freedom that skill allowed. His subsequent albums for Ninja, Dial M for Monkey and Days to Come, developed his sensibility, won him fans across the globe, and saw him develop his live show into a mesmeric re-working of his records.

He also worked hard as a DJ, a part of Green's arsenal that perhaps truly came into its own at the same time as 2010’s Black Sands. 2012 saw him take the uptempo, club re-edits of Black Sands from a seminal Boiler Room performance in London to dance floors across the world, and unveil a new light show that further enhanced the impact of these stunning songs. A remix album was released featuring reworkings by fans and peers such as Machinedrum, Floating Points, Mark Pitchard, Lapalux and FaltyDL.

Later the same year, he finally settled down in his New York studio to write his fifth album. The North Borders was another long stride forward - both a natural evolution and a continuation of the electronic palette of Black Sands. Thematic, resonant, addictive and perfectly formed, it's a thrillingly coherent statement piece. With vocal features from no less than Erykah Badu, as well as Grey Reverend (Cinematic Orchestra) and Cornelia (Portico Quartet) it's another finely balanced body of work, leaving room for the beautiful, rich productions themselves to breathe and shine.

Bonobo has a long history of unearthing new talent (Andreya Triana, Bajka) and The North Borders saw him do so once again. The startling vocals of new collaborator Szjerdene are sprinkled across the album, and Green has yet again found the perfect voice to express where he's at.

Since the album’s release, Green has gone on play over 140 sold out shows across four continents and 25 countries, selling over 500,000 tickets and wowing audiences with the hypnotic, extended live versions of his songs. He performed sold out shows at The Sydney Opera House and Brixton Academy, and his very own, day long festival at London’s Roundhouse. 2014 will see him and his band play both the iconic Coachella festival, and his largest UK show to date at Alexandra Palace in November…

It’s a full schedule and then some, but one that’s constantly rewarding for his fans, and perhaps proves that Bonobo is not only one of the world’s hardest working artists in electronic music, but also one of its best.

[links_clean] =>

Bonobo website

Facebook
Twitter
Soundcloud
Instagram

[counter_player] => [counter_biog] => ) [1] => Array ( [id] => 154 [name] => FaltyDL [description] =>

Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. These days he lives in Brooklyn, New York. Releasing music for Planet Mu, Ramp, Rush Hour, 50 Weapons, Hemlock, Swamp81, his own Blueberry Records imprint and, of course, Ninja Tune, he has recorded three albums (Love Is A Liability, You Stand Uncertain and Hardcourage) and will share his fourth LP In The Wild on 11th August 2014. He has also toured with James Blake; opened for Radiohead; and remixed for the likes of Seun Kuti, Photek, The xx and Disclosure.

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Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. These days he lives in Brooklyn, New York. Releasing music for Planet Mu, Ramp, Rush Hour, 50 Weapons, Hemlock, Swamp81, his own Blueberry Records imprint and, of course, Ninja Tune, he has recorded three albums (Love Is A Liability, You Stand Uncertain and Hardcourage) and will share his fourth LP In The Wild on 11th August 2014. He has also toured with James Blake; opened for Radiohead; and remixed for the likes of Seun Kuti, Photek, The xx and Disclosure.

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<< Previous
Artist Date City Venue Buy
Bonobo Saturday, Sep 6th Isle of Wight, GB Bestival Buy
Congo Natty Saturday, Sep 6th Pula, HR Outlook Festival Buy
Mr. Scruff Saturday, Sep 6th Amersfoort, NL Into The Woods Festival Buy
Mr. Scruff Sunday, Sep 7th Gozo, MT Sunscape Festival Buy
Blockhead and Yppah Wednesday, Sep 10th San Diego, US Soda Bar Buy
Blockhead and Yppah Friday, Sep 12th Hollywood, US King King Hollywood
DJ Food Friday, Sep 12th London, GB Prince Of Wales
Mr. Scruff Saturday, Sep 13th Leicestershire, GB The Zoo Project Festival Buy
Young Fathers Saturday, Sep 13th London, GB Blackheath Festival Buy
Yppah and Blockhead Saturday, Sep 13th California, US The Chapel Buy
ODESZA Saturday, Sep 13th Jackson Hole, US Mangy Moose Saloon Buy
Yppah and Blockhead Sunday, Sep 14th Fresno, US Warnor's Center Buy
Andreya Triana Wednesday, Sep 17th London, GB Wiltons Music Hall Buy
Blockhead and Yppah Wednesday, Sep 17th Colorado Springs, US Black Sheep Buy
Bonobo (Dj Set) and FaltyDL Thursday, Sep 18th Madison, US Majestic Theatre Buy
Yppah and Blockhead Thursday, Sep 18th Fort Collins, US Aggie Theatre Buy
ODESZA Thursday, Sep 18th San Francisco, US Mezzanine - Night 1 Buy
Bonobo (DJ Set) and FaltyDL Friday, Sep 19th Chicago, US Metro Buy
Next >>