1983
by Flying Lotus

— Released 17th April 2026 on Brainfeeder

1983, the 2006 debut album from Flying Lotus, will be officially re-released on vinyl as part of Record Store Day, as well as released on streaming platforms. The album, which was remastered for this occasion, will be available to stream on April 17th, while the physical release happens the following day on RSD. Brainfeeder Records proudly shares the release in a very full circle moment for FlyLo’s own imprint, and the title track ‘1983’ serves as a teaser for the album.

A career that includes modern classics such as You’re Dead!, Cosmogramma, and Until the Quiet Comes began 20 years ago with 1983, Steven Ellison’s first LP as Flying Lotus. Made in the comfort of his grandmother’s bedroom, it broadcasts early transmissions from an artist just beginning to test his talents. Those talents are displayed in the music’s style, which draws from J Dilla, jazz, and Brazilian syncopation in a way only he could weave together. The Brazilian influence in particular played a significant role in Steve’s understanding of rhythm, a revelation delivered by a lesson from a street vendor in Copacabana. 

“It flipped my whole wig,” Ellison says, laughing at the memory. 

Lessons such as the vendor’s, along with his jazz heritage, interest in soundtracks, and interning at Stones Throw Records, are evident in these sonic collages. Though at its beginning stages, the sound present here is not that of a novice but of a visionary who saw what possibilities lay ahead, something encouraged by the label, Plug Research.

“Give us the weird shit,” Ellison recalls them saying. It’s what ended up paying off in the end as 1983 kicked off a run of six studio albums, a body of work that encompasses just one scope of Flying Lotus’ output and influence. 

1983
by Flying Lotus

— Released 17th April 2026 on Brainfeeder

Digital

MP3 (BFDNL164)

This item has not been released yet, it will be available to download on the release date, 17th April 2026.

 
16-bit WAV (BFDNL164W)

This item has not been released yet, it will be available to download on the release date, 17th April 2026.

 

Digital

MP3 (BFDNL164)

This item has not been released yet, it will be available to download on the release date, 17th April 2026.

16-bit WAV (BFDNL164W)

This item has not been released yet, it will be available to download on the release date, 17th April 2026.

Tracklist

  • MP3
  • 16-bit WAV
  1. 1
    1983
  2. 2
    São Paulo
  3. 3
    Bad Actors
  4. 4
    Orbit Brazil
  5. 5
    Shifty
  6. 6
    Babble
  7. 7
    Pet Monster Shotglass
  8. 8
    Hello
  9. 9
    Untitled #7
  10. 10
    Unexpected Delight
  11.  
    Play All (1)
  1. 1
    1983
  2. 2
    São Paulo
  3. 3
    Bad Actors
  4. 4
    Orbit Brazil
  5. 5
    Shifty
  6. 6
    Babble
  7. 7
    Pet Monster Shotglass
  8. 8
    Hello
  9. 9
    Untitled #7
  10. 10
    Unexpected Delight
  11.  
    Play All (1)

1983, the 2006 debut album from Flying Lotus, will be officially re-released on vinyl as part of Record Store Day, as well as released on streaming platforms. The album, which was remastered for this occasion, will be available to stream on April 17th, while the physical release happens the following day on RSD. Brainfeeder Records proudly shares the release in a very full circle moment for FlyLo’s own imprint, and the title track ‘1983’ serves as a teaser for the album.

A career that includes modern classics such as You’re Dead!, Cosmogramma, and Until the Quiet Comes began 20 years ago with 1983, Steven Ellison’s first LP as Flying Lotus. Made in the comfort of his grandmother’s bedroom, it broadcasts early transmissions from an artist just beginning to test his talents. Those talents are displayed in the music’s style, which draws from J Dilla, jazz, and Brazilian syncopation in a way only he could weave together. The Brazilian influence in particular played a significant role in Steve’s understanding of rhythm, a revelation delivered by a lesson from a street vendor in Copacabana. 

“It flipped my whole wig,” Ellison says, laughing at the memory. 

Lessons such as the vendor’s, along with his jazz heritage, interest in soundtracks, and interning at Stones Throw Records, are evident in these sonic collages. Though at its beginning stages, the sound present here is not that of a novice but of a visionary who saw what possibilities lay ahead, something encouraged by the label, Plug Research.

“Give us the weird shit,” Ellison recalls them saying. It’s what ended up paying off in the end as 1983 kicked off a run of six studio albums, a body of work that encompasses just one scope of Flying Lotus’ output and influence.