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Young Fathers were christened in 2008, named after the fact that all three members were named for their fathers..

They are:

‘G’ Hastings, from Drylaw, Edinburgh, Alloysious Massaquoi, originally from Liberia via Ghana and Kayus Bankole, born in Edinburgh to Nigerian parents but partially raised in Maryland in the USA, all 27 years old. Their live shows are complimented by Steven Morrison (drums & DJ) and Lauren Holt (AKA LAWholt - vocals).

The group formed after meeting at an under-16s hiphop night at the infamous Bongo Club in Edinburgh when they were all 14 years old. Almost immediately they started writing and recording together, initially on an old karoake machine plugged into a cheap cassette recorderat G’s parents house.

After going through various guises over several years and after hooking up with a local production company, they eventually settled on the name Young Fathers and recorded their first album with Tim Brinkhurst (AKA London) as producer. The recordings included their first single, Straight Back On It, which was given a limited release in 2009 and was received well enough to get them a couple of TV appearances, plays on BBC radio, some festival dates and the support slots with Simian Mobile Disco and Esser on UK tours.

Straight Back On It, a bang-on-the-money pop song built around Afrika Bambaataa’s reworking of Kraftwerk, was indicative of the rest of the album, Inconceivable Child… Conceived, in as much as the album was a state of the art teenage pop collection. Unfortunately the album was never released; however, another single, separately recorded, Automatic, was given a limited online release, but failed to have much impact.

In 2011 and after writing and recording yet another, unreleased album, the group decided a radical change was necessary and they finally disconnected themselves from the local production company and took control of their destiny. Recording mini-album (or ‘mixtape’ as it was called) TAPE ONE in just over a week, finishing a track a day and having it available for download within two weeks of recording gave them renewed vigour. They quickly followed this up by recording TAPE TWO in a similar fashion. Los Angeles based alt-hiphop label, Anticon, discovered them online and within a few months had signed them up for a short deal that saw both TAPEs officially released in 2013.

The group, meanwhile, continued to tour, gathering an impressive reputation as a fierce live act. They played all over Europe and made their US debut at SxSW in Austin, Texas, in March 2013.

Following support from the BBC’s Zane Lowe and Lauren Laverne, and an appearance on influential USA talk show, Jimmy Kimmel in 2014, TAPE TWO won Scottish Album Of The Year (‘The SAY Award’) and this was followed by their latest album, DEAD, released this time on Anticon in the USA and Big Dada in the UK and Europe, receiving the Mercury Award for best album of 2014. They won as the underdogs and there was a minor controversy because they didn’t look particularly joyful at the presentation and because they refused to speak to some of the more right wing press covering the event.

Immediately after winning the Mercury, YFs travelled to Berlin where they continued making their new album in a freezing basement in a building near the railway yards. Returning to the more familiar (and warmer) basement studio in Edinburgh where most of their recordings were made, to finish the album, they ended 2014 by playing a home town show at Edinburgh’s Hogmanay New year’s Eve festival in front of several thousand people.

The new album, White Men Are Black Men Too, has been recorded at various places around the world, including Melbourne and London as well as Berlin and Edinburgh and features the Leith Congregational Choir on a couple of tracks.

Young Fathers played over 140 shows during 2014, including On Blackheath Festival (curated by Massive Attack). They toured the UK, large swathes of Europe and did a six week stint in the USA. The new year already has them booked to play even more. White Men Are Black Men Too is due for release in April.

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Young Fathers were christened in 2008, named after the fact that all three members were named for their fathers..

They are:

‘G’ Hastings, from Drylaw, Edinburgh, Alloysious Massaquoi, originally from Liberia via Ghana and Kayus Bankole, born in Edinburgh to Nigerian parents but partially raised in Maryland in the USA, all 27 years old. Their live shows are complimented by Steven Morrison (drums & DJ) and Lauren Holt (AKA LAWholt - vocals).

The group formed after meeting at an under-16s hiphop night at the infamous Bongo Club in Edinburgh when they were all 14 years old. Almost immediately they started writing and recording together, initially on an old karoake machine plugged into a cheap cassette recorderat G’s parents house.

After going through various guises over several years and after hooking up with a local production company, they eventually settled on the name Young Fathers and recorded their first album with Tim Brinkhurst (AKA London) as producer. The recordings included their first single, Straight Back On It, which was given a limited release in 2009 and was received well enough to get them a couple of TV appearances, plays on BBC radio, some festival dates and the support slots with Simian Mobile Disco and Esser on UK tours.

Straight Back On It, a bang-on-the-money pop song built around Afrika Bambaataa’s reworking of Kraftwerk, was indicative of the rest of the album, Inconceivable Child… Conceived, in as much as the album was a state of the art teenage pop collection. Unfortunately the album was never released; however, another single, separately recorded, Automatic, was given a limited online release, but failed to have much impact.

In 2011 and after writing and recording yet another, unreleased album, the group decided a radical change was necessary and they finally disconnected themselves from the local production company and took control of their destiny. Recording mini-album (or ‘mixtape’ as it was called) TAPE ONE in just over a week, finishing a track a day and having it available for download within two weeks of recording gave them renewed vigour. They quickly followed this up by recording TAPE TWO in a similar fashion. Los Angeles based alt-hiphop label, Anticon, discovered them online and within a few months had signed them up for a short deal that saw both TAPEs officially released in 2013.

The group, meanwhile, continued to tour, gathering an impressive reputation as a fierce live act. They played all over Europe and made their US debut at SxSW in Austin, Texas, in March 2013.

Following support from the BBC’s Zane Lowe and Lauren Laverne, and an appearance on influential USA talk show, Jimmy Kimmel in 2014, TAPE TWO won Scottish Album Of The Year (‘The SAY Award’) and this was followed by their latest album, DEAD, released this time on Anticon in the USA and Big Dada in the UK and Europe, receiving the Mercury Award for best album of 2014. They won as the underdogs and there was a minor controversy because they didn’t look particularly joyful at the presentation and because they refused to speak to some of the more right wing press covering the event.

Immediately after winning the Mercury, YFs travelled to Berlin where they continued making their new album in a freezing basement in a building near the railway yards. Returning to the more familiar (and warmer) basement studio in Edinburgh where most of their recordings were made, to finish the album, they ended 2014 by playing a home town show at Edinburgh’s Hogmanay New year’s Eve festival in front of several thousand people.

The new album, White Men Are Black Men Too, has been recorded at various places around the world, including Melbourne and London as well as Berlin and Edinburgh and features the Leith Congregational Choir on a couple of tracks.

Young Fathers played over 140 shows during 2014, including On Blackheath Festival (curated by Massive Attack). They toured the UK, large swathes of Europe and did a six week stint in the USA. The new year already has them booked to play even more. White Men Are Black Men Too is due for release in April.

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In a production career spanning the best part of a decade, Part 2 has been consistently ahead of the game, many of his innovations pre-figuring the current Black Music renaissance in this country. As producer for New Flesh he has been described as "a master of a variety of styles" (Sunday Times Culture), "the sound of the UK underground at its most sublime" (The Face) and an "unassailable" producer (DJ). In addition, Part 2 has remixed and produced for a range of artists including Roots Manuva, Ty, Serge Gainsbourg, Trilok Gurtu, Wu-Tang's Killah Priest and Saul Williams. Alongside this, he has had a highly successful career as a spraycan artist, exhibiting in the UK and across Europe and universally respected as one of the pioneers of the hyper-realist style. In addition to his production work on the the three New Flesh albums, Part 2 released one solo album for Big Dada in 2005, "Live From The Breadline."

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In a production career spanning the best part of a decade, Part 2 has been consistently ahead of the game, many of his innovations pre-figuring the current Black Music renaissance in this country.

As producer for New Flesh he has been described as "a master of a variety of styles" (Sunday Times Culture), "the sound of the UK underground at its most sublime" (The Face) and an "unassailable" producer (DJ). In addition, Part 2 has remixed and produced for a range of artists including Roots Manuva, Ty, Serge Gainsbourg, Trilok Gurtu, Wu-Tang's Killah Priest and Saul Williams. Alongside this, he has had a highly successful career as a spraycan artist, exhibiting in the UK and across Europe and universally respected as one of the pioneers of the hyper-realist style. In addition to his production work on the the three New Flesh albums, Part 2 released one solo album for Big Dada in 2005, "Live From The Breadline."

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Restless as a DJ and adventurous in his productions, Illum Sphere (real name Ryan Hunn) is both a key player in the Manchester music scene and a unique presence on the global stage. Deliberately oblique in his approach, he’s had a vital impact on electronic music, and it’s about to get bigger.

Hoya:Hoya, the club night he founded in 2008 along with Jonny Dub, has steadily expanded its reputation in and outside Manchester: they now boast Eclair Fifi, Jon K, Lone, and Krystal Klear as resident DJs, as well as mic skills from Chunky, Fox and visuals by EMN.

That’s a hotbed of talent from which radio stations, festivals and record labels outside Manchester draw. Hoya:Hoya  also brings names like Four Tet, Dabrye, Ikonika and Kuedo to the city, helping to build its reputation as a nightclub singular in style, and simply as one of the best parties in the country. It’s well known that you can’t fully predict what music you’ll get on a Hoya:Hoya night, let alone from one of Illum Sphere’s own DJ sets. He’ll skip effortlessly between hip-hop, psych, techno, boogie and myriad more styles, before you even know what’s happened.

It’s partly through this reach that Illum Sphere has attracted international attention. He’s played parties everywhere from Low End Theory in LA to Sydney, Australia. XL Recordings asked him to remix Radiohead, who then invited Illum to appear on the seminal King of Limbs remixed edition of Boiler Room, alongside Caribou, Jamie XX and Lone, as well as to DJ at the afterparty of Radiohead’s 02 concert.

Besides releases on Manchester’s own Fat City, he’s released music on a plethora of electronic music’s best imprints: Martyn’s label 3024, Pinch’s Tectonic and Young Turks.

Now, he’s found a permanent home in Ninja Tune. As with his boundary skipping DJ sets, Illum Sphere’s releases are marked not by a regulated approach beginning with tempo or genre, but a free-spirited attitude that encompasses a range of genres. With his series of EPs for Fat City, Illum Sphere started out in sci-fi atmospherics and loosely slung beats, before quickly venturing into more exotic grooves. "Titan" (on 3024) achieved a new, bleepy dancefloor leverage while "Dreamstealin" (on Tectonic) is a trip, awash with warped and droned strings, far out rhythms and a soothing boogie comedown.

His Young Turks EP saw Illum Sphere stepping out with a new 4/4 fearlessness. Both tracks are dancefloor to the max: while "h808er" effortlessly sweeps you up into storming  Drexciyan techno and then lifts unexpectedly into breezy psychedelia. "Birthday" is full on bump, coupled with Illum Sphere’s distinct musical humour.

Just as his DJing style fuses the explorative and the unexpected, so do his productions, and with the talent to match his idiosyncratic style, he is now achieving a newfound confidence and artistic distinction.

Photo by Louis Reynolds

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Hoya:Hoya

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Restless as a DJ and adventurous in his productions, Illum Sphere (real name Ryan Hunn) is both a key player in the Manchester music scene and a unique presence on the global stage. Deliberately oblique in his approach, he’s had a vital impact on electronic music, and it’s about to get bigger.

Hoya:Hoya, the club night he founded in 2008 along with Jonny Dub, has steadily expanded its reputation in and outside Manchester: they now boast Eclair Fifi, Jon K, Lone, and Krystal Klear as resident DJs, as well as mic skills from Chunky, Fox and visuals by EMN.

That’s a hotbed of talent from which radio stations, festivals and record labels outside Manchester draw. Hoya:Hoya  also brings names like Four Tet, Dabrye, Ikonika and Kuedo to the city, helping to build its reputation as a nightclub singular in style, and simply as one of the best parties in the country. It’s well known that you can’t fully predict what music you’ll get on a Hoya:Hoya night, let alone from one of Illum Sphere’s own DJ sets. He’ll skip effortlessly between hip-hop, psych, techno, boogie and myriad more styles, before you even know what’s happened.

It’s partly through this reach that Illum Sphere has attracted international attention. He’s played parties everywhere from Low End Theory in LA to Sydney, Australia. XL Recordings asked him to remix Radiohead, who then invited Illum to appear on the seminal King of Limbs remixed edition of Boiler Room, alongside Caribou, Jamie XX and Lone, as well as to DJ at the afterparty of Radiohead’s 02 concert.

Besides releases on Manchester’s own Fat City, he’s released music on a plethora of electronic music’s best imprints: Martyn’s label 3024, Pinch’s Tectonic and Young Turks.

Now, he’s found a permanent home in Ninja Tune. As with his boundary skipping DJ sets, Illum Sphere’s releases are marked not by a regulated approach beginning with tempo or genre, but a free-spirited attitude that encompasses a range of genres. With his series of EPs for Fat City, Illum Sphere started out in sci-fi atmospherics and loosely slung beats, before quickly venturing into more exotic grooves. "Titan" (on 3024) achieved a new, bleepy dancefloor leverage while "Dreamstealin" (on Tectonic) is a trip, awash with warped and droned strings, far out rhythms and a soothing boogie comedown.

His Young Turks EP saw Illum Sphere stepping out with a new 4/4 fearlessness. Both tracks are dancefloor to the max: while "h808er" effortlessly sweeps you up into storming  Drexciyan techno and then lifts unexpectedly into breezy psychedelia. "Birthday" is full on bump, coupled with Illum Sphere’s distinct musical humour.

Just as his DJing style fuses the explorative and the unexpected, so do his productions, and with the talent to match his idiosyncratic style, he is now achieving a newfound confidence and artistic distinction.

Photo by Louis Reynolds

[links_clean] =>

Hoya:Hoya

Facebook
Twitter
Instagram
SoundCloud

[counter_player] => [counter_biog] => [tracking] => [conversions] => [hide_preorder] => 0 [hide_tracks] => 0 [hide_buy] => 0 ) ) ) )
<< Previous
Artist Date City Venue Buy
Young Fathers Wednesday, Dec 18th Glasgow, GB The Art School Buy
Part 2 Wednesday, Dec 18th Silver Spring, MD, US Cultural Arts Center at Montgomery College Silver Spring Buy
Illum Sphere Wednesday, Dec 18th Manchester, GB Soup Kitchen Buy
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