Stereo Typing
by My Dry Wet Mess

— Released 12th November 2012 on Brainfeeder

Stereo Typing is the sum of the parts of a journey. Giovanni Civitenga, aka My Dry Wet Mess, composed his forthcoming album for Brainfeeder over a 15 month period (November ‘10 through January ‘12), between Barcelona and Berlin, in four different houses. And out of the many changes and different chapters, comes a densely layered body of work that - despite being a product of transition - stands as his most grounded and resolved work yet. 

The title derived, My Dry Wet Mess expl...

Stereo Typing is the sum of the parts of a journey. Giovanni Civitenga, aka My Dry Wet Mess, composed his forthcoming album for Brainfeeder over a 15 month period (November ‘10 through January ‘12), between Barcelona and Berlin, in four different houses. And out of the many changes and different chapters, comes a densely layered body of work that - despite being a product of transition - stands as his most grounded and resolved work yet. 

The title derived, My Dry Wet Mess explains, “from the concept of typing for the stereo field, as in writing narration through sounds. Writing a story as a writer would do, but using sounds instead of words.” The 14 album tracks use live instrumentation, tweaked samples, slap-bass riffs, slanted beats and winding melodies to form playful narratives and plot shifts, leading the listener to places completely unexpected, and unknown. Twists and turns abound, each track is a journey in itself, at times traversing through intertwining synth lines in a buoyant underwater bassbin, other points diverting into R&B-sampled scifi wonderlands, filled with otherworldly sounds conversing. The album ends on sensory bliss, with the sublime "Prismas" and the daydream-inducing "Youth Reboot". 

Though his living situation changed throughout the album’s formation, there’s a inherent sense of family and home in the LP. His father plays guitar, Gianluca Pellegrino (an old friend and regular collaborator) plays various electric guitar parts, and his good friend in New York, Maryam Modarressi, sings on two songs, and her sampled voice makes an appearance throughout the album. The artwork was also created by his close conspirator, Berlin based illustrator Elliot Beaumont, a homage to one of MDWM’s favorite painters, De Chirico. “It's got this hard to define quality to it, a sense of "future nostalgia" that I love and that I find extremely appropriate for my music and the ideas behind it.”

Stereo Typing
by My Dry Wet Mess

— Released 12th November 2012 on Brainfeeder

Buy digital

MP3 (BFDNL035)
£5.00
 
16-bit WAV (BFDNL035W)
£7.00
 

Buy digital

MP3 (BFDNL035)
£5.00
16-bit WAV (BFDNL035W)
£7.00

Tracklist

  1. 1
    Berlin Stereo Hands
  2. 2
    Austere Coincidences
  3. 3
    When We Were Wrong
  4. 4
    Words I Didn't
  5. 5
    Lick
  6. 6
    Mombasa Tutu
  7. 7
    Clappin' Ears
  8. 8
    A Wrong Number
  9. 9
    My Warped Tits
  10. 10
    Bullshit Indeed
  11. 11
    Glue and the Love in It
  12. 12
    Nowhere Now
  13. 13
    Prismas (featuring Eva Puyuelo)
  14. 14
    Youth Reboot
  15.  
    Play All (14)

Stereo Typing is the sum of the parts of a journey. Giovanni Civitenga, aka My Dry Wet Mess, composed his forthcoming album for Brainfeeder over a 15 month period (November ‘10 through January ‘12), between Barcelona and Berlin, in four different houses. And out of the many changes and different chapters, comes a densely layered body of work that - despite being a product of transition - stands as his most ground...

Stereo Typing is the sum of the parts of a journey. Giovanni Civitenga, aka My Dry Wet Mess, composed his forthcoming album for Brainfeeder over a 15 month period (November ‘10 through January ‘12), between Barcelona and Berlin, in four different houses. And out of the many changes and different chapters, comes a densely layered body of work that - despite being a product of transition - stands as his most grounded and resolved work yet. 

The title derived, My Dry Wet Mess explains, “from the concept of typing for the stereo field, as in writing narration through sounds. Writing a story as a writer would do, but using sounds instead of words.” The 14 album tracks use live instrumentation, tweaked samples, slap-bass riffs, slanted beats and winding melodies to form playful narratives and plot shifts, leading the listener to places completely unexpected, and unknown. Twists and turns abound, each track is a journey in itself, at times traversing through intertwining synth lines in a buoyant underwater bassbin, other points diverting into R&B-sampled scifi wonderlands, filled with otherworldly sounds conversing. The album ends on sensory bliss, with the sublime "Prismas" and the daydream-inducing "Youth Reboot". 

Though his living situation changed throughout the album’s formation, there’s a inherent sense of family and home in the LP. His father plays guitar, Gianluca Pellegrino (an old friend and regular collaborator) plays various electric guitar parts, and his good friend in New York, Maryam Modarressi, sings on two songs, and her sampled voice makes an appearance throughout the album. The artwork was also created by his close conspirator, Berlin based illustrator Elliot Beaumont, a homage to one of MDWM’s favorite painters, De Chirico. “It's got this hard to define quality to it, a sense of "future nostalgia" that I love and that I find extremely appropriate for my music and the ideas behind it.”