Leap Life
by Saul Williams
— Released 28th August 2026 on Big Dada
With his upcoming record, 'Leap Life,' Williams expands the definition of what music itself can be, operating on the philosophy that "the voice is the instrument." Throughout the album, Williams speaks, chants, improvises and testifies over fluid arrangements that blur the lines between spoken word, jazz abstraction, hip-hop cadence, West African rhythmic logic, ambient composition and ceremonial sound design. Moving beyond traditional rhyme structures, the project embraces spontaneity, treating language as a rhythmic, vibrating force while capturing the essence of a jazz improviser chasing revelation in real-time, reflecting a lifetime of artistic preparation.
It’s a risky process — surrendering control inside a medium built on permanence — but Williams sees revelation in that uncertainty. “What does it mean to trust the moment?” he asks.
Leap Life
by Saul Williams
— Released 28th August 2026 on Big Dada
Physical |
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LP (BD323D)
Limited Edition LP 2LP red and gold corona burst vinyl in a 12” gatefold with 24” foldout newsprint poster. |
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LP (BD323)
2LP black vinyl in a 12” gatefold with 24” foldout newsprint poster |
Tracklist
- LP
- LP
- MP3
- 16-bit WAV
-
1
Baobab Constellation
-
2
Mazahua
-
3
I Think I Get It Now
-
4
Great, Great-Grandmother
-
5
The Dagger
-
6
Controlled Is Not Controllable
-
7
13 Moons
-
8
Une Photographie
-
9
Not Everything For Sale
-
10
Robot Slave
-
11
Conspiracy
-
12
Vengeful Spirit
-
13
Friends I Ain't Met Yet
-
14
Coming Forth
-
Play All (14)
-
1
Baobab Constellation
-
2
Mazahua
-
3
I Think I Get It Now
-
4
Great, Great-Grandmother
-
5
The Dagger
-
6
Controlled Is Not Controllable
-
7
13 Moons
-
8
Une Photographie
-
9
Not Everything For Sale
-
10
Robot Slave
-
11
Conspiracy
-
12
Vengeful Spirit
-
13
Friends I Ain't Met Yet
-
14
Coming Forth
-
Play All (14)
With his upcoming record, 'Leap Life,' Williams expands the definition of what music itself can be, operating on the philosophy that "the voice is the instrument." Throughout the album, Williams speaks, chants, improvises and testifies over fluid arrangements that blur the lines between spoken word, jazz abstraction, hip-hop cadence, West African rhythmic logic, ambient composition and ceremonial sound design. Moving beyond traditional rhyme structures, the project embraces spontaneity, treating language as a rhythmic, vibrating force while capturing the essence of a jazz improviser chasing revelation in real-time, reflecting a lifetime of artistic preparation.
It’s a risky process — surrendering control inside a medium built on permanence — but Williams sees revelation in that uncertainty. “What does it mean to trust the moment?” he asks.