Array ( [Event] => Array ( [id] => 12704 [date] => 2014-05-23 [artist] => Slugabed and Daedelus [city] => London [state] => [country] => GB [venue] => Village Underground [promoter] => [description] => [ticket_url] => http://www.soundcrashmusic.com/daedelus-plaid-slugabed-panda-shall-fly/ [image_upload_id] => 19196 [created] => 2014-03-19 14:46:43 [modified] => 2014-03-19 14:46:43 [year_slug] => 2014 [month_slug] => may [day_slug] => 23 [slug] => slugabed-and-daedelus-london-village-underground [description_clean] => [products_count] => 0 [hidden] => 0 ) [Image] => Array ( [id] => 19196 [media_type] => image [artist] => Slugabed [title] => Village Underground Flyer [credits] => [buy_link] => [filename] => images/slugabed/DAEDELUS-web-RGB.jpg [checksum] => 0ec4aa32e08cc463512948f432a59b64 [mime_type] => image/jpeg [size] => 97998 [external_url] => http://media.ninjatune.net/images/slugabed/DAEDELUS-web-RGB.jpg [image_upload_id] => [first_track_id] => [first_release_id] => [listed] => 0 [active] => 0 [processed] => 1 [artist_slug] => slugabed [slug] => village-underground-flyer [created] => 2014-03-19 14:43:22 [modified] => 2014-03-19 14:45:02 [embed] => ) [Country] => Array ( [id] => 208 [name] => United Kingdom [longname] => United Kingdom of Great Britain and Northern Ireland [numcode] => 826 [iso] => GB [iso3] => GBR [currency] => GBP [active] => 1 [parent_id] => 191 [lft] => 413 [rght] => 414 [level] => 2 ) [Product] => Array ( ) [Artist] => Array ( [0] => Array ( [id] => 141 [name] => Slugabed [description] =>

Blending influences both classic and contemporary, from the outermost reaches of dubstep, hip hop and beyond, Slugabed has received unanimous praise for his debut album 'Time Time, released on the Ninja Tune label in May 2012.

Under his Slugabed alias, 23 year-old Greg Feldwick creates music which is at once complex, deep, thoughtful and above all distinctive. It channels the energy of the best of today's bass music, through spacey bleeps and meditative melodies to explore the outermost reaches of electronic music making today.

Originally hailing from Bath, UK, Feldwick relocated to Brighton in 2008, where he played an instrumental role in the success of local club night Donky Pitch for which he still holds a residency. The first rumblings of appreciation from his peers came at this time, from Slugabed’s initial pool of 12-inches. Releases for the Ramp Recordings and Stuff Records labels were the first introduction for many to his work, with both demonstrating his ability to combine intelligent and original production skills with serious dancefloor appeal.

Strong club and radio support followed from a wide range of respected DJs including Mary Anne Hobbs, Mark Pritchard, Benji B, Laurent Garnier and Surgeon as well as Tom Ravenscroft and Huw Stevens on BBC Radio 1.

With an already impressive catalogue of official remixes for the likes of Starkey, Eprom and Kelpe under his belt, he also created his own unofficial version of Pharoah Monch’s classic ‘Simon Says’ which devastated dancefloors worldwide. However, it was arguably his ‘Ultra Heat Treated’ EP, released in 2009 on the Planet Mu label, that propelled Slugabed into the spotlight, winning him new support and glowing reviews across the board, as well as interest from some of the best cutting-edge record labels around.

Partly as a result of this interest he was offered a chance to remix Roots Manuva’s all-time great “Witness (1Hope)” for Ninja Tune’s twentieth anniversary boxset. The result was one of the stand-outs of that mammoth collection, and made him one of only a handful of producers to successfully remix that classic cut. In fact, Roots Manuva himself liked it so much that he personally requested the instrumental so that he could use it in his live set. Almost inevitably, the album deal with Ninja Tune followed shortly after.

Since then, things have really taken off for Feldwick. He has played at the legendary Berghain club in Berlin as part of Scuba’s SUB:STANCE night, toured the USA, Australia and Asia, and remixed both Eskmo and Stateless for his new home label, as well as supplying another remix for the mighty Roots Manuva's 'Get The Get' single.

Funny, clever, referential, sometimes moving and never anything but completely himself, Slugabed is a substantial new presence in UK bass music.

With an ongoing touring schedule throughout Europe and the world, 2 new singles planned, and work on his second LP underway, things look set to stay busy for Slugabed into 2013 and beyond.

[links] =>

www.slugabed.net

Facebook
Twitter
Soundcloud

[image_upload_id] => 16726 [label_id] => 1 [twitter_username] => slugabedmusic [instagram_id] => [instagram_username] => [link] => [listed] => 1 [sortname] => Slugabed [created] => 2011-02-17 16:40:58 [modified] => 2013-01-07 14:13:57 [slug] => slugabed [fuga_id] => [description_clean] =>

Blending influences both classic and contemporary, from the outermost reaches of dubstep, hip hop and beyond, Slugabed has received unanimous praise for his debut album 'Time Time, released on the Ninja Tune label in May 2012.

Under his Slugabed alias, 23 year-old Greg Feldwick creates music which is at once complex, deep, thoughtful and above all distinctive. It channels the energy of the best of today's bass music, through spacey bleeps and meditative melodies to explore the outermost reaches of electronic music making today.

Originally hailing from Bath, UK, Feldwick relocated to Brighton in 2008, where he played an instrumental role in the success of local club night Donky Pitch for which he still holds a residency. The first rumblings of appreciation from his peers came at this time, from Slugabed’s initial pool of 12-inches. Releases for the Ramp Recordings and Stuff Records labels were the first introduction for many to his work, with both demonstrating his ability to combine intelligent and original production skills with serious dancefloor appeal.

Strong club and radio support followed from a wide range of respected DJs including Mary Anne Hobbs, Mark Pritchard, Benji B, Laurent Garnier and Surgeon as well as Tom Ravenscroft and Huw Stevens on BBC Radio 1.

With an already impressive catalogue of official remixes for the likes of Starkey, Eprom and Kelpe under his belt, he also created his own unofficial version of Pharoah Monch’s classic ‘Simon Says’ which devastated dancefloors worldwide. However, it was arguably his ‘Ultra Heat Treated’ EP, released in 2009 on the Planet Mu label, that propelled Slugabed into the spotlight, winning him new support and glowing reviews across the board, as well as interest from some of the best cutting-edge record labels around.

Partly as a result of this interest he was offered a chance to remix Roots Manuva’s all-time great “Witness (1Hope)” for Ninja Tune’s twentieth anniversary boxset. The result was one of the stand-outs of that mammoth collection, and made him one of only a handful of producers to successfully remix that classic cut. In fact, Roots Manuva himself liked it so much that he personally requested the instrumental so that he could use it in his live set. Almost inevitably, the album deal with Ninja Tune followed shortly after.

Since then, things have really taken off for Feldwick. He has played at the legendary Berghain club in Berlin as part of Scuba’s SUB:STANCE night, toured the USA, Australia and Asia, and remixed both Eskmo and Stateless for his new home label, as well as supplying another remix for the mighty Roots Manuva's 'Get The Get' single.

Funny, clever, referential, sometimes moving and never anything but completely himself, Slugabed is a substantial new presence in UK bass music.

With an ongoing touring schedule throughout Europe and the world, 2 new singles planned, and work on his second LP underway, things look set to stay busy for Slugabed into 2013 and beyond.

[links_clean] =>

www.slugabed.net

Facebook
Twitter
Soundcloud

) [1] => Array ( [id] => 59 [name] => Daedelus [description] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links] =>

Website

Facebook
Twitter
Soundcloud

[image_upload_id] => 15479 [label_id] => 1 [twitter_username] => daedelus_music [instagram_id] => 855015 [instagram_username] => daedelus [link] => [listed] => 0 [sortname] => Daedelus [created] => 2010-07-17 22:15:59 [modified] => 2014-03-06 10:13:54 [slug] => daedelus [fuga_id] => [description_clean] =>

Alfred Darlington isn’t a paint-by-numbers musician. From how he looks (early Victorian Dandyism), to how he makes music, or how he expresses
himself and views the world, his is a very individual ‘bespoke’ outlook. 

Alfred was born in Santa Monica in 1977 to an artist mother and professor father. Musical from very early on, as a child he was classically and jazz-trained in a number of instruments, but his interests were broad and varied – less a prodigy than a renaissance boy whose obsessions ranged from Greek legend to the mountains of Wales. As a 15 year old he finally persuaded his parents to take him to the Principality. Whilst in a YWCA in London he flipped the radio dial, found a pirate radio station and taped some UK rave and hardcore. “It was my first ‘Eureka!’ moment in music,” he says. 

Back in the US he joined local rock bands, jazz bands and ska bands, which he enjoyed but felt limited by, too. At home he was listening to Warp, Ninja and your harder electronic stuff. He started DJing out the more leftfield side of drum & bass and making his own rudimentary productions. They were meant to fit the d&b template but they kept turning out different and from his outsider’s experiments his own style was born. He chose the name Daedelus as he had a childhood obsession with invention, and what was he doing, after all, if not tinkering and fiddling and experimenting like the “gentleman inventors” of old? 

In 1999 he started DJing on Dublab.com for his 'Entropy Sessions' and began dropping in his own early demo productions. Carlos Nino (of Ammoncontact) had the show after him and usually pushed Alfred out the studio as quickly as possible as he was not so enamoured with Alfred’s leftfield-electronic DJ style, but when he heard a tranquil Daedelus production he took Daedelus and introduced him to the LA scene. Nino placed Daedelus tracks on two influential compilations and then Plug Research released his debut album, 'Invention' in 2002. Remixers included Madlib, who later took Daedelus' accordion parts and used them on 2004's Madvillain record. 

In 2003, he was booked to play a show in San Diego by Brian Crabtree and Peter Siegerstrong and the pair asked him to test out an early prototype of the Monome. "It’s a Non-traditional electronic instrument,” Daedelus explains. “Basically it allows for massive improvisation." Since then Daedelus has continued to use this revolutionary controller, bringing much genuine liveness to the sometimes static world of performed electronic/dance music. 

In 2003 he did 'The Weather' album with Busdriver and Radioinactive and the remix album 'Rethinking the Weather' on Mush records. 2004 saw the release of 'Of Snowdonia' on Plug Research, the album with which Daedelus says he first “felt true artistic confidence, finding a true voice. I was finally in the right zone.” 

There was certainly no let up in his creativity. Also in 2004 he released the concept album 'A Gent Agent' on micro-label Laboratory Instinct. The 2005 album 'Exquisite Corpse' on Mush featured the likes of TTC, Mike Ladd and MF DOOM. Ninja signed Daedelus for UK/Europe (a relationship which reached its full expression on 2008's 'Love To Make Music To', his first album for the label worldwide and put together with the help of their team).

In 2006 'Denies the Day's Demise' came out, a record showcasing his love of Brazilian music. Last year he released his first live album, 'Live At Low End Theory', and 'Fairweather Friends EP'. Later that year came the release of his collaboration with his wife, Laura Darling, as the pastoral 'The Long Lost'. 

Since his last album 'Love To Make Music To' for Ninja there has been no let up in Daedelus’ productivity. He has remixed or been remixed by and produced with all of his LA scene peers including Flying Lotus, Nosaj Thing, The Gaslamp Killer, Baths, and countless others from further afield. In addition, singles and EPs under his own name have come out with Brainfeeder, All City, Magical Properties (the Daedelus home-imprint), Alpha Pup, Warp and Stones Throw. And all the while his reputation has grown internationally, his place in the LA scene has also solidified as a musician that many of the hottest names in the city turn to for everything from bass clarinet licks to advice on obscure electronics; all the while with a continuous string of tour dates across North America, Asia, Europe, the UK, and beyond. 

2011 starts not only with his new album but the meticulous planning of a huge tour featuring guest vocalists from his 'Bespoke' LP and with a spectacular visual show curated in part by Emmanuel Baird (of Manchester's Warehouse Project and Hoya Hoya nights) which will feature a top secret new invention codenamed ARCHIMEDES, promising to yet again re-invent live electronic performance.

[links_clean] =>

Website

Facebook
Twitter
Soundcloud

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