The Nature of Imitation
by Dorian Concept

— Released 3rd August 2018 on Brainfeeder

Brainfeeder unveils the full-length project titled “The Nature of Imitation” by the label’s newest signing: Dorian Concept.

Following the release of “Joined Ends” in 2014 - a deeply intimate and textured project he describes as his “chamber music” record - Dorian Concept performed everywhere from Glastonbury to Sonar to MoMA PS1’s Warm Up and then deliberately took himself off the radar. The time since has been spent meticulously un-learning his prodigious production pro...

Brainfeeder unveils the full-length project titled “The Nature of Imitation” by the label’s newest signing: Dorian Concept.

Following the release of “Joined Ends” in 2014 - a deeply intimate and textured project he describes as his “chamber music” record - Dorian Concept performed everywhere from Glastonbury to Sonar to MoMA PS1’s Warm Up and then deliberately took himself off the radar. The time since has been spent meticulously un-learning his prodigious production process and developing a brand new sound that even the most clued-up won’t be expecting - showcased on ‘Promises’, in the most prominent use of his voice to date. The recording and processing of his vocals represent not only a more human expression of his highly technical sound, but also an inclination toward recursion - the challenge, ephemerality, and demand for attention of “unequal repetition” which shapes the build and deconstruction of energy throughout the record.

Taking inspiration from multi-generational eclecticism (‘60s jazz, ‘70s fusion, ‘80s neo prog-rock, ‘90s electronica), Dorian Concept sought to replicate “modern” music elements with old-fashioned methods, live-playing and hand-recording deceptively digital sounds in service of a tongue-in-cheek “parody of nostalgia”. Having produced the record largely in the years 2016 and 2017 - widely characterized as periods of a cultural reckoning throughout the democratic world - he ambitiously took timely themes of cumulative error, shortening attention spans and subjective experience and transposed them into his making. As is to be expected from him by now, for all the considered, high-concept musing, the result is refreshingly unpretentious: dizzying swells, cacophonous breakdowns and formidable rhythms are both expert and childlike, hyperactive and hyper-focused.

Left to freely associate, Dorian Concept describes the record as follows:

Using a different vocabulary.

“Lively, Chaotic and Loud”

Sloppy Virtuosity.

Deconstructed with Love.

Audible Uncertainty.

Visceral.

Crowded.

Somewhat of a Study.

Fast-paced.

Pointless ... Meaning there’s no dot at the end.

Born Oliver Thomas Johnson, the self-taught keyboardist and producer should be no stranger to those in the Brainfeeder orbit. He first caught the attention of the crew in its infancy, when head honcho Flying Lotus discovered Dorian Concept’s MySpace profile and swiftly included a remix in his lauded debut Essential Mix (2008). Dorian Concept went on to tour with FlyLo’s live band, appeared at some of Brainfeeder’s earliest international label nights in 2009 (Off-Sonar in Barcelona and the infamous Hearn Street Car Park session in London), and released a string of celebrated EPs and albums for Kindred Spirits imprint Nod Navigators, Affine and Ninja Tune - as well as remixing Taylor McFerrin, contributing production to Thundercat’s “The Golden Age of Apocalypse” and playing keys on Flying Lotus’ seminal “Cosmogramma”. 

The Nature of Imitation
by Dorian Concept

— Released 3rd August 2018 on Brainfeeder

Physical

CD (BFCD075)

This item has not been released yet, we will ship it to arrive on or close to the release date of 3rd August 2018.

 

Digital

PRE-SAVE TO SPOTIFY

Automatically add this release to your Spotify account on the release date of 3rd August 2018.

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MP3 (BFDNL075)

This item has not been released yet, it will be available to download on the release date, 3rd August 2018.

 
16-bit WAV (BFDNL075W)

This item has not been released yet, it will be available to download on the release date, 3rd August 2018.

 

Physical

Digital

CD (BFCD075)

This item has not been released yet, we will ship it to arrive on or close to the release date of 3rd August 2018.

PRE-SAVE TO SPOTIFY

Automatically add this release to your Spotify account on the release date of 3rd August 2018.

You will be asked to login with your Spotify Account.

Read our Terms & Conditions about this service here

MP3 (BFDNL075)

This item has not been released yet, it will be available to download on the release date, 3rd August 2018.

16-bit WAV (BFDNL075W)

This item has not been released yet, it will be available to download on the release date, 3rd August 2018.

Tracklist

  • CD
  • MP3
  • 16-bit WAV
  1. 1
    Promises
  2. 2
    Angel Shark
  3. 3
    J Buyers
  4. 4
    A Mother's Lament
  5. 5
    No Time Not Mine
  6. 6
    Pedestrians
  7. 7
    Self Similarity
  8. 8
    Dishwater
  9. 9
    E13
  10. 10
    The Space
  11. 11
    You Give And Give
  12.  
    Play All (1)
  1. 1
    Promises
  2. 2
    Angel Shark
  3. 3
    J Buyers
  4. 4
    A Mother's Lament
  5. 5
    No Time Not Mine
  6. 6
    Pedestrians
  7. 7
    Self Similarity
  8. 8
    Dishwater
  9. 9
    E13
  10. 10
    The Space
  11. 11
    You Give And Give
  12.  
    Play All (1)
  1. 1
    Promises
  2. 2
    Angel Shark
  3. 3
    J Buyers
  4. 4
    A Mother's Lament
  5. 5
    No Time Not Mine
  6. 6
    Pedestrians
  7. 7
    Self Similarity
  8. 8
    Dishwater
  9. 9
    E13
  10. 10
    The Space
  11. 11
    You Give And Give
  12.  
    Play All (1)

Brainfeeder unveils the full-length project titled “The Nature of Imitation” by the label’s newest signing: Dorian Concept.

Following the release of “Joined Ends” in 2014 - a deeply intimate and textured project he describes as his “chamber music” record - Dorian Concept performed everywhere from Glastonbury to Sonar to MoMA PS1’s Warm Up and then deliberately took himself off the radar. The time since has been spent meticulously un-learning his prodigious production pro...

Brainfeeder unveils the full-length project titled “The Nature of Imitation” by the label’s newest signing: Dorian Concept.

Following the release of “Joined Ends” in 2014 - a deeply intimate and textured project he describes as his “chamber music” record - Dorian Concept performed everywhere from Glastonbury to Sonar to MoMA PS1’s Warm Up and then deliberately took himself off the radar. The time since has been spent meticulously un-learning his prodigious production process and developing a brand new sound that even the most clued-up won’t be expecting - showcased on ‘Promises’, in the most prominent use of his voice to date. The recording and processing of his vocals represent not only a more human expression of his highly technical sound, but also an inclination toward recursion - the challenge, ephemerality, and demand for attention of “unequal repetition” which shapes the build and deconstruction of energy throughout the record.

Taking inspiration from multi-generational eclecticism (‘60s jazz, ‘70s fusion, ‘80s neo prog-rock, ‘90s electronica), Dorian Concept sought to replicate “modern” music elements with old-fashioned methods, live-playing and hand-recording deceptively digital sounds in service of a tongue-in-cheek “parody of nostalgia”. Having produced the record largely in the years 2016 and 2017 - widely characterized as periods of a cultural reckoning throughout the democratic world - he ambitiously took timely themes of cumulative error, shortening attention spans and subjective experience and transposed them into his making. As is to be expected from him by now, for all the considered, high-concept musing, the result is refreshingly unpretentious: dizzying swells, cacophonous breakdowns and formidable rhythms are both expert and childlike, hyperactive and hyper-focused.

Left to freely associate, Dorian Concept describes the record as follows:

Using a different vocabulary.

“Lively, Chaotic and Loud”

Sloppy Virtuosity.

Deconstructed with Love.

Audible Uncertainty.

Visceral.

Crowded.

Somewhat of a Study.

Fast-paced.

Pointless ... Meaning there’s no dot at the end.

Born Oliver Thomas Johnson, the self-taught keyboardist and producer should be no stranger to those in the Brainfeeder orbit. He first caught the attention of the crew in its infancy, when head honcho Flying Lotus discovered Dorian Concept’s MySpace profile and swiftly included a remix in his lauded debut Essential Mix (2008). Dorian Concept went on to tour with FlyLo’s live band, appeared at some of Brainfeeder’s earliest international label nights in 2009 (Off-Sonar in Barcelona and the infamous Hearn Street Car Park session in London), and released a string of celebrated EPs and albums for Kindred Spirits imprint Nod Navigators, Affine and Ninja Tune - as well as remixing Taylor McFerrin, contributing production to Thundercat’s “The Golden Age of Apocalypse” and playing keys on Flying Lotus’ seminal “Cosmogramma”.