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LA’s William Bensussen, aka The Gaslamp Killer, is many things at once. The San Diego native is a bonafide one-off; an artist and human being that can never be repeated. With an unparalleled energy, the DJ, producer, promoter and curator brings a different level of performance and showmanship to electronic music. 

"I always felt drawn to party time ever since I was little. Any kind of opportunity; a wedding, bar mitzvah, holiday. Whatever kind of event that was going on in my little community in San Diego, if there was music, I was dancing. It's just the way it was. I've always been into the energy and the happiness that it brings.”

Being a true music lover, and a complete obsessive, as a DJ/selector Bensussen has opened minds around the world to music that wouldn’t otherwise get heard. In his own words: “As artists, it's our job to entertain as well as educate.” Alongside co-founder Daddy Kev, GLK has put Southern California on the music map for years to come, with their beat mecca Low End Theory and the vibrant creative community they’ve built around it. The weekly Wednesday club night has brought together different scenes and generations, breaking new artists while also getting the likes of Thom Yorke and Erykah Badu to play DJ sets to the fevered Low End crowd, who often wait hours to get in. 

Over the last ten years, Gaslamp Killer’s iconoclastic attitude has led him beyond LA to far-reaching corners of the globe, one stage at a time: from Pitch in Amsterdam, to Sonar in Barcelona, to Austin Psych Fest, to Roskilde in Denmark, to Coachella. Holding a collection of well over 13,000 vinyl records, GLK’s untamed, unpredictable sets take traditional genres of rock into the outer reaches of hip-hop and the deep into the cosmic pressure of the heaviest electronic beats, with plenty of obscurity and bizarreness in-between. 

The now rare, GLK collectables I Spit On Your Grave and All Killer inspired a new generation of DJs to appreciate the art of a mixtape. Dusted Magazine described his follow-up mix, Hell And The Lake Of Fire Are Waiting For You, with words that describe GLK as a DJ in general: “Trying to figure out what’s going on is half the draw.” 

"The music that I grew up with influences me today enormously still. I love classic rock, I still love Dub and I still love Rap. Real rap. Gansta rap. I love bands, live bands, it's the music I grew up with. I don't think there are that many bands that can compare to Jimi Hendrix, Led Zeppelin, Pink Floyd, The Doors. They're not popular for no reason. I play The Beatles in my sets all the time still. Their music is a huge influence on me. I still play Dr Dre in my set all the time. His beats and the rhymes, the energy, they just affect me so much. They are a part of me. As well as Hip Hop, as well as Rock, and Blues, and Soul, and Jazz, and Reggae, and Dub. That kind of music I think lends to everything that we are all into today. All of us are fueled by that. The formulas that they laid and the foundations that they laid are used by musicians forever and will continue to be used forever.”

As a producer, The Gaslamp Killer has worked with artists such as Gonjasufi, Prefuse 73 and Flying Lotus. His own experimental solo material pushes the borders of genre as much as his performances, particularly with his heavy-weighted EP My Troubled Mind (Brainfeeder) and the monster Death Gate EP (Brainfeeder), which featured Gonjasufi, Computer Jay and Mophono

Breakthrough will mark the debut full-length album from the Gaslamp Killer. Blending California-inspired psych with widespread global influences, on Breakthrough GLK brings together a potent cast of friends to contribute to the album, with guest appearances from Gonjasufi, Adrian Younge, Dimlite, Daedelus, SAMIYAM and more. A musical anachronism and unconstrained compilation from a wandering spirit.

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[image_upload_id] => 15025 [label_id] => 7 [twitter_username] => GASLAMPKILLER [instagram_id] => 8233383 [instagram_username] => gaslampkiller [link] => [listed] => 0 [sortname] => Gaslamp Killer [created] => 2010-11-05 15:56:36 [modified] => 2013-05-03 14:57:46 [slug] => the-gaslamp-killer [fuga_id] => [description_clean] =>

LA’s William Bensussen, aka The Gaslamp Killer, is many things at once. The San Diego native is a bonafide one-off; an artist and human being that can never be repeated. With an unparalleled energy, the DJ, producer, promoter and curator brings a different level of performance and showmanship to electronic music. 

"I always felt drawn to party time ever since I was little. Any kind of opportunity; a wedding, bar mitzvah, holiday. Whatever kind of event that was going on in my little community in San Diego, if there was music, I was dancing. It's just the way it was. I've always been into the energy and the happiness that it brings.”

Being a true music lover, and a complete obsessive, as a DJ/selector Bensussen has opened minds around the world to music that wouldn’t otherwise get heard. In his own words: “As artists, it's our job to entertain as well as educate.” Alongside co-founder Daddy Kev, GLK has put Southern California on the music map for years to come, with their beat mecca Low End Theory and the vibrant creative community they’ve built around it. The weekly Wednesday club night has brought together different scenes and generations, breaking new artists while also getting the likes of Thom Yorke and Erykah Badu to play DJ sets to the fevered Low End crowd, who often wait hours to get in. 

Over the last ten years, Gaslamp Killer’s iconoclastic attitude has led him beyond LA to far-reaching corners of the globe, one stage at a time: from Pitch in Amsterdam, to Sonar in Barcelona, to Austin Psych Fest, to Roskilde in Denmark, to Coachella. Holding a collection of well over 13,000 vinyl records, GLK’s untamed, unpredictable sets take traditional genres of rock into the outer reaches of hip-hop and the deep into the cosmic pressure of the heaviest electronic beats, with plenty of obscurity and bizarreness in-between. 

The now rare, GLK collectables I Spit On Your Grave and All Killer inspired a new generation of DJs to appreciate the art of a mixtape. Dusted Magazine described his follow-up mix, Hell And The Lake Of Fire Are Waiting For You, with words that describe GLK as a DJ in general: “Trying to figure out what’s going on is half the draw.” 

"The music that I grew up with influences me today enormously still. I love classic rock, I still love Dub and I still love Rap. Real rap. Gansta rap. I love bands, live bands, it's the music I grew up with. I don't think there are that many bands that can compare to Jimi Hendrix, Led Zeppelin, Pink Floyd, The Doors. They're not popular for no reason. I play The Beatles in my sets all the time still. Their music is a huge influence on me. I still play Dr Dre in my set all the time. His beats and the rhymes, the energy, they just affect me so much. They are a part of me. As well as Hip Hop, as well as Rock, and Blues, and Soul, and Jazz, and Reggae, and Dub. That kind of music I think lends to everything that we are all into today. All of us are fueled by that. The formulas that they laid and the foundations that they laid are used by musicians forever and will continue to be used forever.”

As a producer, The Gaslamp Killer has worked with artists such as Gonjasufi, Prefuse 73 and Flying Lotus. His own experimental solo material pushes the borders of genre as much as his performances, particularly with his heavy-weighted EP My Troubled Mind (Brainfeeder) and the monster Death Gate EP (Brainfeeder), which featured Gonjasufi, Computer Jay and Mophono

Breakthrough will mark the debut full-length album from the Gaslamp Killer. Blending California-inspired psych with widespread global influences, on Breakthrough GLK brings together a potent cast of friends to contribute to the album, with guest appearances from Gonjasufi, Adrian Younge, Dimlite, Daedelus, SAMIYAM and more. A musical anachronism and unconstrained compilation from a wandering spirit.

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) ) ) [1] => Array ( [Event] => Array ( [id] => 11219 [date] => 2013-05-08 [artist] => James Blake with FaltyDL [city] => Boston [state] => Massachusetts [country] => US [venue] => House of Blues [promoter] => [description] => [ticket_url] => http://concerts.livenation.com/event/01004A3CCC02B6BD?LID=u9497933 [image_upload_id] => 17580 [created] => 2013-02-19 12:22:00 [modified] => 2013-03-18 22:27:05 [year_slug] => 2013 [month_slug] => may [day_slug] => 8 [slug] => james-blake-with-faltydl-boston-house-of-blues [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 17580 [media_type] => image [artist] => FaltyDL [title] => Press Shot 2013 [credits] => [buy_link] => [filename] => images/faltydl/faltydl4MAYKApress.jpg [checksum] => 88b39fdc9f264bd711366a59915cfa26 [mime_type] => image/jpeg [size] => 5354313 [external_url] => http://media.ninjatune.net/images/faltydl/faltydl4MAYKApress.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => faltydl [slug] => press-shot-2013 [created] => 2013-01-10 15:58:49 [modified] => 2013-01-10 15:59:06 [embed] => ) [Country] => Array ( [id] => 122 [name] => United States [longname] => United States of America [numcode] => 840 [iso] => US [iso3] => USA [currency] => USD [active] => 1 [parent_id] => 117 [lft] => 241 [rght] => 242 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 154 [name] => FaltyDL [description] =>

Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. It’s a place best known as the home of top Ivy League establishment Yale University. Other than that, Lustman explains “it’s a big ghetto.” The young Lustman found himself bouncing between these two worlds, not entirely comfortable in either. “i was a shitty student,” he explains. “I barely graduated, did a lot of drugs, and ended up in rehab at 16/17. Music was my way to get out of it.” He started off playing in jazz and rock bands, but by 19 he’d decided to go it alone and named himself FaltyDL.

There followed a few years of intensive music making interpersed with attempts to find a home for what he was making. Eventually Mike Paradinas of the legendary Planet Mu said he’d release the young producer’s records, “a huge moment,” Falty remembers. Shortly after, he relocated to New York and it was here that his musical career really took off. “My good friend Boxcutter advised me to the slow the BPM down to like 130BPM and was sending me a lot of garage-influenced stuff like Horsepower and El-B, and I started making "Love is a Liability."” Since then, Lustman has looked to expand and evolve his signature sound over two albums, an EP and three singles for the label. In addition, he has released an afrobeat-inspired 12”, “Mean Streets Pt 1” with Loefah’s Swamp81 label, a single on Ramp backed with a remix from Jamie XX and begun releasing collaborations with Machinedrum online. An in-demand remixer, he has made versions for the likes of Seun Kuti (Fela’s son), Mount Kimbie, The XX, Scuba, Photek, Anthony Shake Shakir and others. Recently he supported Radiohead in New York and topped Thom Yorke’s office playlist. In additon to all this, he set up his own label, Blueberry Records, named for both the fruit and the Blueberry Hill he used to climb near his grandmother’s house.

But if FaltyDL was known for his own twisting of the garage template (a music which had crossed the Atlantic, mutated, and now come back to be twisted again) his new music signals another change. “I've moved completely away from that sound,” he says. “Production-wise it’s the best thing I've ever done. It’s about getting sounds I hear out of my head onto the software/synths I’m writing on. Filtering through the sounds in my subconcious. This is the closest I've ever got." Partly the changes are down to that old black magic, love. Lustman met his girlfriend mid-way through the writing of the record (shortly after signing to that cupid amongst labels, Ninja Tune!) and she “became my muse. I didn't make this album with the intention of sharing all of it. Of course some of it, but most was made for one person in particular.” And, more than anything else, that honesty and intimacy shines through.

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Drew Lustman aka FaltyDL was born and grew up in New Haven, Connecticut. It’s a place best known as the home of top Ivy League establishment Yale University. Other than that, Lustman explains “it’s a big ghetto.” The young Lustman found himself bouncing between these two worlds, not entirely comfortable in either. “i was a shitty student,” he explains. “I barely graduated, did a lot of drugs, and ended up in rehab at 16/17. Music was my way to get out of it.” He started off playing in jazz and rock bands, but by 19 he’d decided to go it alone and named himself FaltyDL.

There followed a few years of intensive music making interpersed with attempts to find a home for what he was making. Eventually Mike Paradinas of the legendary Planet Mu said he’d release the young producer’s records, “a huge moment,” Falty remembers. Shortly after, he relocated to New York and it was here that his musical career really took off. “My good friend Boxcutter advised me to the slow the BPM down to like 130BPM and was sending me a lot of garage-influenced stuff like Horsepower and El-B, and I started making "Love is a Liability."” Since then, Lustman has looked to expand and evolve his signature sound over two albums, an EP and three singles for the label. In addition, he has released an afrobeat-inspired 12”, “Mean Streets Pt 1” with Loefah’s Swamp81 label, a single on Ramp backed with a remix from Jamie XX and begun releasing collaborations with Machinedrum online. An in-demand remixer, he has made versions for the likes of Seun Kuti (Fela’s son), Mount Kimbie, The XX, Scuba, Photek, Anthony Shake Shakir and others. Recently he supported Radiohead in New York and topped Thom Yorke’s office playlist. In additon to all this, he set up his own label, Blueberry Records, named for both the fruit and the Blueberry Hill he used to climb near his grandmother’s house.

But if FaltyDL was known for his own twisting of the garage template (a music which had crossed the Atlantic, mutated, and now come back to be twisted again) his new music signals another change. “I've moved completely away from that sound,” he says. “Production-wise it’s the best thing I've ever done. It’s about getting sounds I hear out of my head onto the software/synths I’m writing on. Filtering through the sounds in my subconcious. This is the closest I've ever got." Partly the changes are down to that old black magic, love. Lustman met his girlfriend mid-way through the writing of the record (shortly after signing to that cupid amongst labels, Ninja Tune!) and she “became my muse. I didn't make this album with the intention of sharing all of it. Of course some of it, but most was made for one person in particular.” And, more than anything else, that honesty and intimacy shines through.

[links_clean] =>

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) ) ) [2] => Array ( [Event] => Array ( [id] => 11231 [date] => 2013-05-08 [artist] => Jaga Jazzist with Stavanger Symphony Orchestra [city] => Stavanger [state] => [country] => NO [venue] => Maijazz [promoter] => [description] => [ticket_url] => http://www.maijazz.no/index.cfm/event/maijazz:concert/day/8/year/2013/id/651/month/5/ [image_upload_id] => 3990 [created] => 2013-02-20 11:10:55 [modified] => 2013-02-20 16:44:07 [year_slug] => 2013 [month_slug] => may [day_slug] => 8 [slug] => jaga-jazzist-with-stavanger-symphony-orchestra-stavanger-maijazz [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 3990 [media_type] => image [artist] => Jaga Jazzist [title] => Promo Shot (Migrated) [credits] => [buy_link] => [filename] => images/jaga-jazzist/jaga-02.jpg [checksum] => 1bfd0a380440e61c26872e316dc780b8 [mime_type] => image/jpeg [size] => 4251739 [external_url] => http://media.ninjatune.net/images/jaga-jazzist/jaga-02.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => jaga-jazzist [slug] => promo-shot-migrated-165 [created] => 2010-11-24 03:51:57 [modified] => 2010-11-24 03:51:57 [embed] => ) [Country] => Array ( [id] => 205 [name] => Norway [longname] => Norway [numcode] => 578 [iso] => NO [iso3] => NOR [currency] => NOK [active] => 1 [parent_id] => 191 [lft] => 407 [rght] => 408 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 15 [name] => Jaga Jazzist [description] =>

Jaga Jazzist have become something of a musical phenomenon in Norway since they started 19 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects and musical styles which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxes, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music; melodic, hypnotizing, delicate and subtle.

Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album 'A Livingroom Hush' on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone...) Throughout 2002 the band shocked fans and critics alike with their blistering live shows, the buzz resulting in sold out dates all over Europe and bringing the band to the attention of Ninja Tune.

At the same time that their debut album was gaining more and more international success, Jaga recorded the follow up titled 'The Stix', their first release for Ninja. As with their first album it was produced by Norwegian superproducer Jørgen Træen, the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et al), but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call 'Jaga Jazzist'. It was the perfect balance between (hu)man and machine, and it never lost the organic nature of a live 10 piece band.

After heavy touring next came their most radical album, 'What We Must', the result of the band going into an isolated studio out in the Norwegian woods and recording the demo now known as the 'Spydeberg Session'. Put down in one take in one day, it was a breakthrough moment for the group, a sound that was closer to their live sound than ever before. It was their rock album, but Jaga's own kaleidoscopic take on a rock album; rolling from early 90s British shoegazer guitar pop to 70s prog rock, all shot through with Jaga's own unique logic.

And now this takes us to their 6th album, "One Armed Bandit", released in January 2010. Lars Horntveth began writing the music in early 2008; alongside two new band members, Øystein Moen-keys and Stian Westerhus-Guitar, Jaga rented a house in the Swedish forest to rehearse new material. It could be said that this material was a reaction to their previous release, as whilst it does include the rock stylings of 'What We Must' and the electronics of 'The Stix', it is still very much looking forward with a new sound. The breakthrough moment was the track "One Armed Bandit", the first single title track from the album. Taking influence from the afro-beat stylings of Fela Kuti but funneled through Wagner-esque fanfares and arpeggios, this sound became a theme of the album.

In December 2008 the band went to Cabin Recorders to record the album with Jørgen Træen, a man who had been a big factor in forming Jaga´s music since 'A Livingroom Hush' and 'The Stix'. Unfortunately, after 3 weeks Træen got tinnitus, leading Jaga to quickly think about John McEntire, of Tortoise fame. He was enthusiastic about working with the band and in April 2009, 3 members of the band went to Soma Studio in Chicago to mix the album.

At heart of this collective is a restless soul, going in many directions at the same time, but always going forward - fast. The band are always pushing their boundaries, both personal and musical, and this is why they are impossible to categorize. And why they're special. Jaga is something natural and beautiful; a necessity. For both them and us.

[links] =>

www.jagajazzist.com

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Twitter
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[image_upload_id] => 3994 [label_id] => 1 [twitter_username] => jagajazzist [instagram_id] => 344621722 [instagram_username] => jagajazzistofficial [link] => [listed] => 1 [sortname] => Jaga Jazzist [created] => 2010-07-17 22:15:58 [modified] => 2013-10-28 10:24:55 [slug] => jaga-jazzist [fuga_id] => [description_clean] =>

Jaga Jazzist have become something of a musical phenomenon in Norway since they started 19 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects and musical styles which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxes, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music; melodic, hypnotizing, delicate and subtle.

Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album 'A Livingroom Hush' on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone...) Throughout 2002 the band shocked fans and critics alike with their blistering live shows, the buzz resulting in sold out dates all over Europe and bringing the band to the attention of Ninja Tune.

At the same time that their debut album was gaining more and more international success, Jaga recorded the follow up titled 'The Stix', their first release for Ninja. As with their first album it was produced by Norwegian superproducer Jørgen Træen, the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et al), but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call 'Jaga Jazzist'. It was the perfect balance between (hu)man and machine, and it never lost the organic nature of a live 10 piece band.

After heavy touring next came their most radical album, 'What We Must', the result of the band going into an isolated studio out in the Norwegian woods and recording the demo now known as the 'Spydeberg Session'. Put down in one take in one day, it was a breakthrough moment for the group, a sound that was closer to their live sound than ever before. It was their rock album, but Jaga's own kaleidoscopic take on a rock album; rolling from early 90s British shoegazer guitar pop to 70s prog rock, all shot through with Jaga's own unique logic.

And now this takes us to their 6th album, "One Armed Bandit", released in January 2010. Lars Horntveth began writing the music in early 2008; alongside two new band members, Øystein Moen-keys and Stian Westerhus-Guitar, Jaga rented a house in the Swedish forest to rehearse new material. It could be said that this material was a reaction to their previous release, as whilst it does include the rock stylings of 'What We Must' and the electronics of 'The Stix', it is still very much looking forward with a new sound. The breakthrough moment was the track "One Armed Bandit", the first single title track from the album. Taking influence from the afro-beat stylings of Fela Kuti but funneled through Wagner-esque fanfares and arpeggios, this sound became a theme of the album.

In December 2008 the band went to Cabin Recorders to record the album with Jørgen Træen, a man who had been a big factor in forming Jaga´s music since 'A Livingroom Hush' and 'The Stix'. Unfortunately, after 3 weeks Træen got tinnitus, leading Jaga to quickly think about John McEntire, of Tortoise fame. He was enthusiastic about working with the band and in April 2009, 3 members of the band went to Soma Studio in Chicago to mix the album.

At heart of this collective is a restless soul, going in many directions at the same time, but always going forward - fast. The band are always pushing their boundaries, both personal and musical, and this is why they are impossible to categorize. And why they're special. Jaga is something natural and beautiful; a necessity. For both them and us.

[links_clean] =>

www.jagajazzist.com

Facebook
Twitter
Soundcloud

) ) ) [3] => Array ( [Event] => Array ( [id] => 11452 [date] => 2013-05-08 [artist] => Machinedrum (JETS) [city] => Moscow [state] => [country] => RU [venue] => Arma17 [promoter] => [description] => [ticket_url] => [image_upload_id] => 17892 [created] => 2013-04-30 12:57:38 [modified] => 2013-05-01 17:37:50 [year_slug] => 2013 [month_slug] => may [day_slug] => 8 [slug] => machinedrum-jets-moscow-arma17 [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 17892 [media_type] => image [artist] => Machinedrum [title] => Machinedrum Artist Shot [credits] => [buy_link] => [filename] => images/machinedrum/Machinedrum-by-Matt-Barnes-2-HR.jpg [checksum] => 58be199527d31e4a51eb41ed6a55d771 [mime_type] => image/jpeg [size] => 38219 [external_url] => http://media.ninjatune.net/images/machinedrum/Machinedrum-by-Matt-Barnes-2-HR.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 1 [processed] => 1 [artist_slug] => machinedrum [slug] => machinedrum-artist-shot [created] => 2013-03-15 14:36:44 [modified] => 2013-03-15 14:37:02 [embed] => ) [Country] => Array ( [id] => 188 [name] => Russian Federation [longname] => Russian Federation [numcode] => 643 [iso] => RU [iso3] => RUS [currency] => RUB [active] => 1 [parent_id] => 180 [lft] => 373 [rght] => 374 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 182 [name] => Machinedrum [description] =>

North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

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North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

[links_clean] =>

Website

Facebook
Twitter
Instagram

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