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North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

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North Carolina-born artist Travis Stewart known as Machinedrum has produced and composed over a dozen albums under various aliases since his first independent release in 1999. Covering an astonishing variety of styles with ease, through solo Machinedrum work and with collaborative projects Sepalcure, JETS, Dream Continuum, or other mutations, Stewart has established himself as electronic music's true Renaissance man.

His debut as Machinedrum Now You Know, was released in 2001 on pioneering Miami-based Merck Records and gained worldwide attention and praise from musicians, fans and critics. Having a strong background in both acoustic and electronic instrumentation, he was quickly able to navigate those various elements on his early releases from field recording and vintage synth laden Urban Biology to his seminal production and mixing of This Charming Mixtape with MC Theophilus London and his critically acclaimed 2009 album Want To 1 2? 2010's Many Faces EP ushered the next phase of Machinedrum's career and a fruitful relationship with Glasgow-based label LuckyMe. Sepalcure, a duo launched with Praveen Sharma shortly after, became one of the most intriguing names in the bass music scene and a series of releases on bubbling imprint Hotflush has given the duo NYC ambassadorship of this UK-based genre.

Relocating to Berlin for a few years, Machinedrum maintained a steady flow of releases including the Alarmaa and SXLND EPs with LuckyMe and the critically-acclaimed Room(s) LP on Planet Mu Records, a fresh new exploration of juke, jungle, and drum&bass that garnered high praise across the music world.

The dance floor blitzkrieg JETS, his latest project with longtime collaborator Jimmy Edgar has kept him ahead of the curve once again, serving as yet another showcase for his musical evolution.

His biggest and boldest release came last year in the form of the full-length LP Vapor City on famed label Ninja Tune, a conceptual universe which included an interactive website, digital citizenship program for fans, and an art exhibit in NYC that launched with the album. With subsequent EPs, exclusive remixes from a series of heavyweights, and a critically-acclaimed world tour, Vapor City carried on his rich exploration of multimedia arts and music.

Delivering his signature on every thing he touches, through each solo album and EP, collaborations, or production work for the likes of Azealia Banks, Jamie Liddell, Jesse Boykins III and others, Machinedrum is now widely recognized as a producer's producer, a pioneer of many styles, and a master of his craft.

[links_clean] =>

Website

Facebook
Twitter
Instagram

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Bassist/songwriter/vocalist Stephen Bruner, aka Thundercat, has music deeply rooted within. His father, Ronald Bruner, Sr., is an internationally renowned jazz drummer who played with the Temptations, Diana Ross, Gary Bartz and Gladys Knight. His brother Ronald Bruner, Jr., a Grammy-winning drummer, has played with the likes of Roy Hargrove, Stanley Clarke, and Wayne Shorter. Stephen joined his brother as a member of West Coast punk vets Suicidal Tendencies, playing bass on their worldwide tours while still in high school. He also toured through Japan with Stanley Clarke at the age of 16.

As Thundercat, Bruner takes his jazz roots and works with a mix of artists that suit his wildly experimental sensibilities - ranging from Flying Lotus, Erykah Badu, and Stanley Clarke, as well as more recent collaborations with Wiz Khalifa and Earl Sweatshirt, to name but a few. After meeting and touring with Flying Lotus, the two artists collaborated on Lotus’ 2010 LP Cosmogramma on the track "MmmHmm." Their kindred sense of musicality led to Thundercat’s 2011 solo debut The Golden Age of Apocalypse, co-produced by Flying Lotus, which opened Bruner up to a new stratosphere of songwriting and artistic exploration.

In 2013, Thundercat teamed up with executive producer Flying Lotus once again, to form a profound body of work for his second album, Apocalypse.’ Forthcoming on Lotus’ Brainfeeder imprint this July, the album straddles lines and pushes genres further, blurring the confines of pop, funk, electronica and prog rock, and creating something else entirely. Both vulnerable and fearless, a comedy and tragedy, Apocalypse is an intimate portrait of an artist who will continue to take music to a new place; the beyond.

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Bassist/songwriter/vocalist Stephen Bruner, aka Thundercat, has music deeply rooted within. His father, Ronald Bruner, Sr., is an internationally renowned jazz drummer who played with the Temptations, Diana Ross, Gary Bartz and Gladys Knight. His brother Ronald Bruner, Jr., a Grammy-winning drummer, has played with the likes of Roy Hargrove, Stanley Clarke, and Wayne Shorter. Stephen joined his brother as a member of West Coast punk vets Suicidal Tendencies, playing bass on their worldwide tours while still in high school. He also toured through Japan with Stanley Clarke at the age of 16.

As Thundercat, Bruner takes his jazz roots and works with a mix of artists that suit his wildly experimental sensibilities - ranging from Flying Lotus, Erykah Badu, and Stanley Clarke, as well as more recent collaborations with Wiz Khalifa and Earl Sweatshirt, to name but a few. After meeting and touring with Flying Lotus, the two artists collaborated on Lotus’ 2010 LP Cosmogramma on the track "MmmHmm." Their kindred sense of musicality led to Thundercat’s 2011 solo debut The Golden Age of Apocalypse, co-produced by Flying Lotus, which opened Bruner up to a new stratosphere of songwriting and artistic exploration.

In 2013, Thundercat teamed up with executive producer Flying Lotus once again, to form a profound body of work for his second album, Apocalypse.’ Forthcoming on Lotus Brainfeeder imprint this July, the album straddles lines and pushes genres further, blurring the confines of pop, funk, electronica and prog rock, and creating something else entirely. Both vulnerable and fearless, a comedy and tragedy, Apocalypse is an intimate portrait of an artist who will continue to take music to a new place; the beyond.

[links_clean] =>

Tumblr
Twitter

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Jaga Jazzist have become something of a musical phenomenon in Norway since they started 19 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects and musical styles which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxes, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music; melodic, hypnotizing, delicate and subtle.

Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album 'A Livingroom Hush' on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone...) Throughout 2002 the band shocked fans and critics alike with their blistering live shows, the buzz resulting in sold out dates all over Europe and bringing the band to the attention of Ninja Tune.

At the same time that their debut album was gaining more and more international success, Jaga recorded the follow up titled 'The Stix', their first release for Ninja. As with their first album it was produced by Norwegian superproducer Jørgen Træen, the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et al), but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call 'Jaga Jazzist'. It was the perfect balance between (hu)man and machine, and it never lost the organic nature of a live 10 piece band.

After heavy touring next came their most radical album, 'What We Must', the result of the band going into an isolated studio out in the Norwegian woods and recording the demo now known as the 'Spydeberg Session'. Put down in one take in one day, it was a breakthrough moment for the group, a sound that was closer to their live sound than ever before. It was their rock album, but Jaga's own kaleidoscopic take on a rock album; rolling from early 90s British shoegazer guitar pop to 70s prog rock, all shot through with Jaga's own unique logic.

And now this takes us to their 6th album, "One Armed Bandit", released in January 2010. Lars Horntveth began writing the music in early 2008; alongside two new band members, Øystein Moen-keys and Stian Westerhus-Guitar, Jaga rented a house in the Swedish forest to rehearse new material. It could be said that this material was a reaction to their previous release, as whilst it does include the rock stylings of 'What We Must' and the electronics of 'The Stix', it is still very much looking forward with a new sound. The breakthrough moment was the track "One Armed Bandit", the first single title track from the album. Taking influence from the afro-beat stylings of Fela Kuti but funneled through Wagner-esque fanfares and arpeggios, this sound became a theme of the album.

In December 2008 the band went to Cabin Recorders to record the album with Jørgen Træen, a man who had been a big factor in forming Jaga´s music since 'A Livingroom Hush' and 'The Stix'. Unfortunately, after 3 weeks Træen got tinnitus, leading Jaga to quickly think about John McEntire, of Tortoise fame. He was enthusiastic about working with the band and in April 2009, 3 members of the band went to Soma Studio in Chicago to mix the album.

At heart of this collective is a restless soul, going in many directions at the same time, but always going forward - fast. The band are always pushing their boundaries, both personal and musical, and this is why they are impossible to categorize. And why they're special. Jaga is something natural and beautiful; a necessity. For both them and us.

[links] =>

www.jagajazzist.com

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[image_upload_id] => 3994 [label_id] => 1 [twitter_username] => jagajazzist [instagram_id] => 344621722 [instagram_username] => jagajazzistofficial [link] => [listed] => 1 [sortname] => Jaga Jazzist [created] => 2010-07-17 22:15:58 [modified] => 2013-10-28 10:24:55 [slug] => jaga-jazzist [fuga_id] => [description_clean] =>

Jaga Jazzist have become something of a musical phenomenon in Norway since they started 19 years ago. Not only is this 9 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects and musical styles which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpet, trombone, electric guitars, bass, tuba, bass clarinet, saxes, keyboards, vibraphone and a rack of electronics, Jaga Jazzist create timeless music; melodic, hypnotizing, delicate and subtle.

Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album 'A Livingroom Hush' on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone...) Throughout 2002 the band shocked fans and critics alike with their blistering live shows, the buzz resulting in sold out dates all over Europe and bringing the band to the attention of Ninja Tune.

At the same time that their debut album was gaining more and more international success, Jaga recorded the follow up titled 'The Stix', their first release for Ninja. As with their first album it was produced by Norwegian superproducer Jørgen Træen, the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et al), but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call 'Jaga Jazzist'. It was the perfect balance between (hu)man and machine, and it never lost the organic nature of a live 10 piece band.

After heavy touring next came their most radical album, 'What We Must', the result of the band going into an isolated studio out in the Norwegian woods and recording the demo now known as the 'Spydeberg Session'. Put down in one take in one day, it was a breakthrough moment for the group, a sound that was closer to their live sound than ever before. It was their rock album, but Jaga's own kaleidoscopic take on a rock album; rolling from early 90s British shoegazer guitar pop to 70s prog rock, all shot through with Jaga's own unique logic.

And now this takes us to their 6th album, "One Armed Bandit", released in January 2010. Lars Horntveth began writing the music in early 2008; alongside two new band members, Øystein Moen-keys and Stian Westerhus-Guitar, Jaga rented a house in the Swedish forest to rehearse new material. It could be said that this material was a reaction to their previous release, as whilst it does include the rock stylings of 'What We Must' and the electronics of 'The Stix', it is still very much looking forward with a new sound. The breakthrough moment was the track "One Armed Bandit", the first single title track from the album. Taking influence from the afro-beat stylings of Fela Kuti but funneled through Wagner-esque fanfares and arpeggios, this sound became a theme of the album.

In December 2008 the band went to Cabin Recorders to record the album with Jørgen Træen, a man who had been a big factor in forming Jaga´s music since 'A Livingroom Hush' and 'The Stix'. Unfortunately, after 3 weeks Træen got tinnitus, leading Jaga to quickly think about John McEntire, of Tortoise fame. He was enthusiastic about working with the band and in April 2009, 3 members of the band went to Soma Studio in Chicago to mix the album.

At heart of this collective is a restless soul, going in many directions at the same time, but always going forward - fast. The band are always pushing their boundaries, both personal and musical, and this is why they are impossible to categorize. And why they're special. Jaga is something natural and beautiful; a necessity. For both them and us.

[links_clean] =>

www.jagajazzist.com

Facebook
Twitter
Soundcloud

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Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links] =>

Facebook
Twitter

[image_upload_id] => 16763 [label_id] => 1 [twitter_username] => BlockheadNYC [instagram_id] => 185684476 [instagram_username] => blockheadnyc [link] => [listed] => 1 [sortname] => Blockhead [created] => 2010-07-17 22:15:58 [modified] => 2013-05-03 14:48:24 [slug] => blockhead [fuga_id] => [description_clean] =>

Tony Simon AKA Blockhead was born and raised in Downtown Manhattan, in New York City. The son of an artist, he found a fondness for music at a young age. In particular, he fell in love with Hip Hop. In his early teens he began penning rhymes and eventually was part of a group called The Overground with a bunch of his friends. While he loved rapping, he also always had an interest in the musical side of things so he would soon abandon his dreams of being a rapper for being the man who made the beats. This was a wise choice.

Eventually, he and his friend Aesop Rock would meet and begin to make music together and release it on the internet. In 2000, Aesop's album Float was released on Mush Records and quickly propelled both Aesop and Blockhead into notoriety. After that, Blockhead released a breakbeat album on Mush called Blockhead's Broke Beats.

After a few years more years of making beats for rappers, Blockhead put out his first solo instrumental record on Ninja Tune records , titled Music by Cavelight. This was the first of four critically acclaimed albums he has since released on the UK based label.

He also was one half of the comedy rap duo Party Fun Action Committee, which was released on Definitive Jux records in 2003.

As well as making solo albums and working with Aesop, blockhead has also worked with artists like Murs, Slug, Mike Ladd, Cage, Open Mike Eagle, Maclethal, SA Smash, Isaiah Toothtaker, Illogic and others.

Blockhead has also been busy touring the last 8 years with groups like Aesop Rock, Dj Cam, Amon Tobin, Bonobo, Kid Koala, Cold Cut,  Emancipator, and many others.

Currently, he's finsishing up a bevy of projects , including a new solo album Interludes After Midnight (His fifth album on Ninja Tune), and looking forward to releasing all that new music to the public in the near future.

[links_clean] =>

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Artist Date City Venue Buy
Machinedrum Thursday, Dec 5th Vancouver, CA Fortune Sound Buy
Thundercat Thursday, Dec 5th Los Angeles, CA, US The Echoplex Buy
Jaga Jazzist Thursday, Dec 5th Delhi, IN Blue Frog
Hex Thursday, Dec 5th Glasgow, GB The Bar & Fly Buy
Blockhead Thursday, Dec 5th Munich, DE Feierwerk
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